Name: Isotach by Matthew Bourne in Soft
Duration: 3 min 34 s
Description: A little something for a stormy night. Recorded impulsively at home, especially for the very first Piano Day, curated by Nils Frahm...

This is an especially gorgeous and calming piece

its so beautiful! thank you for this piece of art!

Your music is making me to concentrate to do something. It is very motivate, influce work.

Soft

written and produced by susie suh and robot koch
out may 19th





soundcloud.com/susiesuh
facebook.com/susiesuh
twitter.com/susiesuh

soundcloud.com/robot-koch
facebook.com/robotkochofficial
twitter.com/robotkoch



photo taken by susie suh

Here With Me - Susie Suh x Robot Koch

https://www.facebook.com/Petrels
http://petrels.bandcamp.com/
http://floatinglimb.com/
https://twitter.com/bowed_idly

Remix of the track 'Fragments of Self' from 'Fragmented Self' by Max Cooper and Tom Hodge.

http://www.fieldsldn.net/

When trying to make creative decisions based on the results of somebody else's process it makes you try things out that perhaps you wouldn't normally think of and I'd say with every remix I've ever done I've come away with something new.  Sometimes its interesting to take a track in a completely new direction but in the case of Max and Tom's collaboration I was immediately drawn to the subtle harmonic undercurrent of the synth lines beneath the main piano parts and figured it would be interesting to put together an arrangement that brought that to the fore. 

I started with a rough layering and overlay of the piano samples - trying to re-arrange them into different combinations than in the original to create something that had the same feel (on a side note, its always pleasing to work with recordings like this of instruments that sound played - i.e., you can hear the movement of the pedals and the fingers on the keys rather than a surgically-extracted sequence of notes) but that came to the main melodies from a different angle.  I can't really compete with Max's glitchy rhythmic production and since this is so distinctive it seemed like a bit of a cop-out to make too much use of these samples in any case so in the end the main part of what I used of the rhythm was a short kick drum sample that I processed in various ways to create the studded melodic cross-rhythm that I used for most of the middle of the track.

With the bare bones in place the majority of the rest of the work came from layering up the arrangement with the kinds of synths and strings that I make use of in my Petrels stuff.  Like I said, I was drawn to the low root synth line in the original that casts a subtle melodic shade over the piano lines so using this as a starting point I slowly built up the orchestration around it so as to make it much more of a focal point.  In the end, hopefully the result is something akin to a huge group of assorted musicians attempting a spontaneous live version of what essentially started as a duet performance. Well that was the idea anyhow.

Max Cooper & Tom Hodge - Fragments of Self (Petrels Remix)

This track started as a beautiful short piano solo from Tom Hodge. I wanted to keep the focus firmly on the piano and just introduce some subtle electronic elements, while looping Tom's short sections to give a full arrangement.

The percussive clicks came from a visit to Manchester when I played at WHP. The day after a friend was kind enough to offer us free tickets to see Manchester United play Fulham in the FA cup, so I brought my binaural mics along to capture the sound of the huge crowd. I'm not quite ready to introduce huge crowd cheering noises into my tracks (maybe the EDM career can begin next year), but I found that even when the sound of the crowd was cut down to little fragments using Monolake's Granulator, they still had a nice quality. So the percussion on this track are made from the sound of Old Trafford, and there are some points in the track (right at the end for example) where I open the release a little and you can here some crowd coming through.

You can buy the full release on iTunes at http://www.smarturl.it/FragmentedTwo

Buy on iTunes

Amorphous Romance - with Tom Hodge - FIELDS

"Have patience with all things, but, first of all, with yourself." - Saint Francis de Sales
________________________________________________
Image (c) 2013 <a href=https://www.facebook.com/photo.php?fbid=772341389449116&set=a.674844345865488.1073741828.156806751002586&type=1&theater>Cap Photography</a>

Like FB Page

Wait

Big thanks to Marek Iwaszkiewicz for help.

Photograph by Tomasz Bogusz

The Sun Will Eventually Rise

This is the final open collab for my next album "einklang" .

the track is at 100 bpm !

I am looking for any kind of MINIMAL and subtle electronic, ambient, strange, ethnik, duduk, grooves or whatever gives us the chills.... no lyrics, no vocals this time :)

First reason to join into this collab should be fun and passion for music and no guarantee that the track will make it on the album but if it makes it, we will share 50/50 in case the track will generate more than 100 € a year (which is hard enough :). Full credit is understood...

Have fun

Dirk

Night Falls (Final Open Collab for Einklang) please repost and read details.....

Keith Kenniff - Resolve

CD | DL

Jacob Pavek - Seasons

A little something for a stormy night. Recorded impulsively at home, especially for the very first Piano Day, curated by Nils Frahm...

Isotach

Midnight

Katy Perry ＂By The Grace of God＂  Piano Cover

Robot Koch feat John Lamonica _ Nitesky
taken from the album "the other side"

http://projectmooncircle.bandcamp.com/album/the-other-side | http://www.projectmooncircle.com/ | http://www.robotsdontsleep.com/

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being "One of Europe`s finest producers of the beat generation" (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” ("Essential listening" - Bobby Friction BBC) and “Songs For Trees and Cyborgs“ ("Music for a modern age that has rarely sounded so good” - Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch`s production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch`s fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

”I`m glad John contacted me, we were thinking of collaborating on one song for my album but it ended up being five songs, they were all fantastic and helped me find the right direction for ‘The Other Side’.”

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

”I didn’t know what to do with songs like ‘Bugs’ back then. Now it felt like the time has come to release them, they just made sense with of the most recent stuff I’ve been making and it all fell into place. But it was not an easy album for me to make. The previous albums just came together rather quick but this one was a real mission, something I’ve been trying to do for years and I could never really get it together until now.”

Legendary John Peel (BBC) knew in 2003 already when he said about Koch`s productions "Wonderful and strange, pop music from the future“.
Released by: Project Mooncircle
Release/catalogue number: PMC085
Release date: Oct 7, 2011
Released by: Project Mooncircle
Release/catalogue number: PMC085
Release date: Oct 7, 2011

Nitesky (feat John LaMonica)

Sjors Mans - Thíos

Always Summer

Music for piano.

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Return

Years

This is a shortened down version of a remix I did for MMOTHS recently. If you want the full length (mixable) version then you can get that from here as part of an excellent free remix package: http://mmothsmusic.com/diariesremixes

It was a nice remix to work on, with some great field recordings, a lovely simple piano riff, and some looped vocal samples which all slotted nicely into the new structure I wanted to go with - something a bit more club compatible than the original, but still hopefully carrying the feeling.

I messed around with the field recordings in the Monolake Granulator a bit, to get some subtle glitch/randomness in there, but other than that I went pretty straight on the arrangement, just gradually introducing the layers and adding a new synth to punctuate the peak, and a new bassline and chord variation.

The idea with the field recording/glitched intro section was to try and make something non-melodic and a bit harsh and cold, in attempted polar contrast to the warmth of the main melodic section and enveloping bass ie I wanted try and make the bleak part emphasise and accentuate the nice part.

So, anyway, here it is, as a free download for all.

MMOTHS - For Her - Max Cooper Remix (Free DL)

This is the SoundCloud page of pianist and composer Matthew Bourne - frequently mistaken for the choreographer of the same name. You are most welcome...

Isotach

Matthew Bourne

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