Tilliander meets Lee Scratch Perry #2

Dubtech From Feedback

LJUDVERKET 31.01

Linus Hillborg, a Swedish composer and musician based in Stockholm operating in numerous fields, ranging from electronic musics and interactive installations to post-punk and noise groups. In 2021 he released his solo-debut Magelungsverket, derived from the installation Orphan Works (2019) which he built with an obsolete video game engine. He has previously put out music under the moniker Atonet, co-runs the imprint Moloton and is set to release new organ and violin music through XKatedral in 2022.
“This mix is a healthy slab of early electronics, soundscape music, punk, video game soundtracks and new stuff from me and friends.”

Linus Hillborg [Reste à la fin, les cendres  Curated by Mari] [31.01.2022]

2022 rework of a early 2003 Monolake track. I just wanted to see if i can still open a Live set I made with Ableton Live 2 in Ableton Live 11. And then I spent the afternoon playing with it and decided to share the result. There you go! :-)

Atomium-2022-rework

Atomium - 2022 - 13

Fonte/source: UbuWeb (http://www.ubu.com/sound/radigue.html)

Eliane Radigue, “Kyema, Intermediate States” (1992)

Sk [Rain] - No*Ia - Éclat Part 103

Blackbox Life Recorder 21f

Kjell Alinge läser upp Mats Almegårds recension av Andreas Tillianders ”No Schaffel” ("Från Jävla kritiker")

Kjell Alinge - Mats Almegårds recension av Andreas Tillianders ”No Schaffel”

Piano Loop

ataissatsana_experiemnt

all of your heart and all of your commitment means nothing and fights against your shadow

the feeling of having tried and not succeeded

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

losing to myself,
i'm no good at this,
i think i'm having a bad dream,
unreal feeling,
minor thoughts,
bad dreams,
minor thoughts in my head,
bad dreams i'm still in bed,
losing to myself,
i'm no good at this,
i think i'm having a bad dream,
unreal feeling

Written & Produced by Divorce Court
Mixing, Guitar, & Master by William Hayward
Artwork by Kevin Castaneda (Lately.fm)

Minor Thoughts

Laid Back Lovers 10

A while ago KAS:ST made a remix contest with 4 tracks off their album “Road To Nowhere“. Unfortunately, by the time I read about it, submissions were already closed. But still, I wanted to give it a go by remixing “Hell On Earth” and share it with you.

Original track by KAS:ST
Artwork by THEPOSTHUMAN
Mastered by Pulso

Available for FREE DOWNLOAD in high-quality WAV-24bit.

KAS:ST - Hell On Earth (c0ma Remix)

Sometimes when playing organ preludes and postludes in church, I improvise on rap songs. Sometimes I start with something else (say, for example, motives based on my own interpretations of "redemption" or "jubilation" or "cupcakes") but the journey ends up, somewhere along the way, in the loopy-oriented terrain a rap song or vice versa. 

Most people listening out in the pews more often than not have no idea what sources I quote at the time (depending on who's out there, of course), but the most intriguing part of the exercise is that people of all stripes seem to like the pieces, and have said to be "moved" by them in ways unconventional and far away from a song written for, say, a club. 

There is little material intervallic and harmonic difference between a song played on the organ and a song played through a DAW after all; meaning is ultimately ascribed through timbre and context. This fact testifies to the power of a delicately placed recontextualization and is proof of an "everyday sacred"  contained in even the most deceivingly simplistic 4/4 riffs and 12-bar bass lines.  

A 2013 Gate Production. 
Composed and Performed by Kara-Lis Coverdale in Montreal, Quebec. 

Dubtech From Feedback

Matt Jackson

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Tilliander/TM404/Mokira/

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