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This Fire (You Lit In My Heart Will Destroy Us Both)

Track taken from album "A Home For You" released in March 2014 through Hawk Moon Records.

Find more GWFAA at:
http://goodweatherforanairstrike.bandcamp.com/
https://www.facebook.com/pages/Good-Weather-For-An-Airstrike/116708454007
https://twitter.com/gwfaa

Find more Hawk Moon Records at:
http://hawkmoonrecords.bandcamp.com/
https://www.facebook.com/pages/Hawk-Moon-Records/144517962258676
https://twitter.com/hawkmoonrecords

Good Weather for an Airstrike - Lungs

Alternate version of https://soundcloud.com/keithkenniff/keith-kenniff-to-see

All rights reserved. 

http://www.unseen-music.com

Photo by my brother Colin Kenniff

Keith Kenniff - To Be

Stream

beanie

Piano, synths, rhodes, electric kits combine with strings for a warm, sentimental ambient track.

Awaken

Buy the EP here:
http://blakeewingmusic.com/store/ratljost

License this track

W i n d o w   W e a t h e r

If This Is Real I Don't Need To Dream

Dedicated to the memory of Conor Walsh.

Track 5 from 'The Words She Said'.

www.paddymulcahy.com

The Words She Said

On A Hill In Swinford

Stream / download --> http://smarturl.it/elskavon-spring
New LP Skylight --> http://smarturl.it/elskavon-skylight
www.elskavon.com

INSPIRATION:

Can I give you a quick glimpse into the whirlwind mind of an independent musician?

It’s all about seasons. Last summer and into the fall, I was furiously writing a new Elskavon album, not to mention new Bora York songs with my wife, and Hi-Fi Cali collaborations and singles… For every album I release, which is typically around 9-10 songs, I end up with sometimes more than 50 demos and half-written songs. So there was a lot of writing happening. The ideas kept coming and the inspiration was heavy.

In September, I decided to set a release date for the new album, Skylight - this gives myself a deadline to actually call things done, and to get prepped for a release. From late fall on, leading up to that date (January 26), I was finishing songs, mixing and mastering the audio, working on artwork, studio and promo videos, show prep, social media content, reaching out for press and playlist possibilities, and more. There’s a lot of things on the independent release checklist.

In the midst of all this, I was about to step into a part-time freelance role, something my wife and I had been preparing for about a year. We’re very hopeful and excited about this season of our journey, which just started a few weeks ago. 

There has been a lot of things happening, and I’m grateful every step of the way. But I’m human and I get burnt out, as well. Last week it was tough to find any sort of inspiration whatsoever. And there was a definite setback regarding the new album - something I had been getting used to slipped away. It’s part of the process, and something I was fully aware could be a possibility. But it was still a bit of a punch in the gut.

Read the rest at http://anthemfallsmusic.com/blog/2018/3/28/elskavon-spring-piano-day-2018

Spring (Piano Day 2018)

Listen on Spotify

Evolving Motion

This is my version one of my favourite christmas hymn that ever written - "O, Come, O, Come, Emmanuel". Also big thanks to Erika Furmanov for being a huge part of this track and for bringing us a beautiful voice!
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"And she will give birth to a son, and you are to give him the name Jesus, because he will save his people from their sins.” All this took place to fulfill what the Lord had said through the prophet: “The virgin will conceive and give birth to a son, and they will call him Immanuel”, which means 'God with us'." - Matthew 1:21-23
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Merry Christmas!!

Emmanuel

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

Evolving Motion

MATTIA CUPELLI