Yonder is an old English word that means, that way. Far away.
I was always captivated by long gone civilizations with buried cities waiting to be discovered, no one really knows were they are, they lay somewhere Yonder...
 Its with great pleasure I dedicate this piece to a young lady I found out is a fan of mine, thank you Ella for bringing a smile to my face, this piece is for you. <3

Spotify link updated, please use that, so sorry for the inconvenience.
The art work is by a wonderful photographer called Ray ,he has a brilliant eye for beauty, visit his website, it will make your day, I promise  https://www.raybilcliff.uk/

Yonder

Darkwater

tronic fusion w/ supasoaka

1. Jennie. 1989. West 4th Street, New York
interlude: time passes
2. Vinnie. 1994. West 4th Street, New York (3:51)
interlude: time passes 
3. Michael. 2003. Housing Works, 2nd Avenue, New York (8:33)
transition: time passes
4. Beth. 2010. West 17th Street, New York (12:53)
interlude: time passes
5. Marcie. 2020. Euclid Avenue, Berkeley (16:03)

The Nothing Lamp

The Nothing Lamp (2021)

This is Marti Epstein's response to I Baci by Barbara Strozzi, written for Favella Lyrica.

Extension Works

I Baci

Music by Matteo Neri
Poetry by Giacomo Leopardi

Stephanie Leotsakos- Soprano
Matteo Neri- Piano

'L'infinito' for Voice and Piano

Nathan Halpern - "Marina and Ulay" (Marina Abramovic: The Artist Is Present - Original Score) [3]

Cherubino's first aria from "Le Nozze di Figaro" by W.A. Mozart

Micaela Aldridge, mezzo-soprano
David Stech, piano

Mozart- Non so più cosa son, from "Le Nozze di Figaro"

Octavian's aria from "Der Rosenkavalier" by Richard Strauss

Micaela Aldridge, mezzo-soprano
David Stech, piano

Strauss- Wie du warst, from "Der Rosenkavalier"

Original score excerpt from Carlo Mirabella Davis's psychological thriller SWALLOW, in theaters and VOD on MARCH 6th via IFC Films,

SWALLOW: They're Expecting Us / Empty Nest

Peter Oundjian, conductor
Los Angeles Chamber Orchestra

Commissioned by Los Angeles Chamber Orchestra Sound Investment

Inspired by the trailblazing work of artist Miriam Schapiro, warp & weft is a celebration of the creative process and specifically the Schapiro-coined term “femmage.” Femmage, or feminist collage, defines any activity practiced by women using traditional women’s techniques to achieve their art—collage, decoupage, and weaving, just to name a few. Schapiro used the term to elevate the significance of women’s crafting in the home which was historically denigrated as “decorative” art compared to predominantly male artists whose pieces were classified as “high” art. The form and content of warp & weft is particularly inspired by the art of weaving. I visualized a loom and the act of weaving while composing, where the weft (horizontal axis of the loom) is represented by sections dedicated to gradually developing melodies, and the warp (vertical axis of the loom) depicts the sections identified by strong vertical chords. Throughout the piece, I imagine Schapiro’s studio, full of color, various materials, and ideas, swirling around in a fantastical way as she moves from medium to medium celebrating the history and artistic viewpoints of women past, present, and future.

'L'infinito' for Voice and Piano

Matteo Neri :|: Composer

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