Nine spread-out clusters of three different pitches.

RPM2021                       

Rust Smut Mildew Mold

We are a community of musicians. Monthly, we all compose a song from the same sample. 🎹
www.fullorchestra.com

These recordings are all demos.

Interested in the dark side, the quirky side, but mainly in that buttery biscuit bass.

Bassist and composer from Belfast.

Fancy a collaboration? Drop me a line.

Jeremy Keenan's creative practice has manifested as music, sound installation, multichannel audio, and immersive performance. He has performed and exhibited at venues like the Vienna MuseumsQuartier, Whitechapel Gallery, ICA, Roundhouse, Rich Mix, and Cafe Oto in London, the Museum of Contemporary Art in Galicia, Spain, and the Boston, USA Cyberarts Gallery, as well as various galleries and venues in Finland, Italy, Austria, USA and UK.

Jeremy is a director of the London-based sonic arts collective, Call & Response. With Call & Response, he has worked with artists like Jacob Kirkegaard, Robert Van Heumen, Steinbruchel, Mark Fell, Mats Lindstrom, Theo Burt, and Kaffe Matthews.

His current line of practice involves the development of new strategies in generative composition, live electronic music performance, and sound installation. This involves engaging with notions of feedback, the reconfiguration of familiar audio tools like speakers and microphones, and the communicative possibilities inherent in sound. Jeremy composes works using motion, recording, feedback, and light. 

Jeremy has a PhD from Goldsmiths College, London in Studio Composition. He is of no known relation to the anthropologist of the same name.


contemporsry artist and audio programmer 

https://github.com/prhmi

Experimental Music
No Hype
No fake
Experimental Noise Music , Abstract IDM, Ambient Music



I am a researcher and producer of sound spaces ranging from acousmatic to post industrial sounds.
The approach to sound comes from the desire to discover in a completely natural way the vast sound world of which we are all part. The sound project itself constitutes in giving sounds to any existing sound spaces. Each place has its own sound and noise to give society a new way of imagining sound environments and spaces; The goal is to give the world a completely new sound alphabet, an acoustic image to the world.
Formulate proposals, conceive the processes of orchestration of relationships to prepare empirical environments. Music as space, space as environment, environment as event, event is life.

A math person making and modifying sounds with custom code, Csound, homemade electronics.

Rust Smut Mildew Mold

Matthew M. Conroy