Chano

Chano (DJ CHUS Extended Remix)

Redfreya is an emotive artist shaping the future of deep, introspective dance music with her immersive soundscapes. From London UK, she blends her strong musical heritage and classical training with modern electronic influences, crafting a unique style that resonates deeply with listeners around the globe.

Redfreya’s sets transport audiences through cinematic journeys, weaving together deep basslines, ethereal melodies, and driving rhythms. Her sound has been described as a fusion between brooding emotional tension and out-of-the-box psychedelia. 
Her artistry extends beyond the dance floor, as she draws inspiration from nature, human connection, and a desire to push creative boundaries. 2024 saw her make her debut at ADE festival, playing multiple label showcases, as well as performances with Mayan Warrior, Selador and Anjunadeep.

2025 Highlights:
March - Japan Tour + Snow Machine Festival
March 29 - Mind Against - KOKO London
March 29 - The Cross w. Dave Seaman
May 03 - Prog Lab w. Guy J
May 31 - Redfreya + Friends w. Marcus Worgull, Super Flu, Amberoom + DOTB
June 15 - Anjunadeep Explorations Festival
July 06 - HAWA Dusseldorf with Ahmed Spins
July 12 - PLAYGROUND Festival - Copenhagen
July 19 - fabric London w. Patrice Baumel + Jonathan Kaspar
July 26 - Energy Fields Festival
July 27 - Sasha + Digweed BRISTOL
July 31 - INLIMBO London @ Not For Sale Gallery, Hackney Wick
Aug 10 - BALANCE Croatia Festival
Aug 16 - Tinlicker + Rival Consoles London
Sept 27 - Selador UK
Oct 24 - ADE

With a growing presence on the international stage, she has played at some of the most sought-after venues and boutique festivals, captivating audiences with her ability to tell stories through music. A true rising star, she continues to connect with a global audience, not only through her performances but also as a big advocate for inclusivity and authenticity within the electronic music scene. She has built a strong reputation for her music selections on her long-standing weekly radio show at Bloop London, running since 2020 and hosting guest appearances and interviews from big names such as Murat Uncuoglu, Alican, Sascha Braemer, Anthony Pappa, James Harcourt, Danny Howells and many more.

2025 marks an exciting new chapter for Redfreya as she prepares to release her highly anticipated debut tracks, promising a deep sound that’s both timeless and forward-thinking. She is already scheduled to make appearances at festivals in Japan, Balance - Croatia and the US (tbc), with more tour dates TBA.

Upcoming events and bookings info:
https://ra.co/dj/redfreya

Label Affiliations:
CHORUS / RECULTURE / SELADOR / WHENWEDIP XYZ

Instagram: @redfreyadj
Bookings: luca@nweagency.com

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

Jo grew up in Herzogenrath, a town in Germany near the imperial city of Aachen, where he still lives and works.

He started DJing at parties while he was still at school. Despite the fact that it remained mostly private events, even here as a DJ he felt this energy that developed between him and the audience as he pushed the dancers on and on and thus gave them joy. And it was exactly this joy that you feel when you dance for hours through the night to house music that was the reason for him to start producing his own tracks.

In the middle of the 90s, he started to buy the necessary equipment to be able to make music himself. At that time, it was a Roland R8-MKII drum machine, a Korg DW-8000 synthesizer and an Atari 1040 STE. With the help of a borrowed 8-track mixer he was able to record his first and at that time only house track 'NYC' in 1996, but he never released it. 

Although he enjoys listening to music from other genres and certainly counts some of them among his influences, house music is the genre he feels most comfortable with. It's simply where he feels the most of that same energy and joy of life.

Jo is a big fan of the Roland TR-909 and loves it when the kick drum is slightly distorted. The whole thing paired with groovy arrangements of some other TR-909 sounds as well as various other percussion elements round off his beat. He also loves the sound of the Korg M1. Many of the classics from the 90s already used these sounds and for him they are simply timeless and contribute a lot to the above mentioned energy.

Having grown up with Depeche Mode and Kraftwerk in his childhood, there was a phase towards the end of his Sturm und Drang period, in the early 90s, with a focus on electronic body music. Musically, the band Nitzer Ebb set the tone for him during this phase. This period was seamlessly followed by a short acid techno phase, which then led to house music in the mid-90s, where he has located his musical home ever since.

In the second half of the 90s, Jo began his professional training, after which he started his career. From then on, he only played occasionally at private events, but did not produce any music of his own. It wasn't until 20 years later, in 2020, that he started again.