Ascending (Orchestra)

Purchase: https://heliosmusic.bandcamp.com/track/daydream
https://www.instagram.com/holliekenniffmusic/

LYRICS

Mapped out in my mind
All the words to say it
Closer than ever this time
All the ways we'll make it

What awaits us 
When we wake up
From this dream
 
What awaits us
When we wake up
Will it still be as it seems
 
Kept this deep inside 
All the things we wanted 
Closer to forever this time
All the ways we'll make it

What awaits us 
When we wake up
From this dream
 
What awaits us
When we wake up
Will it still be as it seems

Mint Julep - Daydream

For all the reasons that you should already know, and if not, then for the ones that will become apparent shortly, these words are extremely difficult for me to write. So, let’s get the challenging part out of the way now. Marcus Fjellström was a remarkable Swedish composer who has been an influence and a dear friend. I’ve met him on several occasions and was immediately embraced by his radiating bright energy, which seemed to be at odds with the dim music he composed. His audiovisual works left a permanent impression on my heart and mind, the most notable of which was his private performance for the Miasmah family in Berlin, on which he released Schattenspiele (2010) and Skelektikon (2017). He even made a gorgeous mix for me, which I listen to only when I miss him the most. So when, in September of 2017, Erik Skodvin brought me the terrible news of his untimely death (at an incredibly young age of only 37!), I was absolutely devastated. It’s been nearly impossible to listen to his music ever since. That, and of course, watching the AMC series called The Terror, for which Marcus composed the soundtrack at the end of his life. That is until today. On September 20th, Miasmah will release a posthumous double album of this final work, befittingly titled The Last Sunset Of The Year, collecting music originally composed for the above-mentioned show, with many pieces being available for the very first time. I’m absolutely honoured to be selected to premiere a track, with the official announcement coming out tomorrow.

The Last Sunset Of The Year

Last Morning Watch VII.

TRACK PREMIERE : Marcus Fjellström - Last Morning Watch VII.

Bandcamp

Blemish

Deep Sea

Do you think that I creep in the night And sleep in a phone booth?

Tracklist:
00:00 Rlyeh1 - Midnight Memories    
05:31 UNLIT - Wanderer    
10:47 Brimstone - Soul cloth    
14:40 two-weeks - it's me, not you    
17:46 Burial - Come Down to Us    
23:37 Mrayl - Exodus    
25:28 Laenges - Defacement    
28:11 Nanobyte - Susurrus    
31:52 pheromonk - Watching You

#futuregarage #electronic #ambient #dark #deep #bass #mix

T&P - Soul Cloth

Cogitations 2 is part of Cogitations EP. This 5 track drone ambient EP is designed to draw listeners inward, inviting quiet introspection. The subtle ambience encourages space to pause and reflect on life’s shifting emotions. 


Cogitations 2

Picture by Adedolapo Boluwatife
Check him out: https://www.behance.net/dollarpad9df0a

Tharn is the dub techno project of interdisciplinary artist Sam Ashton, originally from London and now based in Portland, Oregon. Best known for his ambient work as Fortresses, with releases on Dragon's Eye Recordings and Flaming Pines, Ashton brings the same rich sense of atmosphere and detail to Tharn.

Tharn's new EP, Reach, follows the debut EP Seek, released on Belgian label Crossfade Sounds in spring 2025, serving as both a sequel and companion piece. Where Seek reflected the winter gloom and constant rain of the Pacific Northwest, Reach opens into light: stripped down, immediate, and radiant, like sunlight breaking through misty trees, carrying silver linings and quiet optimism. Hushed field recordings of Oregon's forests thread through the mix, while ghostly, hypnotic vocal lines rise above sporadic dub chords and ambient guitar swells, giving the music a luminous focus across its two tracks, "Reach" and "Last."

All music composed, produced, recorded, and mixed by Sam Ashton

Mastered by Gio Conti at Artefacts Mastering

Stream/Download here: https://go.protonradio.com/r/rldVssPw1cwes

Follow Crossfade Sounds
• Bandcamp: https://crossfadesounds.bandcamp.com
• Facebook: https://www.facebook.com/crossfadesounds
• Instagram: https://www.instagram.com/crossfadesounds
• Soundcloud:  https://soundcloud.com/crossfadesoundslabel
• Beatport: https://www.beatport.com/label/crossfade-sounds/27419
• Spotify: http://bitly.com/soundavenue_spotify
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• Submithub: https://sbmt.to/sound-avenue
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Check out our latest Free Downloads Compilations:
• https://crossfadesounds.bandcamp.com/album/deeper-underground-8
• https://crossfadesounds.bandcamp.com/album/tales-from-the-dub-free-download

Follow our Spotify playlists:
• Back Catalog: https://bit.ly/spotifycrossfadesounds
• Labelgroup New Releases: https://bit.ly/soundavenuelabelgroup
• Deeper Underground: https://bit.ly/deeperunderground_sa
• Progressive House: https://bit.ly/progressivehouse_sa
• Organic House: https://bit.ly/organichouse_sa
• Ambient: https://bit.ly/ambient_sa
• Lo-Fi Music: https://bit.ly/lofi_sa
• Mixes: https://bit.ly/mixes_sa      

To submit demos, send a private Soundcloud link to demo(at)soundavenue.be

#crossfadesounds #deephouse #deeptechno #undergroundmusic

Tharn - Last [Crossfade Sounds]

from the original soundtrack of the same name released by Matthew Cooper on Temporary Residence Limited 2011

Some Days Are Better Than Others

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

Ascending (Orchestra)

MATTIA CUPELLI