" I been gone for a minute, but I'm back with new sounds that reflect my journey. Get ready to vibe with my latest releases !"

Special

Shiloh - So Long Reworked by Léon Barbot

[Intro]
London rain on the glass… another Tuesday.
You know, for a while… I was your little bit of spice. Your… exotic.
But I guess everyone goes home in the end, yeah?
(uh)

[Verse 1]
You left no time for regret, no
Kept your next one wet
With your same old Brixton bet
Me? I keep my head high
Make sure all my tears stay dry
I'll get on without my guy
You went back to what you knew, yeah
So far removed now
From the world we tried to build through
And I'm on a troubled track, babe
Feels my future's stacked
Guess I'll go back to black

[Chorus]
We just said goodbye with words
Felt like I died a hundred times
You go back to her
And I go back to…
Yeah, I go back to us

[Verse 2]
Said I love you so much
But my love was not enough
You craved your rum punch, I sipped my quiet puff
And our life… it felt like a pipe dream
Now I'm a tiny kopek rollin' up the walls inside, it seems
I was your Polish prize, your little Slavic surprise
But novelty wears off before your English eyes
You’re back to your Sunday roast, the girl you know the most
And I’m just a heartbroken, Eastern Bloc ghost.

[Chorus]
We just said goodbye with words
Felt like I died a hundred times
You go back to her
And I go back to…
We just said goodbye with words
Felt like I died a hundred times
You go back to her
And I go back to…

[Bridge]
Black, black, black, black
(The colour of your skin, the colour of my mood)
Black, black, black
(The cab that took you home to her)
I go back to…
I fall back to…

[Chorus]
We just said goodbye with WORDS!
Felt like I died a thousand TIMES!
You return to HER!
And I go back to…
(Yeah!) We just said goodbye with words
I swear I died a thousand times
You go back to her…
And I go back to black.

[Outro]
Back to black…

London Rain On The Glass (Sped-up Radio Edit)

Better Without You

Colourless  Still

“What Resonates” drifts through a hazy, late-night cityscape — where lush synths meet reverb-drenched guitars and deep, heartbeat-like 808s. Fusing nostalgic textures with trap-inspired drums and surreal sonic design, this track captures the feeling of searching for something real in a digital world.

Blending dreamy indie-pop with ambient hip-hop rhythms, this is music for the introspective, the quiet rebels, the ones who find meaning between the noise.

RIYL: Frank Ocean, Tame Impala, Joji, Dijon, Clairo, Travis Scott (ambient cuts), Blood Orange.

🎧 Best with headphones.
🌃 Mood: floating, reflective, hypnotic.

#WhatResonates #MatthewThat

What Resonates

reminders of a storm

Taker


Let me,
be part of your game
and let me
be your owner for once

Let me,
be the only one
to caress your body
and shower you with kisses

I'll be your pillow
and watch over your dreams
I'll be your mirror
or the one who gives you advice

Heart,
to steal your secrets
I'll be whatever you want me to be
as long as I'm not far away

I'll try...,
so you don't have to look for
the warmth
of a love that isn't mine

I want you to feel me
I want you to cry and not lie
and I want you to understand
that you are all my love

Let me,
be part of your game
and let me
show you that I can

Let me,
be the only one
to caress your body
and shower you with kisses

I'll make you feel
like a queen bee
I'll be your slave and your king
I'll be your love if you let me

I'll try...,
so you don't have to search
for the warmth
of a love that isn't mine

I want you to feel me
to cry and not lie
and I want you to understand
that you are all my love

Let me, 
participate in your game
and let me
be your owner for once

Let me,
be the only one whose hands
caress your body
and shower you with kisses...

Let me...

🎧 Thanks for listening! If this hits, tap ❤️, repost, and follow — new music every week.

🔗 All links: linktr.ee/digital.dro
📲 Tag me everywhere: @digital.dro
💬 Comment your favorite moment!

🎛️ Credits: Produced/Mixed/Mastered by @bydro
🤝 Collabs/Playlists/Promos: contact.dro@icloud.com

✔️ Free to stream. For videos, games, or commercial use: email first.
⛓️ Add to your playlist + share with a friend who needs this.

#NewMusic #Producer #IndieArtist

South Side Ain't So Bad

Willa’s second album, What Happened Was…, is a bold, emotionally raw, and unapologetically confrontational body of work that dives deep into themes of identity, betrayal, resilience, and self-worth. Across 11 tracks (including a bonus single version), Willa crafts a sonic diary that blends sharp lyricism with genre-bending production, oscillating between vulnerability and defiance.

🔥 Album Overview:
What Happened Was… feels like a late-night confession, a therapy session, and a battle cry all rolled into one. Willa doesn’t hold back—each track is a vignette of personal truth, social commentary, or emotional reckoning.

🎧 Track-by-Track Vibe:
I May Get Canceled for This – A provocative opener that sets the tone with fearless commentary and self-aware wit. Willa challenges norms and dares listeners to confront uncomfortable truths.

Your Man’s a Bitch – A punchy, no-holds-barred anthem calling out toxic masculinity and performative relationships. It's catchy, sharp, and dripping with attitude.

She Don’t do this, she Don’t do that – A critique of societal expectations placed on women, layered over hypnotic beats and a haunting hook.

If I Die Tonight – A reflective, emotionally charged track that contemplates mortality, legacy, and inner peace. Vulnerable yet empowering.

No Pause in Her Pulse – A short, intense burst of energy that celebrates unstoppable feminine force. It's fierce, fast, and unforgettable.

Industry Plant Funeral – A scathing takedown of artificiality in the music industry. Willa exposes the façade with biting lyrics and gritty production.

Unfit to Be Loved – A heartbreaking ballad that explores feelings of inadequacy and emotional isolation. One of the album’s most tender moments.

Voicemail From the Velvet Room – A surreal, spoken-word style interlude that feels like a message from another dimension—cryptic, poetic, and deeply introspective.

Taking Over Hell – A triumphant, rebellious track that flips pain into power. Willa declares war on her demons and emerges victorious.

What Happened Was… – The title track ties everything together, offering a narrative arc that reflects on the chaos, growth, and revelations that inspired the album.

Voicemail From the Velvet Room (Single Version Bonus Track) – A more polished, radio-ready version of the original interlude, giving fans a different lens on its cryptic message.



Voicemail From the Velvet Room (Single Version Bonus Track)

Hello and welcome!)
Thanks for listening — feel free to follow and subscribe if you enjoy what you hear.

The Long Way is the Real Way
There are two ways to make it in music:

Let the show-business machine shape and sell you.

Or do it yourself — slowly, honestly, with heart.

I’ve always chosen the second path. It takes time, but it builds something real — and that’s what matters most.

Who is Yevhen Briukhatskyi?
Also known as: Matthew That
Born: 1990, Kyiv, Ukraine
Age: 35
Roles: Producer • Composer • Arranger • Multi-genre Artist

Music has been my lifelong companion — from classic rock in my teens to a wide spectrum of genres that shaped my taste over the years. I’ve always listened to everything: from progressive rock and metalcore to funk, soul, blues, indie, ambient, and electronic music. All of those sounds inevitably find their way into my own creative voice.

Where I’ve Been
Until around 2016, I was creating music in many different styles — mostly electronic. It was an experimental time, full of searching for my sound. Then came a long stretch of working quietly at home, without much inspiration or sharing my work with the world.

Where I Am Now
In 2025, something changed. I came back — with new energy, fresh ideas, and a vision that feels more alive than ever.

Now I write music across many directions: groove-driven tracks with funk, soul and blues rock energy, deep electronic cuts, and even indie-psychedelic songs with a hypnotic pulse. Every track feels different — but they’re all built on my own melodies, my own ideas, and my own voice.

With the rise of AI, I can finally unleash my full potential: using it to shape textures and arrangements, but always keeping the heart of the music fully mine.