La ragazza fuori strada

Volto di donna (Trumpet Version)

Purchase the 16 song CD/Vinyl LP "I Surrender" https://elasticstage.com/kabookijukebox/releases/i-surrender-album

Stop the world 
you're breaking my heart
Understand when I say I need you in my arms

Stop the world 
I'm wishing on a dream 
That someday we'd be together
Once again like it used to be


Wooooo like it used to be

Like it used to be

Oh like it used to be
used 
to be

Stop the world 
you're breaking my heart
Understand when I say I need you in my arms

Stop the world 
I'm wishing on a dream 
That someday we'd be together
Once again like it used to be
_______________________________________
Heavy Head Music (ASCAP)

Stop The World

Hold On

A song written by Russ and Nick Fenske talking with Russ's running with the Devil, forsaking God.

Produced through Suno AI, including musical composition and vocals. 

Shout out to Genesis for the assist on Cover Art. 

Thanks to Snapseed for the tool to refine the Cover Art. 

Final Cover Art done by Nick Fenske. 

A Lifetime of Sin

“Caught in Between” is a dreamy, melancholic blend of alternative R&B and lo-fi soul. With soft, emotional vocals floating over smooth hip-hop grooves and warm vintage textures, the track tells a story of distant love — tender, nostalgic, and just out of reach. A gentle saxophone solo flows through the mix like a quiet memory, adding warmth and intimacy to the spacious, airy production. Inspired by the rhythms of the late 60s and early 70s, but reimagined with a modern feel, this song captures that hazy space between longing and letting go.

Perfect for late-night drives, introspective moments, or anyone who feels too much and says too little.

For fans of: Frank Ocean, James Blake, Tom Misch, Daniel Caesar, Jordan Rakei, Teddy Swims, Men I Trust.

Caught in Between

This Album Is maked by ARTIST: Whiskey Roses (Anamaria Shevchenko) Produced By: Qimer Kholo. Saxsaphone (Matee)


Honey, I’m Gone New Verssion

[Verse]
Gears are grinding in the misty dawn
Sky meets water like a mirror drawn
Through my spyglass I see no land
Just endless grey and a wheel in hand

[Prechorus]
Tick-tock echoes through the hull so deep
Machines don’t dream but I can’t sleep

[Chorus]
Nothing moves on the iron sea
No sail no shadow no destiny
A captain waits where the stillness grows
On a sea where nothing shows

[Verse 2]
Brass and rivets frame the cloudy sky
Smoke stacks cough as the engines sigh
Compass spinning like a ghostly laugh
No chart to guide this forgotten path

[Bridge]
Tell me
Stars
Why do you hide?
Tell me
Waves
Why do you bide?
Am I adrift or am I blind?
Or is the void just in my mind?

[Chorus]
Nothing moves on the iron sea
No sail no shadow no destiny
A captain waits where the stillness grows
On a sea where nothing shows

Nothing but the Waves

Lyrics are written by me instrumental and vocals are producd with AI 

Bitter

BIG MONEY

LEAN ON MY LOVE (feat. Andra Day)

I want to tell you so many things

Soulful Pop-Blues-Reggae-Folk-Country
Multi-generational and genre bending Ode to domestic tranquility

THEY CAME

Hello and welcome!)
Thanks for listening — feel free to follow and subscribe if you enjoy what you hear.

The Long Way is the Real Way
There are two ways to make it in music:

Let the show-business machine shape and sell you.

Or do it yourself — slowly, honestly, with heart.

I’ve always chosen the second path. It takes time, but it builds something real — and that’s what matters most.

Who is Yevhen Briukhatskyi?
Also known as: Matthew That
Born: 1990, Kyiv, Ukraine
Age: 35
Roles: Producer • Composer • Arranger • Multi-genre Artist

Music has been my lifelong companion — from classic rock in my teens to a wide spectrum of genres that shaped my taste over the years. I’ve always listened to everything: from progressive rock and metalcore to funk, soul, blues, indie, ambient, and electronic music. All of those sounds inevitably find their way into my own creative voice.

Where I’ve Been
Until around 2016, I was creating music in many different styles — mostly electronic. It was an experimental time, full of searching for my sound. Then came a long stretch of working quietly at home, without much inspiration or sharing my work with the world.

Where I Am Now
In 2025, something changed. I came back — with new energy, fresh ideas, and a vision that feels more alive than ever.

Now I write music across many directions: groove-driven tracks with funk, soul and blues rock energy, deep electronic cuts, and even indie-psychedelic songs with a hypnotic pulse. Every track feels different — but they’re all built on my own melodies, my own ideas, and my own voice.

With the rise of AI, I can finally unleash my full potential: using it to shape textures and arrangements, but always keeping the heart of the music fully mine.