George Michael - Jesus to a child (Timo Jahns Edit)

Artist: Zucchero
Album: "Blue's"
Original release date: 1987

This English version was re-recorded in 1990, together with the English singer and musician Paul Young and is included in his album "Zucchero".


I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!!!!

Zucchero & Paul Young  - Senza Una Donna ( Dim Zach ReWork )

One of my favourite 80s tracks, remixed for 2014 by yours truly. Out of respect for the artist and his new name I have title it as Sananda Maitreya but you will all know who he formerly was.

Extended version of the original with numerous added elements included breaks and a funky bassline. 

Enjoy.

Sananda Maitreya - Sign Your Name (Matt Slammer's Sign On Breaks Mix)

Catché de quoi

Jou 3

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.55.43 am

Wham! - Where Did Your Heart Go?(DiPap Edit)

Tasmin Archer -Sleeping Satellite (DiPap Remix)

Edit made by Prosper Rek & Franklin Reeves.

Credits go to Sting for making this amazing track.

Enjoy!

Facebook: http://www.facebook.com/ProsperRek

Beatport Releases

Sting - Englishman in New York (Prosper Rek & Franklin Reeves Edit)

Marty Balin - Hearts(Dj Pantelis Remix)

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Tom Jones - She's A Lady (Zeni N Edit) Free Download

At the tender age of 12, Matt Slammer started mixing the early hardcore and jungle bought with pocket money from Birmingham's Don Cristie's record shop. A couple of years' too young to attend the early 90s raves, Slammer had to make do listening to the events' tape packs and trying to emulate his heroes on the 1s and 2s.

Slammer spun at clubs and parties around the UK throughout the 90s and early noughties, the highlight of which was doing the warm-up set for the legendary Slipmatt.

During a 10-year stint in Thailand, Slammer was a regular fixture at the capital's underground parties and ran a radio station which became notorious for its late-night unofficial old skool hardcore sets.

After returning to the UK, Slammer joined the Urban Warfare Crew, doing regular radio shows and events in London and Malta. 

After nearly 3 decades on the wheels of steel, Slammer's unconditional love for anything with a breakbeat has never dwindled.

When he's not producing, Matt is the Founder and Director of the psychology-based Learning & Development company, Enlites. www.enlites.com