When is doubt, throw in the drum machine!!!

The Upload

listen: https://on.slowecho.space/restless

@slowechospace

restless

stream / download

a haze within the mirror

This is an excerpt of the concert I made in London with Alessio Natalizia's Not Waving and Pye Corner Audio.

The original version of this piece can be found here:
https://abulmogard.bandcamp.com/album/abul-mogard

The Purpose Of Peace - Live in London 17 July 2014

~ LAAPS 045 ~ [SEQ.06 - LP45]

artist : Akhira Sano
album : D-R
duration : 31.24 mn
date : July 28th, 2025

edition :
-  vinyl : limited to 200 copies / white LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

----------------------------------------------------------------
pre-order : June 30th, 2025 / official release : July 28th, 2025
----------------------------------------------------------------

Sounds, arrangements and Mixed by Akhira Sano

Mastered by Taylor Deupree
Artwork by Jenni Toivonen
Design by Sprflxgrfzm
 
----------------------------------------------------------------

Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://linktr.ee/Akhira_Sano
----------------------------------------------------------------
℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 5

Akhira Sano - Demande Un

SYNC / IDENTITY

Gentle textural soundscapes trace the quiet shift in season, evoking warmth, stillness, and the beauty of impermanence. A sonic reflection on the passage of time, memory, and the subtle charm of change.

Christoph Vogel (Ghostloop) about his album: “It’s a collection of nine ambient pieces — soundscapes shaped by personal moments and quiet shifts I experienced over the past year, many of them spent in nature.

I worked with field recordings I captured during that time, letting them carry traces of place and memory. While writing, I also began building my Eurorack modular system, slowly integrating its sounds into the tracks as they took shape.

'Almost Autumn' reflects a quiet cycle of the year — the slow transitions, inner stillness, and changing atmosphere that come with time passing”.

Christoph Vogel, known as Ghostloop (Germany), weaves immersive soundscapes shaped by the serene rhythms of nature. Drawing from the ambient textures of field recordings and grounding them with deep, fluid basslines, his compositions echo the quiet moods of Northern Germany and the Baltic Sea coast. Rooted in a deep sense of place, Ghostloop’s music invites listeners to pause, drift, and sink into gentle, emotive layers of sound.

Produced and mixed by Christoph Vogel (Ghostloop)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

Almost Autumn

Bauhaus

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

Here’s an exclusive sneak peek at what’s been happening over at Headphone Community during October. If you missed it, we’ve been spending the entire month with Dennis Huddleston (aka 36) talking about his music, production techniques, and even art design. And of course, he shared plenty of music. There were Bandcamp codes for his past releases (some are still available for you to grab, if you join!), previously unreleased tracks, alternative mixes, and, yes, even some premieres, like this beautiful piece from the upcoming album titled A Warm Static Sphere, released via Quiet Details on November 12th. Huddleston has been releasing music for over 15 years on influential labels such as A Strangely Isolated Place, Past Inside the Present, and his own 3six Recordings. He is without a doubt “a master of wide-eyed cinematic soundscapes and beautifully crafted worlds that are as harmonically rich as they are polychromatically abstract.” It’s a pleasure to see (and hear) him being selected as the next monumental entry in Quiet Details’ impressive catalog.

"A Warm Static Sphere is about finding peace through isolation. It’s a record doused in gentle hum/static, which, when played quietly through headphones, acts like a warm, enveloping sphere around the head. It’s like a private isolation zone between the listener and the outside world, which feels warm and safe inside. The music opens up slowly, revealing its Quiet Details purposefully, often hidden deep within the loops."

Headphone Community: https://www.patreon.com/c/HeadphoneCommunity
Quiet Details Bandcamp: https://quietdetails.bandcamp.com/

A Warm Static Sphere

HEADPHONE COMMUNITY EXCLUSIVE: 36 - A Warm Static Sphere (Part 6)

Recorded between March and June of this year, Future Flowers is both a reflection and a rebirth - a gentle yet resolute act of hope from composer Hans Nox.

Some of these pieces have lived quietly for years - written a decade or more ago, resting like seeds beneath the soil. Others emerged spontaneously during the recording sessions, unfolding in real time as Hans allowed instinct and feeling to take the lead. The result is an album that bridges past and present, memory and anticipation - where old melodies find new breath, and improvisation opens unexpected pathways.

“I wanted the entire experience to be more free-flowing, more playful, more adventurous than the usual cautious approach I take to composing,” Hans writes. “Rather than regretting where I’ve been or the paths that led nowhere, I’ve chosen to trust my Savior and strive toward the brightness ahead. Yesterday is gone - tomorrow is coming. How much better it is to pursue confidence and courage.”

That sense of spiritual renewal and creative surrender runs through every note. There is a tender humanness here - fragile piano phrases that pause as if mid-thought, ambient textures that drift like light across water, melodies that carry both ache and affirmation. Even the silences seem to speak, offering a kind of stillness that listens back.

Future Flowers is, in many ways, an album about release - about letting go of the weight of the past to make room for something more open, more alive. It celebrates the decision to move forward with faith and boldness, even when the path ahead is unclear. The music does not rush; it unfolds patiently, like petals opening in the sun - quiet gestures of trust and becoming.

Like its title suggests, Future Flowers invites us to believe in renewal - to tend to the unseen roots beneath our lives, trusting that beauty will bloom again in time.

In keeping with the spirit of the music, this release has been lovingly hand-assembled in a limited Fluid Audio edition, pairing Hans Nox’s compositions with bespoke artwork and tactile design. Natural textures, archival papers, and hand-numbered inserts bring a physical warmth to the experience - each copy a small act of devotion, crafted with the same care and intentionality that shaped the album itself.

Gentle, honest, and filled with quiet light, Future Flowers is not just a collection of songs - it’s a testament to resilience, to grace, and to the faith that something beautiful still lies ahead.

Music - Hans Nox
Mastering - Ian Hawgood
Design - Daniel Crossley

Hold Fast

You don’t have to read the press release for Rafael Anton Irisarri‘s latest opus, Points of Inaccessibility, to know all of its conveyed emotion. It’s already all there. That is the power of music when it’s delivered through the heart and mind by an amazing artist. Sure, there is an interesting background behind this work [and one which you can read on Bandcamp anyway], but for me, it doesn’t matter. When I listened to this album for the first time, I was immediately overwhelmed with its immersive poignant arc, and then I listened to it again, and again, and again… until the four pieces became not just the sounds for the story to be discovered later through these words, but they became the sounds for the story of my own, the one where words are not enough, the one that only speaks in music. This music touches something deeply personal, and then these words come out in abstract. But when you read them, you will know at least one thing: they have been written by a human. They have been triggered by a human. And when two humans speak without words, there is a true and genuine connection. One, which we can’t replace with a digital domain. And as we sink a little deeper every day into a world of artificial emotion, remember that you can return to music. Remember that this music is the key.


Points of Inaccessibility came from thinking about how disconnection feels in an age obsessed with connection. We are constantly online, constantly visible, yet we drift further apart. The real distance isn’t geographic anymore, it’s emotional. We mistake connectivity for community. The more we share, the less we seem to feel. This album is about that strange loneliness that hides inside constant communication, a loneliness that hums quietly beneath the surface of everything. The record isn’t nostalgic. It’s about the way the present is haunted by all the futures that never arrived. We live inside systems that promise connection but deliver repetition. Everything loops, nothing resolves.

— Rafael Anton Irisarri


The album is scheduled to be released on February 6th, 2026, via Irisarri’s own Black Knoll Editions. Preorder the beautifully mastered limited edition 12″ by Stephan Mathieu at his Schwebung Mastering, with a bleak yet stunning cover art by Jaco Schilp. Once again, you can grab the digital and vinyl versions directly from Irisarri’s Bandcamp. Don’t sleep on this one.

https://irisarri.bandcamp.com/album/points-of-inaccessibility

Points of Inaccessibility

Breaking the Unison

TRACK PREMIERE : Rafael Anton Irisarri - Breaking the Unison

Crimson

Memorize each moment.
Download: https://pawelikgy.bandcamp.com/track/open-your-eyes
Spotify Playlist: http://bit.ly/AmbientSpotify

Pawel Ikgy
https://soundcloud.com/pawel_ikgy
https://www.facebook.com/PawelIkgy
https://pawelikgy.bandcamp.com
https://vk.com/pawel.ikgy.composer
https://pashaignatev975.wixsite.com/pawelikgy

Picture by Yuni Stahl
https://unsplash.com/photos/8Nyw2PQfSFw
https://unsplash.com/bebeladyday

Follow AmbientMusicalGenre
https://soundcloud.com/ambientmusicalgenre
https://youtube.com/AmbientMusicalGenre
https://facebook.com/AmbientMusicalGenre
https://vk.com/ambientmusicalgenre
https://plus.google.com/+AmbientMusicalGenre/posts
https://ambientmusicalgenre.bandcamp.com/
https://twitter.com/AmbiiMG

Support AMG Records (AmbientMusicalGenre channel)
https://ambientmusicalgenre.bandcamp.com

All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads (images also included) please get in contact with me and I will delete it.
(ambientmusicalgenre@gmail.com)

I'll Be With You Tonight

Download

Pawel Ikgy - Open Your Eyes

Listen on Spotify

Shaping

Woodlands

Cruelty Free

Music Composed & Produced By Brock Hewitt
Film By Ashlee Bishop

Download/Stream

Cruelty Free

Mattia Cupelli is an Italian artist based in Rome, Italy.
His sound is influenced by genres as Post-Classical and Dark Ambient sounds to modern Experimental Electronic music and the world between.

Early works are mainly based on Soundtrack, Orchestral Music, and Modern Piano music, which makes himself known through his YouTube channel, which counts over 35 million plays and 130K subscribers.
 
His LP "UNDERNEATH" presents a new ambient/neo-classical sound infused with modern electronic sound. 
“Matching electronic components against a neo-classical sweep, his work recalls the likes of Nicolas Jaar or Ólafur Arnalds, with some Nils Frahm thrown in" (from CLASH Magazine) about ONWARDS Son of Marketing writes: “shows minimal and delicate ambient, evocative whispered vocals, growing rhythms in the second part and an impressive pathos”.

In 2019 releases "EP I" with some old pieces recomposed, followed by "EP II" in 2020, featured new obscure and dark tracks influenced by electronic contemporary music.
Also, is in the production of a project named "REWORK" that features some reimagined old tracks under a new unique style (Rework I and Rework II).
 
In 2021 releases RUINS with a new fresh ethereal sound, with a sense of ancient spirituality. Rock.it described as "a narrative so powerful as to drag into a plot that each of us generates according to our experiences".

Shaping

MATTIA CUPELLI

Recent comments

Mike

Related tracks