A Deutsche stomp down Liebezeit Drive that asks the all-important question whether German rock legends, CAN, are able to Can the Can as vigorously as Suzi Quatro in 1973. That's the same year that Can released Future Days which featured Moonshake, just one of the Kosmische legends’ canon featured here alongside Spoon, Mushroom, You Doo Right and I Want More. Maybe it will make the Top Tin after all?

Super Smash

Can CAN Can The Can?

Musical Oddness & Wistful Tootling, Southsea and always slightly lost. Keith’s 2024 release a skip and a song to see us along was Number 14 in Electronic Sounds Albums of 2024 and also included on Stuart Maconie's Freak Zone (6 Music) Best of 2024 show

A Skip and a Song to See Us Along is an overall entertaining listen. The different atmospheres that get depicted are all colorful enough to make this record a short and sweet trip into some kind of psychedelic kids show, though it’s one of those trips that may make you a bit fidgety if you’re not quite feeling it.
Benci Igloo Magazine August 2024 

Recalling the abstract experiments of Basil Kirchin, back-to-the-nursery psychedelic nightmares that were recurring scenarios on The Prisoner and The Avengers. A parping, marching melody that could’ve come from The Residents. This 16-minute EP is a perfect introduction to Seatman’s evocative, unsettling world. 
Ben Graham Shindig Magazine (July 2023)

"Disjointed Oddities Vol: 2 follows on from 2018's Disjointed Oddities and Other Such things, this is by the great Keith Seatman. Over the last 13 years has released 7 solo albums, all of them unique and interesting." 
Stuart Maconie, Freak Zone BBC 6 Music (June 2023)

An album steeped in sweet shop mysticism of a stranger and gentler England. Its Syd Barrett, Bonzo Dog Doo-Dah Band, Radiophonic workshop and even Tommy Cooper and the remnants of Music hall.
Its barely February but he might have made the album of the year.
Bob Fisher (Electronic Sound, Feb 2020)

Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound 
designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)

Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. brilliant.
Carl Griffin (Electronic Sound Magazine Dec 2015)

His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last. 
Wyrd Britain (Nov 2015)

"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date." 
Jim Jupp, (Ghost Box, 2013)

Husband, Father, Muso, Drummer, Producer, Founding member of Mongo Shakers, Marketing Man, Friend and Defender of the Snazz

He made albums in 1970/71 but nothing since

“I desired my dust to be mingled with yours
Forever and forever and forever.”

Can CAN Can The Can?

Matt Button