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cdlight - pr4ctice-3

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ALL TRACKS WRITTEN AND PRODUCED BY FLORENT HADJINAZARIAN IN ST FONS, FRANCE.
INSPIRED AND DEDICATED TO "MELANCHOLIA DER ENGEL"
MASTERING BY DANIEL MUMBERSON
DESIGN BY MON


"Highly regarded around these ways for introducing the likes of Ronce on his Dawn Records label - with whom he collaborated on the ‘Aquatics’ LP - and a string of ace compilation cuts, visual artist-turned-producer Hajj renders his most ephemeral yet affective conception of a negative ecstasy in ‘Drag Me Into the Void’. The three tracks reprise the billowing introspection of his 2020 debut for Brothers From Different Mothers , ‘Dédicace À Personne’ with a subtly refined palette and sound design, dematerialising traces elements of late ‘90s trance and up-to-the-second trap into thee gauziest, gently buoyant ambient space.

The trio of tax slot neatly into YOUTH's cross section of contemporary bedroom/living room/imaginary club space with a breezy mutability. ‘Drag Me Into the Void’ appears in subtly alternate mixes, bathing a trance siren vocal refrain in anaesthetising reverb and vapourized traces of emo-rap drums with a sublime sense of deferred gratification on the original, while nipping/tucking to more elusive allure in the ‘Euphoria’s death edit’. In the middle ‘Reverse Catharsis’ augments the syrupy ambient rap aesthetic with more pronounced woodblock percussion hinting at Burial hitting the downstroke, and lit up with killer, trancey hyper-blooz synth plucks. "
Boomkat

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Drag Me Into The Void (Euphoria's Death Edit)

Taken from PYUR's Lucid Anarchy LP on Subtext Recordings, out January 12.

Pre-order: https://pyur.bandcamp.com/album/lucid-anarchy
More: www.orbmag.com/music

@subtext-recordings

Lucid Anarchy 

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Premiere: PYUR - Delta

Guitar sketch I made for Ben last year. Just wanted to do something fun and different.

Halo4K2DJ

"Aethernal Score’’, Aisha Devi’s commission for the BBC Concert Orchestra, is an attempt to intensify the vibrational capacities of the orchestra and divert the expected course of classical-electronic collaboration. Devi has always used her art to push against cultural presumptions, so it made sense to assemble the initial framework for the piece from some of her acclaimed back catalogue, meshing it with new compositions and reworking everything with orchestral elements that follow Devi's radical metaphysical and theoretical guidelines. It's best described as a twenty-minute "mixtape" that embodies the connections between the concert hall, the club and the sacred ritual - or even a demonstration of the orchestra's hidden potential.

Inspired by her Himalayan heritage, Devi has been exploring the entrancing sonic application of monastic practices such as throat singing for many years, as well as developing psychoacoustic methods. This led her to perceive sound as a way of expanding brain activity - something that also plays a shrouded role in the world of chamber music. Applying this to the orchestra, she began thinking about each instrument as a discrete frequency range, searching for its ethereal properties rather than fixating on an object saddled with cultural baggage. Using the density, amplitude and vibrational impact of the sounds in unison, Devi was able to summon the club environment, seizing that space's inherent power - Devi was making orchestral rave.

Two versions of the score are included on the release, one orchestrated in collaboration with Robert Ames and conducted by André de Ridder, performed on October 29, 2021 with the BBC Concert Orchestra at Queen Elizabeth Hall which was commissioned by Elizabeth Alker for Unclassified Live, and the purely electronic version - the synthetic backbone of the composition. Both are very different, and listened to together highlight the transformative power of instrumentation. The result is like a purge of history and hierarchy, with tools of colonization hollowed-out and fashioned into new shapes. A clash of grandeur and sensitivity, and a live deconstruction of the artistic ego, "Aethernal Score" is transcendent re-evaluation of classical and electronic sounds that doesn't just make you think, it makes you resonate.

Mastered and cut by Matt Colton at Metropolis.

Aïsha Devi - Two Serpents Theme [excerpt]

A SHATTERED DREAM

"best view of an angel" is a musical piece by giselle from Nebraska, woven into a single atmospheric textural tapestry. It features uplifting trance samples processed through analog pedals and further refined to serve as a backdrop for field recordings and ethereal, multi-layered vocals. Together, these elements create a lush, dreamy, and evocative soundscape.

https://immersive-love.bandcamp.com/album/best-view-of-an-angel

giselle:

https://soundcloud.com/37735i6
https://37735i6.bandcamp.com/
https://www.instagram.com/g15377e

best view of an angel

bandcamp

giselle - clearing

The 51st release of katharsis is the album Afterlife by Danish artist Johan Carøe. The album takes shape through a collection of synth vignettes and spectral landscapes, where fragmented strings and ephemeral pads merge into weightless, hyper-lush forms. Created in a period of both new life and impending loss, Afterlife lingers in the space between presence and absence—a fragile transmission of shifting states, quiet relief, and fleeting sonic imprints. It stands as an isolated relic of a time that no longer exists—a collection of echoes, projecting the paradoxical nature of life and death.

Created in solitude on headphones and a MIDI keyboard in a transitional period in life, the album embodies a raw and intimate catharsis—the word in its truest sense. Without the usual studio space, these pieces emerged through line-in synths, VST textures, and fragments of old recordings—saxophone, cello, violin—stitched together like distant memories resurfacing. The absence of microphones and monitors lends the music an eerily virtual quality—a small life in a small box, a stretched-out portrait of a passing moment. It is introspective yet expansive, a meditation on the transient nature of memory, sound, and being.

releases March 31, 2025

mastering by jjjacob
artwork by jjjacob

Afterlife

Early Song

premiere: Johan Carøe - Early Song

soundcloud.com/azzrell
instagram.com/_azrel._
https://azrel1.bandcamp.com

soundcloud.com/hqlorenzi
instagram.com/7orenzi
https://hqlorenzi.bandcamp.com

Cover art by @ecovoron
instagram.com/ecovoron

Due to a recent law in Hungary, made to limit the right of assembly, amongst other minorities, the LGBTQ community and Budapest Pride face uncertain times.
The only answer to this, is to unite and let our voices be heard.
We need to safeguard queer spaces.

Electronic music has always been a safe space for the queer community, so Marmint is launching a compilation in solidarity with Budapest Pride on the 28th of June, 2025.
The digital release is going to be accessible on Soundcloud, Nina Protocol, Bandcamp and other streaming services.

All proceeds go to Budapest Pride (Szivárvány Misszió Alapítvány)
budapestpride.hu/tamogass-rendszeres-tamogatas-adjukossze

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Azrel & Lorenzi - Nature Morte

Void_1138

Get focused! Get pumped! Get motivated!
30 powerful epic trailer songs to transform your mind for power!

Spotify

Valiant Uprising

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

A SHATTERED DREAM

MATTIA CUPELLI

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