Orchestra

Music Video: https://youtu.be/SWv_UJCizBk

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Silver Sun

To Valhalla!

Theme  to sensational trailer for the game 'Dead Island', composed by Giles Lamb at Savalas Sound, produced by Axis Animation for Deep Silver.  Cello by Peter Nicholson and Viola by Mairi Campbell

Dead Island Theme

Russ Landau - Ancient Cry

Some songs from my latest album, The Last Chronicle.

The King Of The Highlands

Listen on Spotify

Waves

White Noise

Unbeyond Anthology Two is OUT NOW on Unbeyond Anthologies! 
Buy / Stream ↣ https://hypeddit.com/042anthologytwo

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We at Unbeyond Anthologies are thrilled to introduce what is poised to be one of the most explosive and noteworthy compilations the underground has seen, our second landmark compilation “Unbeyond Anthology Two”, forthcoming on June 27th.

A 25-track monster that exemplifies the immense creativity and skill of the label’s community of artists, fans will be treated to a masterclass in esoteric electronic from beloved staples and new arrivals in equal measure, capped off with a densely-packed continuous mix from Scavenger and S0MBRA.

Returning inductees Scavenger, shimi violet, Easy Password, Inkdot, The Nilk, S0MBRA, Stellar Dendrites, Nycto, Echomorphosis, oblivious boys, Cynik, and &RUE deliver some of their finest material to date, while we welcome brand new inductees Birdtattoo, Awkwerd, Hemeltijd, residence, Ojela, and Pulsar to the roster with truly statement-making tracks.

Not to mention the excellent appearances from HonestlySMH, Shredtune, STYKS, kole, blvdwraith, Hollow Mage, DM8, HYPERSPVCE, and lillybug that further add to the compilation’s immense quality and diversity, Unbeyond’s collective of all-star creatives continues to grow and excel.

From heavy bass to uplifting melodics, and from maximal energy to chilling atmospheres, the second Anthology is a rollercoaster ride of the best music the underground has to offer, all in one place. An example of our continuously elevating standard of quality and thriving community, altogether a package that demands attention and pushes the esoteric to heights never before seen.

Expect auditory excellence around every corner, and remember, we’re all in this together.

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Follow Pulsar:
https://linktr.ee/pulsar_music 

Follow Unbeyond Anthologies:
https://unbeyondanthologies.carrd.co/

Unbeyond Anthology Two

Feigning Streetlight

Pulsar - Feigning Streetlight

Contact us at www.secret-souls.com to submit your demos. We are always open to discovering new talent. Much love!

Our favorite duo, eevee and sweeep, have joined forces once again. This time delivering miyako blue, a mysterious and dark hiphop track. Blending their signature sounds into something entirely new, yet unmistakably theirs. Hypnotic, moody, and cinematic.

Connect with @sweeep
Spotify: https://open.spotify.com/artist/44AMYUwAQZq6GzYPJO0Nn2
Instagram: https://instagram.com/sweeep_
Facebook: https://facebook.com/sweeepmusic
x: https://twitter.com/sweeep_

Connect with @eveline-eevee
Spotify: https://open.spotify.com/artist/4pwqNyMSvuv7VOhQBdjB6Q
Instagram: https://www.instagram.com/eveline.eevee
Facebook: https://www.facebook.com/eevee.eveline
X: https://twitter.com/EeveeEveline

Connect with us
Spotify: https://open.spotify.com/user/v3knlr9hjgxaztuwqf0xxhdy3?si=7c6fb7fcf4ff4db3
Tiktok: https://tiktok.com/@secretsouls.official
Instagram: https://instagram.com/secretsoulsrecords
Facebook: https://facebook.com/OfficialSecretSouls
X: https://twitter.com/secret__souls

eevee and sweeep - miyako blue

Make fun of the KOII all you want, its fun as fuck.

Drums all KOII, pads/sample make noise morphagene.  

Gang.

KOII33MPH

Made entirely from samples from @yukumusic 's amazing BOM KLAKK sample pack: https://yukumusic.bandcamp.com/album/bom-klakk-yukus-supersick-sample-pack-free

YUKU – Bom Klakk Creative Challenge (Voidsong Entry)

Ever Forever

(R)ain - )(

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Xen Chron - Q’omatose

Ă̫̻͓̩͎̟͌͗ͤͦ̚w̜̹ͤa̬̞͚̯͋k̺̳͚̖͖ͬe̸̻͎̖̋͗,ͩͪ̍͛ͣ͂̽͞ à̅̔̅͋̓͏̫̝̖͎̺r͔̽ͭ͊ȋ̞̕sͣ̈̓ͪ̚è͕̩ ̤͔̦̦͂̎̾̇̐̽̔o͎̱͘r͔̮̯͆́̑̚ͅ ̲̤ͧb͇͍̥̣̳̥̓̓ͭͪ̉e͒̑ͣ̔̉ ͓͕̳͓̙̬͡f̵̝̟̭̯͔o̻ͦ̎r̢̮ ͔͎̀ͅe͕̳̥̫v̾̽͏̮̫e̮̔r̯̙̱̂ͩ̑͛͂͞ ̼͇̤̤̪͕̃̆̓̿ͬ̊̽f̻͎̖̝͕̲̄̑́aͮ̋̚l͑͋͌͊l̬͙̜͍̽́͌̆͑ͮ̐’̲͔̾̒ͣ̅ͫ͐̑͜n̖͉͈̎ͨͫ͑̾̚.͔̳̎͌̓̃̓ͤ̚͠

/h̸̦̟ͦ̈̈ͤ̎ͬḙ͖̮̣̦͕̭̅̏ͨ̃̆̏r͍̘̫̦̗͈ma҉ǹ͕ͯ̓͟n̉̉̅̋ͭ͡ ͂̽̈͢i̷͕͖͔͂ͯn̷̥̹͎͉̹͖ͥ̐ͤc͕l̲͉͖̙͎͔͕̀uͥ̀̊͌̉̄s̶̱͙̳̟̝̄̈́̽͆̉i̼̤͕̱̹̭͚ͦ̉s̮̙̠͔ͅ

https://www.wdl.org/en/item/3042/view/1/1/


Production modus operandi - Manual granular
Pallid Mors - 1000+ on the second page.


MLTH001 - Aethek - Vertebrae - MONOLETH (MethLab Recordings)

Release // MONOLETH
Artists // Aethek (Billain), Broken Note, Audeka & Bell's Worth, Hybris, Rawtekk & Audeka, Volatile Cycle & Barbarix
Label // MethLab Recordings
Release Date // 13.12.2016

MethLab present a release 2 years in the making, bringing together a set of truly pioneering producers to deliver an uncompromising and fresh breed of heavy, cinematic music aimed at an evolved dancefloor.

Follow Aethek // 
SC - @aethek
FB - www.facebook.com/Aethek/

Follow MethLab // 
SC - @methlab-recordings
FB - www.facebook.com/methlabrecordings/

Aethek - Vertebrae

I had the pleasure of remixing one of Poztman's Void Vermin EP tracks, and had illegal amounts of fun working on it. 

Special thanks to https://soundcloud.com/poztman for the remix invitation!

Original production and mastering by Poztman: https://soundcloud.com/poztman/majestic-miasma 

Original Artwork by https://soundcloud.com/daturahex
Additional typography for original Artwork by: https://soundcloud.com/poztman

Raw Artwork edit by: https://soundcloud.com/abroxis

Remix by: https://soundcloud.com/abroxis

Poztman - Majestic Miasma (Abroxis Remix)

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

(R)ain - )(

MATTIA CUPELLI

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