Immersive audio piece based on Valeria Luisseli's book "Lost Children Archive"- It alludes the concept of cinema for the ears, where sound positioning create spaces like in theatre plays, the text doesn't narrate the story, the sound does. It forms part of a series of explorations around creating acousmatic music outside the concert context, it pretends to be listened only in solitude, either on binaural version or inside a 3D studio hall. The series crosses the lines between computer music, field recordings and story telling.`

Desierto Sonoro

Alex Banks - Be The One (feat. Elizabeth Bernholz)

Text and voice: Hollie McNish
I founded this clip @ http://www.theguardian.com/education/video/2014/aug/20/spoken-words-hollie-mcnish-children-classroom-video

and it came out as a mix of me improvising with my electric guitar with some external tools and a software developed on max-msp called Arenero; with some post production as a soundart piece.

Outside Education

pre DNA_Seq presentation at the Day of culture at Kino Siska in Ljubljana Slovenia - Jan 20th 2017.  The piece is part of the ongoing project Arenero, a maxmsp stanalone for the free improvisation with an integrated dynamic sound processor.

For the Arenero pieces the instructions for sound processing inside the software are consider to be “the piece”; as I consider the sound processor the guide of certain discursive elements.

home session -

Norwegian Cornett and Sackbuts
Sackbuts:
Wenche Tjentland, barokktrombone/sackbut
Helene Øverlie, barokktrombone/sackbut

Oslo, Norway, Konsertserien Periferien #6, August 29th 2018

Dissoziativ for two prepared trombones

Schlagquartett Köln:
Thomas Meixner
Boris Müller
Dirk Rothbrust
Achim Seyler

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Leicht Über Linz
02.12.2018
Sonic Lab

Medientechnik - Mathias Burghofer, Elwin Ebner, Christoph Gürtler
Licht - Alexander Böhmler
Kamera - Herbert Gutauer
Tonmixing - Jorge E. Gómez
Schnitt - Christian Lutz

“Life is not about actions towards an end, but about situations open in every direction … [it] has nothing to do with dramatic progression, but is instead a long and continuous movement made up of an infinity of micro movements.”

Jacques Rancière

Ius Soli (2018) Schlagquartett Köln

Live Concert, April 3rd, Oslo Norway
Written for and dedicated to the Ensemble Tøyen Fil & Klafferi
https://toyenfilogklafferi.no/

Hanne Rekdal - Flutes and Bassoon
Kristine Tjøgersen - Clarinets
Eira Bjørnstad Foss - Violin
Tove Margrethe Erikstad - Cello

Rumpetrollbryter (2019) Extracts || Ensemble Tøyen Fil & Klafferi

Confused Idols & Sexy Killers
for electric guitar and electronics (Version 2019)
Luca Nostro, electric guitar

Confused Idols & Sexy Killers - 2019 Version

Breakwater [tape]

Vinteren er kald og mørk, og det er tiden for at de dødes sjeler vandrer på jorden, en liten halloween historie.

home session -

Mauricio Valdés Emeterio

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