Dj/Producer @uttuclub, @bassagenda , @rte2fm , www.soundcloud.com/tracklistings3-0  , 
www.ninaprotocol.com/hubs/crozier
 www.instagram.com/businesstechnoinstitute/
Promos/contact - dairecrozier@gmail.com 
instagram.com/daire_crozier facebook.com/crozierdaire 
twitter.com/crozierdj

Genres worn thin at the edges. Half-remembered rhythms reconstructed. The Revenge has spent most of his years dissolving familiar forms to create something that feels at once forgotten and ahead of its time.

http://www.welove-music.com/we-love-DJs/Jamie-Fatneck

DJ Bookings : lowy-72@hotmail.com

Jamie Low was born high but then got progressively lower as the years went on. He’s presently so low you can only see his head and neck and then only if you are possessed of the finer quality gardening implements (Spear & Jackson upwards).

As a nipper he discovered acid house while walking his pet lurchers Snowy and Bonzo (acid house was lurking in the bushes waiting to expose itself to winsome young ladies). He was hooked. The lurchers were less keen.

Trips to the Hacienda followed by further investigative forays to the island of Ibiza (turn right at Halifax and keep walking for another 1000 miles). He was bitten by the DJ bug, though fortunately anti-histamines were at hand to cure the poor lad. The doctors confessed that nothing could be done to help him. Like herpes or Dale Winton, it’s one of those things that never really goes away.

Twenty years later finds Jamie still Djing, still obsessively searching for new records and entertaining ne’erdowells in whatever capacity he is able, providing it is more or less legal. It’s all John Peel’s fault. Or was it Jon Da Silva? Anyway, someone called John. We’ve passed his name on to the police. But not his records.

We're an artist management company, record label & music publisher with offices in Los Angeles and Sydney. Est 2014.
Hit us up: contact@futureclassic.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Formed through a mutual love of solid dance floor electronics, the Jet Project, aka Timmy Stewart and John McIver, fired up a studio alliance to fuse the duo’s influences together with their experiences as Djs and producers. From deep and dubby house through to peak time techno, label’s such as Berlin’s Get Physical, Steve Lawler’s ViVa and Paul Woolford's Intimacy were quick to spot the twosome’s incredible talent. 

Support for their material to date has come from such luminaries as Joris Voorn, John Digweed, Francois K, Heidi, M.A.N.D.Y. & many more. They've put their deft remix touches to Scoper & Bubba, the Two Lone Swordsmen, Matt Playford, Silicone Soul and Yousef, amongst others and their latest material has just been snapped up by UK clubbing institution Renaissance and Riva Starr's Snatch Imprint. The Jets recently launched a brand new monthly residency at Belfast’s wicked Yello club, have a host of killer remixes set to drop this Summer and with a full 2010 release schedule on their own Extended Play imprint, it’s safe to say they are cleared for take off.



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