A collection of some piano pieces I've recorded playing. 

Enjoy, and thanks for listening!

Matt L plays piano

A recording of me playing a piano rendition of the main theme for Final Fantasy XIII-2 (I never played the game!), sung by Mai Fukui and composed by Koichi Tabo. 

Credit to Vincent Lo for the arrangement; I transposed this song one whole step above the original key. Also, thanks to my friend Grace for recommending this beautiful piece. 

Please enjoy, and thank you for listening!

New World / Yakusoku No Basho [Final Fantasy XIII-2]

Performed by Matt L, transposed up 1 key from original. Arrangement from Final Fantasy VII Piano Collections (Shirō Hamaguchi (浜口 史郎)). Enjoy!

Tifa's Theme [FF7 Piano Collections]

Performed by Matthew Law, transposed up 1 key from original. Arrangement from Final Fantasy VII Piano Collections (Shirō Hamaguchi (浜口 史郎)). Enjoy!

Ahead On Our Way [FF7 Piano Collections]

"Echo(es) of Spring" is a gorgeous composition by the great stride pianist, Willie "The Lion" Smith. I guess it's only fitting that I learned this lovely piece just as the weather has started to warm up (peaking at 74º F this week!). 

I hope you enjoy my performance; thanks for listening!

Echo(es) Of Spring

"City of Tears" - from the official Hollow Knight Piano Collections

Performed by Matthew Law on a Korg SP-250 digital piano, recorded with stereo cables into a Zoom H1 recorder, with slight deviations from the original arrangement.

One of my favorite songs (composed by Christopher Larkin) from the beautiful and immersive game Hollow Knight, developed and published by Team Cherry. This rendition is from the Hollow Knight Piano Collections, arranged by David Peacock, and published/released by Materia Collective.

City of Tears [Hollow Knight Piano Collections] 🎹

“White Palace,” composed by Christopher Larkin for the beautiful and immersive Metroidvania indie game, Hollow Knight, which I had the privilege of completing on the Nintendo Switch during quarantine. The piano rendition of this piece was arranged by David Peacock. 

This particular piece is played in the background of one of my favorite — and most difficult — areas of the game (eponymously named).

Thanks for listening!