Please send all promos to: musicbyentej@gmail.com

www.thepool-london.com
https://www.facebook.com/thepoolagency

The Pool is home to a rich and diverse collection of DJs and Live Acts. Our group of artists are recognised and respected the world over. Resolute tastemakers and pioneers within their fields, as well as fantastic entertainers.

ROSTER
1-800 GIRLS
A Man Called Adam
Apiento
Asha Puthli
Bill Brewster
Bjørn Torske
Bufiman
Camilo Miranda
ChewChew
Eluize
Flo Dill
Frinda Di Lanco
Froid Dub
Greg Wilson
DITA
DJ Harvey
Heidi Lawden
Jaye Ward
JIM
Juan Ramos
Linkwood
Lovefingers
Man Power
Masha Mar
Maurice Fulton
Mim Suleiman
Millie McKee
Sally Rodgers
Soyoon
SNO
Space Dimension Controller
Todd Terje*
Tom Of England
*UK Only

CONTACT
enquiry@thepool-london.com

Copenhagen based DJ & music lover, and one half of danish label Sofa Beats

Ajja is an eclectic and multi-talented Swiss artist who channels his creativity through parallel careers as musician, producer, label manager, graphic artist, software developer and painter.

Ajja played his first big psychedelic trance gathering in December 2002 on the main stage of the Outback Eclipse Festival in Australia, during a full solar eclipse.

In 2005, Ajja started a solo project under his own name. He quickly became known for delivering groovy psychedelic trance, crossing genres to attract people from a broad range of styles. His debut studio album “Psychogenica” was released  in 2007 on Syncronize Records, followed by “Tulpa” in 2012 on Peak Records and the mid-tempo album “Spira Mirabilis” in 2017 on T.I.P. Records.

Since 2006, Ajja has released over a hundred songs under various names, including many collaborations with other well-known musicians and producers, spanning a wide range of styles.

Although he has regularly performed at major events around the world and is used to a heavy touring schedule, he still enjoys small, intimate parties and clubs just as much.

An energetic, enthusiastic and gifted being, Ajja is an artist not to be missed!

I've been a DJ for a while. I kind of like it.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

matty13 is following