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Bookings: http://www.djumami.com/contact-1

Bay Area born Umami splashed into the local scene in 2008 at Fingerbangerz crew party "Strut" at the iconic club formally known as Poleng lounge. Bubbling with an infectuous passion for music and DJ culture, her craft mastery and career grew organically and quick. Within a year of rockin' the turntables, she gained residency at Skylark with the prestigiously talented female DJ crew "Peaches" in San Francisco's hip Mission District. She went on to open for acts such as B.o.B., Talib Kweli, DJ Maseo and more. In 2011 Umami founded her own weekly party "Crush" at SOMA nightclub John Collins featuring local and national DJs. In 2012, she became a rotating DJ for the Golden State Warriors.
A crowd-reading music aficionado both versatile and professional, sought-after DJ Umami has an eclectic taste and range when she plays, but her love for Hip Hop and R&B is her foundation.

Hailed as a “music guru” by Rolling Stone and cited among the “world’s Top DJ’s” by The New York Times, J.PERIOD is a master of his craft: a musical storyteller whose work bridges cultures, generations and styles.

As a DJ & Producer, J.PERIOD's resume boasts collaborations with GRAMMY® winners Nas, Kanye West, Common, John Legend, The Roots, Q-Tip, Lauryn Hill, Mary J. Blige and Pulitzer Prize-winning Playwright Lin-Manuel Miranda on the Billboard #1 album, The Hamilton Mixtape.

His extensive roster of collaborators, combined with a visionary approach to musical storytelling, have earned comparisons to both DJ Khaled and Ken Burns and most recently, a prestigious post as a founding member of The Kennedy Center's Hip Hop Culture Council. “Make no mistake,” says DJ Booth, “as to the power of J.PERIOD’s impact and influence on hip hop culture.”  Music icon Questlove (The Roots, The Tonight Show with Jimmy Fallon) calls J.PERIOD “the most creative mixtape producer of all-time.”

J.PERIOD’s work has also been featured in film and TV (American Gangster, NBA Inside Stuff, The Doctor), earning an EMMY®.  His groundbreaking work as Music Supervisor for the Brooklyn Nets’ debut Barclays Center was lauded as “the new standard” for music in the NBA arena.

For more: http://JPERIOD.com

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