The Year Of Disillusionment

You're being very foolish. You know yourself, they always talk in the end.

Selected Works Spring 2021 vol. 7

slim carls - Part 1

2021 Week 8

Seeds

Nichakarn Varinpramote's Album

I eat boys ( chloe moriondo ) cover

Heartland

Heartland (feat. Hollie Cook)

Ministry - I’m Falling - Alternative Mix (Unreleased Track From 1981) from "Twelve Inch Singles - Expanded Edition" album
[Order Today:  http://geni.us/1NAf ]

• A deluxe expanded reissue of the classic Wax Trax collection, featuring 9 bonus tracks covering the complete early 80’s output from Ministry on Wax Trax, including b-sides and tracks originally not released!

• Contains the previously unreleased track “Same Old Madness!”

Track Listing: 
--------------------------------- 
DISC 1
1. Every Day Is Halloween (12” Single / 1984)
2. Nature Of Love (12” Single / 1984)
3. All Day (12” Single / 1984)
4. Cold Life (12” Single / 1981)
5. Halloween - Remix (12” Single / 1984)
6. Nature Of Love - Cruelty Mix (12” Single / 1984)
7. All Day - Remix (Unreleased Track From 1984)
8. Cold Life Dub (12” Single / 1982)

DISC 2
1. Same Old Madness (Previously Unreleased Track From 1982)
2. Primental (12” Single / 1981)
3. I’m Falling (12” Single / 1981)
4. Nature Of Outtakes (12” Single / 1984)
5. I’m Falling - Alternative Mix (Unreleased Track From 1981)
6. Overkill (Unreleased Track From 1981)
7. He’s Angry (Unreleased Track From 1984)
8. Move - Original Mix (Unreleased Track From 1984)
9. Nature Of Love - Cruelty Mix B (Unreleased Track From 1984) [CD ONLY]


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http://cleorecs.com/ (P) (C) 2014 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws
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[Tags: #CleopatraRecords #Ministry #Industrial #synthpop #newwave #EBM #TheOrchard #WaxTrax #13thPlanet #RevoltingCocks #KMFDM #1000HomoDJs #PTP #AcidHorse #Pailhead #SkinnyPuppy]

Ministry - I’m Falling - Alternative Mix (Unreleased Track From 1981)

Degg Gui (feat. Flavia Coelho & Fixi) - Single

Degg Gui (feat. Flavia Coelho & Fixi)

ICE -T = Tracy Lauren Marrow
Born: February 16, 1958, Newark, New Jersey 
DL >> https://hypeddit.com/track/l7sxa5

Ice-T started out with other West Coast hip-hop pioneers such as Kid Frost, DJ Flash, and Egyptian Lover with Electro recordings. Later on, he changed his style and was the first West Coast MC to be accepted by the East Coast. 
“6 ’N The Mornin’” is sometimes seen as the track that triggered the whole gangsta movement, which was produced by the Unknown DJ, who produced electro funk tracks before and went on to produce Compton's Most Wanted. The song was inspired by Schoolly D's "PSK" and became the inspiration for Eazy E and N.W.A.'s "Boyz N The Hood." 

Ice-T’s raw style captured the ears of Sire Records founder Seymour Stein, who signed him to a multi-album countract, and then went on to work with Afrika Islam, the man behind the beats on his debut album, 1987’s Rhyme Pays; 1988’s Power; and 1989’s The Iceberg/Freedom of Speech...Just Watch What You Say. As the title of this third album suggests, Ice-T was from the start not merely a gangsta MC—although he was one of the driving forces behind the new style—but also used hip-hop music as a platform for social and political activism; Seymour Stein called him “the Bob Dylan of hip-hop.” On “Freedom of Speech,” Ice attacked Tipper Gore for introducing the Parental Advisory sticker. 

In 1991, Ice T's fourth album, O.G. Original Gangster, was released, which included rhymes about child abuse and drunk driving as well as the theme song from the movie “New Jack City” by Mario Van Peebles, the movie that launched Ice's career as an actor. The same year, Ice formed the heavy metal band Body Count. Its debut self-titled album contained a song called “Cop Killer,” which led to a giant controversy over song lyrics. This escalated to the point where death threats were sent to Sire/Warner Bros executives, and Time Warner stockholders threatened to pull out of the company. Sire/Warner Bros., however, defended Ice all the way. This eventually caused the album to be re-issued with “Cop Killer” removed, and the title track from “The Iceberg” was added to the album as a replacement. He answered the controversy by saying the song was written in character, and that "if you believe that I'm a cop killer, you believe David Bowie is an astronaut." Indeed, Ice-T has portrayed police officers many times in his acting career. 

1993’s Home Invasion, a politically-oriented album that featured a new female MC named Grip and Ice T's longtime DJ Evil E as an MC himself. Sire/Warner Bros. had issued the first single from the album—and even assigned a catalog number to the album—but Ice parted company with Sire because of the controversial album artwork before it was released formally. Rhyme $yndicate/Priority/EMI Records released the album with the intended artwork intact. 

On 1997’s VI—Return of the Real, Ice returned to his gangsta roots. 1999’s 7th Deadly Sin was one of the first records to be distributed via mp3 before appearing in record stores and continued in this vein. 

In 2000, Ice-T teamed up with East Coast hip-hop pioneer Kool Keith from Ultramagnetic MCs to form the Analog Brothers, widely considered an artistically successful experiment. The same year also brought Ice-T's Greatest Hits: The Evidence. More recently, Ice-T formed a new group called SMG (Sex, Money, and Gunz) with East Coast gangster MCs Smoothe Da Hustler and Trigga da Gambla. 

Ice-T has written and performed songs for many movie soundtracks including "Big Gun" for “Tank Girl” as well as title tracks for “Colors,” “Dick Tracy,” “New Jack City,” “Ricochet,” and “Trespass” (He starred in all of them, save for “Dick Tracy” and “Colors.”). He teamed up with the pioneering Latino MC Kid Frost to perform "Tears of a Mother" for the film “No Mothers Crying, No Babies Dying.”

Petko Turner Edit

Free Download

Ice - T - The Tower (Petko Turner's Nightmare Edit) Free DL

Kuud kuulama

like wolves
... from the EP "things we hide" ©2022 by RINA PAVAR
Release Date: 05/01/2022
@ coldtransmissionmusic  
_____________________________
FOLLOW ME
Instagram: @rinapavar_music
Bandcamp: https://rinapavar.bandcamp.com/releases
Facebook: www.facebook.com/rinapavarmusic/
_____________________________
© 2022 – song written, produced, mixed and performed by RINA PAVAR, mastering by Frithjof Rödel

the things we hide

like wolves

Singularity

Future

FUTURE

Lucida

Lake VU

Lake VU (feat. Nitai Hershkovits, Rejoicer, Amir Bresler & Yonatan Albalak)

White Sands is the third single from Still Corners' new album, The Last Exit, out on 22nd January 2021.

Pre-order Limited Edition crystal clear vinyl, CDs, exclusive t-shirts here: https://cargorecordsdirect.co.uk/products/still-corners-the-last-exit
Pre-order on iTunes: http://itunes.apple.com/album/id1535437729?ls=1&app=itunes
Pre-order on Bandcamp: https://stillcorners.bandcamp.com/album/the-last-exit

A desert noir soundtrack in miniature, White Sands tells a classic ghost story of a phantom witch who roams the dunes and highways scaring travellers as they cross the land.  Tessa Murray croons over a quick beat, clean-tone guitar and shimmering atmospherics.

Credits: 
Written by Tessa Murray and Greg Hughes
Mixed, Recorded and Produced by Greg Hughes at Dark Highway Music
Mastered by Joe LaPorta at Sterling Sound
Artwork by Scott Campbell

The Last Exit

White Sands

Hate Myself

Coral Pink - People I've Known

Etta James - a kind of sunday love (slowed+reverb)	

Mythopoetics

Orange Blossoms

I’m Not Tripping/Composition 8

Taken from the Boiling Point/Promise Land 12", out 5th Feb 2021. Pre-order here - https://smarturl.it/BadwanCoxon

A collaboration between Faris Badwan (The Horrors / Cat’s Eyes) & renowned guitarist John Coxon (Spring Heel Jack / Spiritualized / Treader), Boiling Point/Promise Land is the first release of an ongoing collaborative series between Faris and other artists, details of which will be subsequently announced.

Badwan & Coxon met some years ago when Faris was looking for producers to work with on his solo material and their working relationship evolved beyond the existing songs into something more improvisational and instinctive. As Faris explains:

The new songs we ended up working on were largely spontaneous and cut together from early takes with minimal overdubbing. The lyrics were improvised and the focus was placed more on creating atmosphere and keeping things fairly raw and expressive. I guess I found it rewarding particularly with the guitar playing because it was so intuitive and completely free from any expectations of how a song should be constructed. There are hooks and repetitive sections but fewer traditional structures.

We tried to avoid doing any planning beforehand and focussed more on responding to what was happening in the moment. I guess the sessions were kind of a constant dialogue where we would each respond to the other's improvisation.

With Promise Land I began by improvising lyrics over a drone track John and I created. Some time later I came across “To Our Land” by Mahmoud Darwish, a Palestinian poet, and was struck by the similarities - there are a few lines that match really closely. Despite being half-palestinian myself this was a total accident and I know for sure I hadn’t seen Darwish’s piece before.

With Boiling Point the lyrics are almost the ghost of a narrative rather than an explicit story. I’m interested in the subconscious and how the hidden parts of your brain express themselves when given the opportunity. Looking back it was almost more about creating the right conditions for the subconscious to come out.

Boiling Point / Promise Land is out on Tough Love Records on Friday 5th February 2021 on DL and as a limited edition (500) 12” which includes a very limited run of 100 copies with hand painted sleeves by Faris which are available via Bandcamp. In keeping with the approach of the music, each design was improvised and instinctive. Faris added about the artwork:

What was interesting about it was the way the style of the designs naturally evolved as a result of having so many blank squares to fill - there's a really clear development from start to finish - beginning with angular lines filling the sleeve and ending with smoother, more minimal abstract shapes responding to the existing sleeve design. It ended up almost like a process-based art project where you work repetitively within really strict confines and let the results emerge organically.

Promise Land/Boiling Point (MP3)

Badwan/Coxon - Boiling Point

Written and recorded by Nature TV
Produced by Solo Major | Mastered by Ed Woods
Artwork by Tom Shearing
Label: Nice Guys

LYRICS:
When we tie our time together 
It shakes me and I don’t feel the same 
Sometimes I feel drawn to get her 
Ain’t that a young boys game 

To see again, a see through mess 
Linking my, eyes to your dress 
It’s not in my best interest 

But all these things taste the same 
They’re sweet until they complain 
To me, about me   

And I don’t want nobody else to say
Hey man you're going the wrong way 
I’m taking it badly...but 

It takes up all day and all night 
It leaves me feeling uptight
To you, about me 

And I don’t want nobody else to say 
Hey man you're going the wrong way 
I’m taking it badly 'til this day 

And I don’t want nobody else to say 
Hey man you're going the wrong way 
I’m taking it badly 'til this day

Hey Man

CARNAGE

Old Time

I’m Not Tripping/Composition 8

Matthew E. White