Noviembre

Recorded live to tape at Five & Dime Recording Society. Produced by Paul Loren.  Words and Music by Matt Sucich.

LYRICS:
 Only you, and you alone, can draw me in and leave me. 
Leave me wanting more with every line. 
As if I've never wanted any more than what you're giving. 
Sleep to dream then wake to see another day with you and I. 

I myself, alone, may be among the lonely dreamers, and lonely dreamers dream the most of all. 
Though I'm afraid that with the lonely dreams the grass is always greener. Is it true that it is only you, and only you alone? 

Oh, such is life for the lonely dreamer. 

Only you might hear a song and think to know the meaning. 
Only you might smile and sing along. 
As if this song were not about the very life you're leading. 
Only you, baby. Only you alone. 

Oh, such is life for the lonely dreamer. 

Only you, and you alone, may be among the lonely dreamers. 
I myself alone am one to talk. 
Because true love it can break you down or make a life worth living, and only you, and I myself, alone must have it all.

All Rights Reserved 2014 Matt Sucich/Novelty Organ Publishing (ASCAP) EsMatteo Music, LLC

iTunes

The Lonely Dreamer

Stream 'Elder Island EP' now on Spotify: http://smarturl.it/ELStream

Elder Island's Debut EP is out now via @fourthieves

Vinyl EP: smarturl.it/VinylDirect
Digital EP: smarturl.it/ElderiDigi

Elder Island - The Big Unknown

The third single from Greyhounds 2014 release, "Accumulator," out now on Ardent Music.

Get Accumulator CD/Vinyl ow.ly/tWF0r 
itunes: ow.ly/ue0qu

Keep up with the Hounds: 
www.greyhoundsmusic.com
Facebook: www.facebook.com/greyhoundsmusic
Twitter: twitter.com/Greyhoundsmusic
Instagram: instagram.com/greyhoundsmusic#

Andrew Trube and Anthony Farrell are Greyhounds.

Lone Rider

iTunes: http://smarturl.it/HeadlightsEP

www.tormiller.com
www.facebook.com/tormillermusic
twitter.com/TorMillerMusic
www.youtube.com/user/TorMillerMusic

Headlights

Single from the upcoming Lazer Cake full length album.

Begging You To Use Me

Recorded live-to-tape at Saltlands Studio in Brooklyn, NY, during the sessions that would become 2015's "Stripping For The Blind" collection, "Dog-Eared Page" can be considered a digital C-Side. 

Additional recording took place at Sterling Society Social Club, in Brooklyn, NY.

Produced & engineered by Paul Loren
Mastered by Nigel St. John at Five & Dime Records.

Players: 
Sarah Goldstone: Piano & Violin
Brian Kesley: Bass
Paul Loren: Casio
Kiyoshi Matsuyama: Electric Guitars & Backup Vocals
Robby Sinclair: Drums & Misc. Percussion
Matt Sucich: Vocals, Acoustic & 12-string Acoustic guitars

Music & Lyrics by Matt Sucich/Novelty Organ Publishing (ASCAP)

Lyrics:

What we had I left behind us,
Down the coast from the Carolinas,
And what we had I do not let define us, no way.

What you wanted I was uncertain,
Trying to read your silhouette through an iron curtain.
And all we wanted were some simple words we could not say.

Oh my god I know the past is the past.
You never let the good in without the bad.
But honey it's hard enough with the one you love, it's hard enough.

I've ruined some good things trying to make them great.
I've missed the forest for the trees I'd say.
What we had I could have guessed it would've ended this way.

Now I'm just another dog-eared page.
Among the many other creases, and the stains.
And what we had I don't regret one single day.

Oh my god I know the past is the past.
You never let the good in without the bad.
But honey it's hard enough with the one you love, it's hard enough.

Now I'm just another dog-eared page.
Among the many other creases, and the stains.
And what we had I see it for what we could not say.

Oh my god I know the past is the past.
You never let the good in without the bad.
But honey it's hard enough with the one you love, it's hard enough.


Spotify

Dog-eared Page

Watch the official video: 
https://www.youtube.com/watch?v=ywblHCUm1YM

Lyrics:
I don't want to go to sleep, I don't want to be awake.
Don't want to go someplace that I cannot escape.
I don't want to be sideways, I don't want to be straight.
I don't want to go right now, I do not want to wait.

So give me tomorrow and I'll miss yesterday, 
But I won’t pretend like I know it all today.
Well I know what’s right, and I know what ain’t.
It’s hard to feel united in this here state.

Go on /Go on, my babe.
Go on, honey.
Go on /Go on, my babe. 
Go on all the way.

I don’t want to fight. I don’t want to run away. 
I don’t want to turn my back or laugh in your face. 
I don’t want to preach for preaching’s sake, 
but it seems we’re sleeping in this bed we made.

So give me tomorrow and we can laugh at yesterday
but I won’t pretend there ain’t nothing wrong today.
And I don’t want to close my eyes on the progress that we’ve made
but for every inch there’s a mile of mistakes.

Go on /Go on, my babe.
Go on, honey.
Go on /Go on, my babe. 
Go on all the way.

I don’t want to be a painter anymore, not this way. 
They like what I’m saying just “change the color of the paint.” 
Would you buy my work on the worth of the frame?
It used to be I’d make everything I made.

So give me tomorrow and we can get past yesterday.
Is this one of them things, some passing phase, 
where we all get up in arms but our arms are slow to raise. 
People die, and buildings go up in flames.

Go on /Go on, my babe.
Go on, honey.
Go on /Go on, my babe. 
Go on all the way.

I don’t want to be a writer anymore, not this way.
I may as well have been an actor so you could tell me what to say.
Or maybe a marionette so you could move my arms and legs, 
I may as well drive out to Montauk on Memorial Day.

So give me tomorrow and we can get forget yesterday.
It’s this modern focus that’s so hard to maintain. 
A flash in the pan, short-term gain.
No I don’t want to be a writer anymore, not that way.

Go on /Go on, my babe.
Go on, honey.
Go on /Go on, my babe. 
Go on all the way.


---------------
Produced & Engineered by Paul Loren at Sterling Society Social Club in Brooklyn, NY
Mixed by Will Hensley // Mastered by Chris Gehringer
Written by Matt Sucich / Novelty Organ Publishing (ASCAP)
All Rights Reserved 2016
www.mattsucich.com

Players:
Sarah Goldstone - Piano / Synth / Vibraphone / Vocals / Wurlitzer
Brian Kesley - Bass
Paul Loren - Vocals
Kiyoshi Matsuyama - Electric Guitars
Robby Sinclair - Drums / Percussion
Matt Sucich - Acoustic Guitar / Vocals



Montauk

Lyrics:

How is it she can get me feeling 
like I'm 10 ft tall? 
Like I am standing in her closet, with my arms outstretched, 
and still can't touch the wall. 

How is it she can
send me reeling? 
Like I am on all fours, from the night before,
and I just can't touch the floor.

No, no, I don't, I don't, I don't, I don't, I don't.
I don't understand.
No, no, I don't, I don't, I don't, I don't, I don't.
I don't know how she can.

And how is it she can set me off?
Like a bottle rocket screaming.
Like I have jumped off of the top step 
but I still can't touch the ceiling.

No, no, I don't, I don't, I don't, I don't, I don't.
I don't understand.
Oh, no, I don't, I don't, I don't, I don't, I don't.
I don't know how she can.

Only if I knew better.
Than I might even up the score. 
But I cannot even tell the difference between her games anymore.

How is it she can save me?
Like a follower who follows to a fault. 
Like I have stayed in bed and shaved my head, 
and changed the name that I am called.

And how is it she will confuse me?
Like a slight hand cuts a deck of cards.
And no matter what I think I saw,
I will always draw that Jack of Hearts. 

No, no, I don't, I don't, I don't, I don't, I don't.
I don't understand.
Oh, no, I don't, I don't, I don't, I don't, I don't.
I don't know how she can.
---------------
Produced & Engineered by Paul Loren at Sterling Society Social Club in Brooklyn, NY
Mixed by Will Hensley // Mastered by Chris Gehringer
Written by Matt Sucich / Novelty Organ Publishing (ASCAP)
All Rights Reserved 2016
www.mattsucich.com

She Can

Music, melody, and lyrics by Amy Vachal and Kiyoshi Matsuyama
Produced and engineered by Kiyoshi Matsuyama and Amy Vachal
Mixed by Will Hensley
Mastered by Joe Laporta
Recorded in Brooklyn, NY
Artwork by Amy Vachal

Wait

Spotify: https://open.spotify.com/album/6hIuoosG3IIJiK18akskHH
Apple Music: https://itun.es/us/zT2Kib
iTunes: https://itunes.apple.com/us/album/fire-on-bowery-after-the-fire-single/id1217620825
YouTube: https://youtu.be/U4WGpIA1NuE

http://www.mattsucich.com

------
Lyrics: 

It's the little things about the time we had,
that kept you in back of my head,
and this is not a healthy way of feeling.

Do you see me how you saw me when,
my back against the reckoning and the walls were closing in.

Now there's a fire on Bowery,
and the lights won't even turn on no more,
they might as well let the city die,
since the place we went in the summer that night is gone. 

It's no mystery what went wrong, 
hell our love it was an atom bomb,
and the weight I hold is my own damn fault. 

Now everything I've already done I've gotta do it again, 
something about a master plan. 

Now there's a fire on Bowery,
and the lights won't even turn on no more,
they might as well let the city die,
since the place we went in the summer that night is gone. 

What am I supposed to let go?
My pride or my soul? 
Who am I telling that hasn't been told?

So tell me now is this how it ends?
The weight on my chest. The voices inside of my head. 

Now there's a fire on Bowery,
and the lights won't even turn on no more,
they might as well let the city die,
since the place we went in the summer that night is gone. 

------------
Produced  Paul Loren, Kiyo Cato, & Matt Sucich at The Creamery in Greenpoint, Brooklyn
Engineered by Paul Loren & Jeff Fettig
Mixed by Will Hensley // Mastered by Chris Gehringer
Written by Matt Sucich / Novelty Organ Publishing (ASCAP)
All Rights Reserved 2017
www.mattsucich.com

Players:
Matt Sucich - Acoustic Guitar / Vocals
Kiyo Cato - Bass / Electric guitar / Background Vocals
Lily Cato - Background Vocals
Paul Loren - Piano / Casio
Susan Mandel - Cello
Robby Sinclair - Drums

Fire On Bowery

Spotify: open.spotify.com/album/6hIuoosG3IIJiK18akskHH
Apple Music: itun.es/us/zT2Kib
iTunes: itunes.apple.com/us/album/fire-on…gle/id1217620825

www.mattsucich.com
-----
Lyrics:

After the fire I found myself buried alive,
in a cemetery full of Queens and Brooklynites. 
Even though I had my wits about me I could hardly tell the time.
How I got there and what I'd done.
Who I was and why. 

I was hopeless and alone. 
She was all I'd known. 
She had long hair like The Rolling Stones and a body good as gold. 

After the fire I found myself in a mess of lies.
I started working my way backwards once I cleaned the dirt out of my eyes. 
Who could be out to do such a thing to me? 
Then I realized it was all just a show, 
when I heard somebody scream out "ACTION" from the sides.

When I was hopeless and alone. 
She was all I'd known. 
She had long hair just like The Rolling Stones and a body good as gold. 

And she cold put the fear of God in a man. 
The Devil's in the details, but the details are insane. 
And 5 to 1 believers is a hard fight to be in, and win. 

After the fire I found myself among the fortune-telling kind.
They warned me not to trust my guts I said "where were you before the fire?"

When I was hopeless and alone. 
She was all I'd known.
She had long hair like The Rolling Stones and a body good as gold. 

------------
Produced Paul Loren, Kiyo Cato, & Matt Sucich at The Creamery in Greenpoint, Brooklyn
Engineered by Paul Loren & Jeff Fettig
Mixed by Will Hensley // Mastered by Chris Gehringer
Written by Matt Sucich / Novelty Organ Publishing (ASCAP)
All Rights Reserved 2017
www.mattsucich.com

Players:
Matt Sucich - 6 & 12 String Electric Guitar / Acoustic Guitar / Vocals
Kiyo Cato - Drums / Electric guitar / Acoustic Guitar / Background Vocals
Lily Cato - Background Vocals
Paul Loren - Bass /Piano / Rhodes / Casio

After The Fire

Music and lyrics by Amy Vachal
Produced by Amy Vachal
Coproduced and mixed by Chris Cubeta
Mastered by Joe LaPorta
Artwork by Amy Vachal

Today

Written by Randy Newmam
© Warner/Chappell Music, Inc

Performed by Matt Sucich
Mixed by Devon Craig Johnson 
www.mattsucich.com

God's Song (That's Why I Love Mankind)

Words  & music by Matt Sucich / Novelty Organ Publishing, ASCAP, 2018
Produced by Kiyo Cato & Matt Sucich
Mixed by Will Hensley
Mastered by Chris Gehringer

The Lonely Dreamer

Matt Sucich

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