From KMRU & Aho Ssan's Limen LP

Vinyl & digital album: https://kmruahossan.bandcamp.com/album/limen

Released on April 29th, 2022

Last year, Kenyan sound artist Joseph Kamaru (aka KMRU) and French digital alchemist Niamké Désiré (aka Aho Ssan) were invited by Berlin Atonal to collaborate on a project for the festival's Metabolic Rift edition.

The duo had already been working together, but the offer provided the momentum to shift the conversation into another gear. Initially, they looked for thematic connections within their individual practices that might match Kamaru's meditative soundscapes with Désiré's crumbling cyberpunk expressionism, and surprisingly for two artists renowned for their grasp of minimalism, it was the opposite that drew their attention. Watching the world shift as it reacted to the spiraling pandemic, Kamaru and Désiré were moved to experiment with volume, physicality, and intense emotionality.

“I never made something so extreme," Désiré says of the duo's first recording, 2021's 'Ruined Abstractions', an extended composition that matches dense, powerful low-end drones with fractal digital fuzz and smokestack bruit. It set the mood for a back-and-forth that resulted in their seismic debut full-length, "Limen", described by the two acclaimed artists as an attempt to scrutinize the yin and yang of destruction and creation.

Cacophonous, concrete crunches fanfare the album's opening piece 'Resurgence' - the result of their Berlin Atonal commission - but the track refuses to languish in wrecking ball devastation. Instead, powerful synthesized harmonies ring from beneath the rubble, before stifling everything in a humid fuzz of dense, emotionally-charged cinematic electronics.

Influenced by the prescient post-apocalyptic mood of Katsuhiro Otomo's "Akira" and the mythological phoenix, an immortal bird said to be reborn from the ashes of its dying predecessor, "Limen" is an album that sonically snapshots the anxious, floral beauty of an explosion or the colorful intensity of a raging fire. It's rooted in concepts of duality - the idea something unsettling can be viewed from a different angle and re-interpreted.

On the album's epic, 21-minute centerpiece 'Ruined Abstraction I + II', swirling electromagnetic interference paints a haunted parallel vista that dissolves slowly into subtle, orchestral tones and booming, widescreen thuds.

Almost angelic closing track 'Rebirth' meanwhile is the most unashamedly beautiful composition Kamaru and Désiré have written together, but its choral bliss is doused in petroleum noise and saturated distortion.

"Limen" is an album that seeks to lift a veil of silence from the world, replacing it with maximalist bombast and vivid passion. It's a dynamic piece of work that finds its creators pushing themselves to the limits, deconstructing history as it detonates around us. 

All tracks written and produced by Joseph Kamaru
and Niamké Désiré; mastered by Joker

Published by Multiverse Media Publishing
© & ℗ Subtext / Multiverse LTD 2022

http://subtextrecordings.net/

Limen

KMRU & Aho Ssan - Rebirth

ARIA is a short horror film by Bruce Tetsuya.

"After the sudden death of their reclusive father, Aria and her sister Ava venture deep into the woods to his home, in order to clear it out. Aria's mind is pulled in two directions. One way towards her regret for not being closer with her father, and the other towards the stage play she's supposed to be rehearsing. Ava tries to help Aria practice lines, and console her about their loss. As the two begin to clean out the cabin, they both begin to feel a presence...
The lines of reality are blurred, as the sisters lose themselves in the world of the play, the depth of the forest, and in the hands of their ghost."

The soundtrack of the movie is composed by the Berlin/Leipzig-based New Age duo Arigto. Shattered strings and piano compositions are mutated around the tracks into a chill and nostalgic pile of emotions, each one made for each act of the film.

WATCH: https://youtu.be/1ywDGYQdwxM

Available on Digital / Cassette / Booklet.

Artwork, Booklet Curation & Cassette Design by Ioannis Nafpliotis.
Photography Direction by Jacob Glazier.
Photography by Andrew Han, Bruce Tetsuya & Jacob Glazier.

Written & Mixed by https://soundcloud.com/arigto.
Mastered by Lawrence English at Negative Space.

ARIA (Original Motion Picture Soundtrack)

Possession Theme / The Motion Of Hand

Cassette / Digital

Arigto - Possession Theme / The Motion Of Hand

"DIVINE" is an immersive experience that transcends traditional musical boundaries. The track weaves intricate layers of ambient textures with powerful, otherworldly tones, creating a soundscape that feels infinite and intimately personal. This innovative composition explores transcendence and spiritual connection themes, inviting listeners to embark on a sonic pilgrimage toward the divine.

Mattia Cupelli has meticulously crafted "DIVINE" to push the envelope of post-ambient music, drawing inspiration from the infinite energy. The result is a piece that resonates with the listener profoundly, invoking a sense of wonder and awe that lingers long after the final note fades.
credits

DIVINE

SHADERS

INNER

MONOLITH - Rework

Bandcamp:
https://itsthecitysproblemnow.bandcamp.com/track/in-blue-citysproblem-mix

In Blue (CITYSPROBLEM Mix)

Descending into A Black Hole

no crocodiles on mars

http://www.self-titledmag.com/2016/05/03/premieresecond-woman-100407jd7/

Second Woman - "100407jd7"

Simulacrum

Simulacrum I

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

DIVINE

MATTIA CUPELLI