Mattheis / Nous'klaer Audio

mattheis

Techno: dream-y

ELECTRO PROGRESSIVE

ELECTRO

The Colundi Sequence
51 Resonance Experiments & Sonic Spells
2 DVD + 2CD = £20 + p&p
www.ovuca.com

GBBVT1337132

PYE CORNER AUDIO/NOT WAVING Intercepts split LP

Release date: 28.07.14

'Protect The Revolution' taken from 'Intercepts', a split album between Pye Corner Audio and Not Waving. 

Taking inspiration from the world of espionage, most specifically spy rings, both artists provide four tracks each, creating a thrilling musical call and response between these kindred producers.

Some of the world’s greatest espionage stories involve Spy Rings. From the Rosenbergs to the Cambridge Five and the Duquesne case, these are stories that haunt the annals of the covert world and remain shrouded in mystery and fascination to this day.

Clandestine spirits permeate these eight tracks of dreamlike industrial techno, impressionist synth burbles, fragmented post-modern ambient and cosmic sci-fi adventure.

PCA tracks composed by Martin Jenkins. 
Recorded and produced  by The Head Technician at Black Mill with assistance from Martin Jenkins.

NW tracks written, produced and recorded by Alessio Natalizia in London 2013-2014. 

PYE CORNER AUDIO (20:50)
1 Perfect Secrecy Forever 05:30
2 Twisted Wire Pair 05:33
3 Shared Secret Key 04:19
4 One Time Pad 05:28

NOT WAVING (20:02)
1 Protect The Revolution 08:26 
2 Two-Way Mirror 02:58
3 Enemies Of The People 04:28 
4 Like Shooting A Fish In A Barrel 04:10 

BUY SPECIAL EDITION!

Not Waving - Protect The Revolution

This is an excerpt from 20min length song "LOOP for A.M. SHOW WINDOW3". People who buy A.M. works will get this full length CD during "A.M.SHOW WINDOW" exhibition at PULP Osaka, 4th June ~ 8th 2014 and at KATA Tokyo from 1st July ~ 5th 2014. edition 300.

"LOOP for A.M. SHOW WINDOW3"からの抜粋です。オリジナルは20分の作品です。2014.6月4日〜8日の期間にPULP Osaka, 2014.7月1日〜８日にKATA Tokyoで開催される "A.M.SHOW WINDOW"にてA.M.作品をご購入いただいた方にCDをプレゼント。限定300枚。是非遊びにいらしてください。

http://pulpspace.org/post/85200763364
http://www.kata-gallery.net/events/am3/

mastered by Yoshinori Sunahara

LOOP for A.M. SHOW WINDOW3 _ excerpt

Guest appearance on Roko's Krake Special Radio Show, Sub FM on 09/08/14.

SubFM Roko AP 090814

Various Artists - Drum Attack EP (Lost dj weapons from the 1990s).

A1) Illumination - The Way Out Is The Way (1998)

AA1) Mr. Marvin - I Want You (1993)
AA2) Fuel - Rigid (1995)

Optimo Trax 011 is all about the drums.

This Illumination track (an Anglo-Norse pairing of Nicholas Stilltoe and Per ‘Mental Overdrive’ Martinsen) from 1998 has been a long time favourite of Twitch's that can instantly change the atmosphere in a club, sounds like very little else and is eminently mixable / great fun to mix with. It was only when the master arrived that the realisation came that for all these years he had been playing it at the wrong speed. It is meant to be slow but Twitch had always played it at 45 instead of 33. The vinyl version will be pressed so it can be played at either speed while the digital will be the sped up to the 45 version. It starts off soft and dubbed out until the almost overwhelming bass tones appear only to make way for apocalyptic drum cascades that on a good sound system sound like the end of the world. 


Mr. Marvin's "I Want You" came out on R&S offshoot Global Cuts in 1993. Made by Italian, Marvin Sasha who under the name Sasha made a great series of timeless EPs around the same time, this is a hypnotic tribal gem with seemingly random, panning vocal interjections. Great in the mix but much more than a mere mixing tool.

Lastly is Fuel's "Rigid" which came out on the UK label SCR in 1995 at the time when Chicago's Relief Records were taking over the more discerning djs' record boxes. This sounds like it shares some DNA with one of the many crazy tracks or remixes Green Velvet was making at this time; Industrial strength, stroboscopic snare tattoos that will have you reaching out for the smoke machine's "on" button every time.

All three have been tried and tested countless times since they were originally released and come with an Optimo Trax guarantee that if played in the right way, at the right point in the night they will not fail to work on the dancefloor.

Optimo Trax OT 011 is released on 12" and digital,  Jan 2015. Distribution by Kompakt and Rub A Dub. Mastered by James Savage.

Optimo Trax 011 - Various Artists - Drum Attack 12" EP (sampler)

AP_NTS_BLEEP_290814

@Mattheis delivers the first episode of our new irregular mix series dubbed Nous'klaer Radio! Get ready for nearly an hour of explosive arpeggiators.

Tracklist:
Pye Corner Audio - One Time Pad [Ecstatic]
Peaking Lights - Owls Barking [Night People]
Jonas Reinhardt - Lox Moon [Constellation Tatsu]
Black Deer - I Almost Had A Moment Alone [No 'Label']
Black Deer - Chief Big Thumb [No 'Label']
Mattheis - LS [Nous'klaer Audio]
Phobian - 121242 [Sex Lies & Magnetic Tape]
Unknown - Unknown [Unknown]
Ariel Kalma - Yogini Breath [Rvng Intl.]

More Nous'klaer Radio

Nous'klaer Radio #1 - Mattheis

Fell in love with "Hidden Bero" instantly. Lucky to have had the chance to do a remix, and see Oceanic delivering sublime interpretations of "Blablavism". 

https://clone.nl/item33525.html

B Hidden Bero (Mattheis Remix)

I can still remember cycling our way home after a night pubbing with Sjoerd in the summer of 2013, right after we listened to LS together for the very first time. We knew this had to be the next Nous'klaer. Late 2014 I completed this record by finishing 1001. 

1001

Kindred Phenomena marks @Mattheis’ debut album. After two cosmic EPs on Nous’klaer and a mini-album on tape for Ecstatic Recordings, he now returns to Nous’klaer for his first full story. An album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset.

On Kindred Phenomena Mattheis picks up where he left off: ‘Swell’ serves as another episode of the prisms, the modular synth excursion of ‘Bit Fragments’ pushes his arpeggiator solos a step further, and album standout ‘Ben_m’ provides his most beautiful dance of melodies yet. The album consists of eight tracks and comes as a double 12 inch for deejay convenience; and for the ultimate experience: go see Mattheis perform his album live on the road. 

Tracklist:
A1 Herds
A2 Ben_m (Tidal Fields Version)
B1 Ben_m 
B2 Bit Fragments
C1 Swell
C2 PR6
D1 PR8 
D2 Current

Label: Nous’klaer Audio
Cat no.: NOUSLP001
Format: 2x12” & Digital
Release date: 16-11-2015 (Digital one month after vinyl release)

All tracks written and produced by Matthijs Verschuure
Mastered by Chris Oberman
Artwork by Hilbert Kruidenier
Distributed by Clone Distribution 

Kindred Phenomena

Swell

Bandcamp

Mattheis - 5| Swell - Nous'klaer Audio LP 001

Abstraxion returns to his own Biologic Records to release this impressive revisited album - giving Tuff City Kids, Kasper Bjørke, Vessels, Clarian, Conforce, Mattheis, Ripperton, INIT, Eduardo De La Calle, Cleveland the freedom to have their own take on tracks from Abstraxion's 'She Thought She Would Last Forever' LP released in October 2016. Ripperton's first mark on Spazieren is one of meticulous sound design and textures complemented by a poignant vocal that provides a wicked ambience. His second offering is rapt around a warm bassline with orderly percussive stabs. Init's remix has been crafted with precision - an unhurried and mysterious track that builds and anticipates smoothly due to the precise instrumentation and adept reverb that's been applied on the vocal. Conforce closes out the EP with intent by delivering a dark, forceful and abstract take on Spazieren.

Spazieren (Mattheis Remix)

Releasing my debut album has been one of my most meaningful life-experiences, and apart from the times playing my livesets, I seem to never have found a right moment to share it personally with the world. Today it has been exactly one year since the release-date, so this should be a good moment.

"Kindred Phenomena marks Mattheis' debut album. After two cosmic EPs on Nous'klaer and a mini-album on tape for Ecstatic Recordings, he now returns to Nous'klaer for his first full story. An album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset. On Kindred Phenomena Mattheis picks up where he left off: 'Swell' serves as another episode of the prisms, the modular synth excursion of 'Bit Fragments' pushes his arpeggiator solos a step further, and album standout 'Ben_M' provides his most beautiful dance of melodies yet. The album consists of eight tracks and comes as a double 12 inch for deejay convenience; and for the ultimate experience: go see Mattheis perform his album live on the road."

D1 Mattheis - PR8

We'll close the year 2016 with a trancy single sided release by @Mattheis. It's his first new music since Kindred Phenomena, and his most uptempo club music yet.

Releaseparty: https://www.facebook.com/events/640733842751801/

Mattheis - Osi - Nous'klaer 008

Applescal - Fab 40

Release info: http://www.ghostly.com/releases/the-waiting-room

Lusine - Another Tomorrow

from the album " Changing Days " out the 22th of february 

Mano Le Tough - A Thing From Above

Our new track Obscure promises out soon on renaissance recordings exclusively on our mix cd.

Tale Of Us - Obscure Promises

Mattheis - Unknown2

Mattheis - Unknown1

Dreaming In Key: http://atomnation.bandcamp.com/album/dreaming-in-key
Tracklist: https://www.facebook.com/applescalofficial/posts/10151342731692131
Bookings: james@elitemm.co.uk

Applescal - Under A Clouded Sky

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

AOKI takamasa. rhythm variation 06 (excerpt). taken from AOKI takamasa. RV8

23-06 Tbilisi Open Air, Tbilisi, Georgia
27-05 Weelde, Rotterdam, Netherlands
04-12 Doka, Amsterdam, Netherlands
19-11 Perron, Rotterdam, Netherlands
09-09 Draaimolen Festival, Tilburg, Netherlands
06-08 Blijdorp Festival, Rotterdam, Netherlands
29-04 Club Capital, Antwerp, Belgium
09-04 Perron, Rotterdam, Netherlands
09-04 013, Tilburg, Netherlands
16-10-21 Borisov, Amsterdam, Netherlands
15-10-21 Rotondes, Luxembourg, Luxembourg
19-09-20 Keilecafe, Rotterdam, Netherlands
16-09-20 arch 0.2, Berlin, Germany
05-09-20 MOMO Fabrique, Rotterdam, Netherlands
30-08-20 De Achtertuin, Nijmegen, Netherlands
24-07-20 ISOTOOP at Radion, Amsterdam, Netherlands
24-07-20 Polifonic, Puglia, Postponed
31-05-20 TBA, TBA
30-05-20 TBA, TBA
18-05-20 TBA, TBA
14-03-20 Loopy, Hangzhou – postponed
13-03-20 The Window, Guangzhou- postponed
06-03-20 The Lighthouse, HCMC - postponed
06-03-20 Grasnapolsky, Groningen, Netherlands
05-03-20 Happy Buddha, Duong Dong - postponed
28-02-20 Tempura Oji, Singapore
22-02-20 Poing, Rotterdam, Netherlands
22-02-20 Modular, Rotterdam, Netherlands
14-12-19 De School, Amsterdam, Netherlands
6-12-19 Zur Klappe, Berlin, Germany
20-10-19 Radion, Amsterdam, Netherlands
19-10-19 Dogma x Nous'klaer, Amsterdam, Netherlands
19-10-19 Muziekgebouw, Amsterdam, Netherlands
17-10-19 Cafe Belgique, Amsterdam, Netherlands
15-09-19 Horst, Holsbeek, Belgium
24-08-19 Les Digitales, Paradiso, Switzerland
16-08-19 Keilecafe, Rotterdam, Netherlands
10-08-19 La Machine du Moulin Rouge, Paris, France
09-08-19 Kiosk Radio, Brussels, Belgium
01-08-19 Dekmantel, Amsterdam, Netherlands
05-07-19 Down the Rabbit Hole, Beuningen, Netherlands
30-06-19 BAR, Rotterdam, Netherlands
27-06-19 Operator Radio, Rotterdam, Netherlands
09-06-19 Draaimolen, Tilburg, Netherlands
01-06-19 BAR, Rotterdam, Netherlands
11-05-19 Shelter, Amsterdam, Netherlands
25-04-19 Operator Radio, Rotterdam, Netherlands
23-03-19 Paradigm, Groningen, Netherlands
08-03-19 PIP, Den Haag, with @sjoerdoberman, Netherlands
08-02-19 PIP, Den Haag, Netherlands
27-01-19 Mono, Rotterdam, Netherlands
25-01-19 Westerliefde, Amsterdam, Netherlands
19-01-19 ://about blank, Berlin, Germany

20-12-18 Operator Radio, Rotterdam, Netherlands
23-11-18 Open Studios, Vancouver, Canada
21-10-18 Oosterbar, Amsterdam, Netherlands
20-10-18 Dogma x Nous'klaer, Amsterdam, Netherlands