Live recorded at Cave Argenteuil on dec 15, 2023

LIVE SET DEC 2023

Free improvisation recorded at Studio d'Essai at CNSMD de Lyon, France.

Accordion, Bastien Pouillès
Live Electronics, Matheus Souza
Recording, Matheus Souza
Mastering, Michele Tadini

[2025] Free Improvisation: Accordion & Modular Synth

Version performed by Rubén Riera, guitar, and Aidna Izarra , live electronics at the 2016 Festival Latinoamericano de Música dirigido por Alfredo Rugeles Asuaje

Jorge Sad Levi - 'La guitarra de Macedonio' (2014)

Piano - Hyun-Mook Lim
Composition, Electronics - Leonid Zvolinsky

“Solar Wind” refers to the ionized plasma particles that are emitted at high temperatures from the sun and travel through space as a stream of charged particles known as “solar wind” between planets in the solar system. Solar wind can affect space weather and create various phenomena such as auroras. This composition reflects the distances between the planets and the sun through the rhythm and pitch of the piano part. The piano sounds consist of fragments of a series structure with different modes for each planet and ranges, while dwarf planets are distinguished by rhythm parts without a series structure. As the intervals between the sounds vary depending on the planet, the density of the planets in the solar system is expressed metaphorically in the music. The live electronics part involves real-time sampling, filtering, and spectral processing of the piano sounds.

Solar Wind (2022) for piano and live electronics

qualcuno ci salverà dalla morte

There's another version with super upsetting vocals that will come out soon

Sissy Gabber 7-10

sotto le coperte , al caldo

impro live à l'occasion des jeudis du rayon à la bibliothèque de mériadeck à Bordeaux, organisé par einstein on the beach. 
Premières touches sonores autour des applications de voix synthétiques (en écho avec le live syntax(error))

snippet from dZ@BibZMeriadeck_ 11424

la pace dentro

This version of Electroacoustic Thingamajig No. 1 was recorded on 03/21/25 in the hotel room CAPJAWS stayed in for the Mox Sonic Festival because CAPJAWS is forgetful and did not press record during their performance which became an ephemeral experience as a result.

Electroacoustic Thingamajig No. 1 is a collaborative instrument designed for complex interactive improvisations between an electronic sound and voice. Its design emphasizes flexibility and responsive sound driven by real-time data analysis. The vocal performer has immediate control over the sounds of the instrument, choosing details of the live electronic processing through their timbral and gestural choices. Meanwhile, the electronics performer has more large-scale control, influencing both the gestalt sound world and the progression of sonic events over the course of the improvisation. These paradigms are malleable, changing dynamically depending on the nature of the performance. Electroacoustic Thingamajig No. 1 is a musical sandbox for exploration, discovery, and collaboration. 

CAPJAWS is an electroacoustic music duo consisting of Christopher Alex Poovey (electronics and keyboards) and Jonathan Andrew Wright Smith (voice and electronics) focused on interactive collaborative instruments and dynamic improvisations.
We explore eclectic electronic sounds, juxtaposing their timbral differences through responsive live processing.

Photo Credit Michael Bersin

Electroacoustic Thingamajig No. 1 (Hotel Mix)

Fantasia for acoustic guitar and electronics
Paweł Opalczewski, 2024

The open-form improvisational piece ”Fantasia for acoustic guitar and electronics” is the result of experiments with microtonality, combined with live electronics and instrument preparation using unconventional objects. This piece serves as both a sonic landscape and a journey.
It is performed on an altered-tuned acoustic guitar retuned to an inventive microtonal tuning, with controlled real-time processing. The composition also features elements of preparation using a wooden golf tee.

Fantazja na gitarę akustyczną oraz elektronikę - wykonanie live Neofonia 2025

A night of live experimental electronic music 

Attack Release w/ Louary & JP Waksman - Radio Buena Vida 29.03.25

Live Solo @ Wet Tech

Once again, the magnolia tree in the neighbour's garden is blossomming. I reworked my 2024 improvisation using Paetzold contrabass recorder and live electronics.

[[MB]F]::C Magnolia Blossom 2025

horror tales

Concert microbià - 28.03.2025 a Fabra i Coats: Centre d'Art Contemporani de Barcelona

Activitat vinculada a l’exposició Amable informal. A càrrec dels artistes Xesca Salva i Marc Villanueva, i els músics Gerard Valverde Ros i Miquel Vich Vila.

Miquel Vich Vila, percussió.
Gerard Valverde Ros, electrònica en viu i electrònica.

El pensament salvatge - Concert microbià

Live Electronics_impro_001

Live recording of my piece "Gizmo" @ Gare du Nord 10.04.2025
Live Improvisation for Turntable, Transistors, Bambus tubes, Drum machine, Feedback System and LED's

Video can be found here:

Gizmo

Composer, new media artist and sound engineer, currently living in Japan. He graduated from the Composition (Moscow Conservatory), Music Theory (Gnessins Musical College – Moscow), and Sound Engineering (Audiovisual Arts of the GITR Film and Television School – Moscow). He currently studies at the Department of Musical Creativity and Environment of the Tokyo University of the Arts, where he is gaining more experience and conducting research.
His works are expressed in electro-acoustic compositions and performances, various orchestral pieces, as well as solo and ensembles.

​

Explores the use of specific characteristics of hearing (such as sound illusions) to create works of art.

Jorge Sad (1959) 
Compositor, docente , investigador en semiología musical, organizador de conciertos .
Realizó Estudios musicales  con Rick Anna, Jorge Rapp , Francisco Kröpfl y Marcelle Deschênes. 
Recibió su diploma de Licenciado en Composición Musical en 1988 otorgado por la UCA. Realizó estudios de semiología musical y composición

Realizó numerosas composiciones acusmáticas en diversos estudios del mundo  : LIPM ( Buenos Aires) , Studio de Composition et Recherche (U. de Montréal) , Laboratorio Phonos (Barcelona) ,  CCRMA (Stanford University, CA, US) , IIESMUMD ( U de Morón) , Musiques & Recherches ( Ohain , Bélgica) , LIEM ( Madrid, España) , Groupe de Recherches Musicales ( Francia). 

Ha recibido numerosas becas del Fondo Nacional de las Artes , de la Fundación Antorchas , del Ministerio de Educación Español , del Faculty Research Program de Canadá , de la Fundación Rockefeller , de la Fundación Phonos , del Mozarteum Argentino , del Fondo Argentino de Desarrollo Cultural y becas de viaje de la Cancillería Argentina en numerosas oportunidades.

Compuso piezas instrumentales y mixtas que fueron interpretadas por músicos de la talla de Edelton Gloeden,  Fernando Lopez ,  Javier Bravo Josetxo Silguero , Alessandra Rombolá , Elena Buchbinder, Juliana Moreno , David Nuñez , James Baker , Eduardo Moguillansky , Alejo Pérez Pouilleux entre muchísimos  otros.

Compuso música interactiva para las obras de la coreógrafa Margarita Bali, Zoom in Look Out  y Pizzurno Pixelado.

 Fundó y dirigió los grupos de improvisación con live electronics , Colectivo de Creación Sonora (1995/2000)  Gestualt Ensamble (2002/ 2006) Ensamble  Seres/Parlantes. (2014…) 

Fundó y dirigió el Instituto de Investigación en Sonido y Música por medios digitales ( IIESMUNMD) 1998 /2005 en la Universidad de Morón. 

Fundó y dirige el Festival Nuevas Músicas por la Memoria (2011 … sigue) 

Encargos del Musiques & Recherches , Fundación Música y Tecnología, Centro Cultural Rojas, Centro Cultural España Buenos Aires,  Ministerio de Cultura de la Nación GRM (París) .

Recibió primeros premios del Gobierno de la Ciudad de Buenos Aires , del 3er Forum de Música Electroacústica (Córdoba) , de la Tribuna Internacional de Compositores ,  Premio Juan Carlos Paz , 2do Premio Xicoatl International Composition Contest (Salzburgo) , finalista en Concurso Internacional Métamorphoses d´Orphée , Premio Ochenta Mundos música electroacústica, Subsidio del Instituto Nacional de la Música para la producción discográfica.  


Sus obras son editadas por Babelscores y por el sello español Luscinia Discos.

Composer, singer, writer, multi-instrumentist, producer and artistic director of the label Bzzz Records,
also part of the psychedelic rock band ITHAK,
and the Anarchist Republic of Bzzz, an international « All Star » musical project, collaborating with Archie Shepp, Arto Lindsay, Marc Ribot, Luc Ex, eRikM, Mike Ladd, Timba Harris, Juice Aleem… 
he played in various occasions with the director Jonas Mekas, the french pop star Zaz, the afghan pop star Farhad Darya, the dutch band Naked Wolf, featuring Luc Ex, Mami Chan Band, Cem Yıldız, Hakim Hamadouche, Christophe Chassol, Lola Granit, Pape Djiby Ba...

Christopher Poovey is a composer, media artist, and creative coder who creates music and software which produce rich and colorful sound and encourages interactive structures. Christopher’s compositions have been performed by Ensemble Dal Niente, Ensemble Mise-en, University of North Texas’s Nova Ensemble, Indiana University’s New Music Ensemble, and Indiana University’s Brass Choir.  Chris was a finalist for the 2021 International Confederation of Electroacoustic Grand Prix and has received a special mention from the 2021 Ars Electronica Forum Wallis. His work has also been selected for performance at conferences such as the International Computer Music Conference, Seoul International Computer Music Festival, International Confederation of Electroacoustic Music General Assembly, New York Electronic Music Festival, Society for Electroacoustic Music in the United States National Conference, Inner SoundScapes, National Student Electronic Music Event, Electronic Music Midwest, and MoxSonic.
Chris currently teaches at Oberlin Conservatory in TIMARA. He holds a PhD and MA in composition from the University or North Texas and a BM in composition from Indiana University.  To supplement his formal studies, Christopher has taken courses at the Institut de Recherche et Coordination Acoustique/Musique, at Princeton University for the Só Percussion Summer Institute, and has attended a residency at the Atlantic Center for the Arts.

Improvisations for recorders and electronics
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Releases:

Markus Reineke: "Was soll schon passieren" (pan y rosas discos)
http://www.panyrosasdiscos.net/pyr271-markus-reineke-was-soll-schon-passieren/

Ashwood/Bourne/Holtz/Hoogeboom/Reineke: "We Trust You"
https://martinhoogeboom.bandcamp.com/album/we-trust-you

Reineke / Wilke: "Sun Chief Moccas" (Muteant Sounds)
https://muteantsoundsnetlabel.bandcamp.com/album/sun-chief-moccas

Reineke / Wilke: "Born in Nature (Graftings)" (arborescence records)
https://arborescencerecords.bandcamp.com/album/born-in-nature-graftings

Reineke & Matthies: "waves on shore" (darkpebble-bluewave)
https://darkpebble-bluewave.bandcamp.com/

Hoogeboom/Reineke/Sanna: "Okapi"
https://martinhoogeboom.bandcamp.com/album/okapi

Markus Reineke & Paulo Chagas: "Machado Sketches" (Zpoluras)
https://zpoluras.bandcamp.com/album/machado-sketches

Reineke / Wilke: "KURGES" (Petroglyph)
https://archive.org/details/petroglyph381Reineke_Wilke-KURGES

Markus Reineke, Frank Wilke: "Dream Incorporation" (Haze)
https://hazenetlabel.bandcamp.com/album/markus-reineke-frank-wilke-dream-incorporation

I play fingerstyle acoustic guitar and produce electronic music.
My adventure with music started in my childhood, but recently I've been working on music quite a lot and more seriously.
My tunes are mostly inspired by nature.

Composer | Improviser | Performer

Matheus Souza (b. 1997) is a Brazilian composer, performer and improviser based in Lyon, France. His works spans a wide range of formats, including solo live electronics, acousmatic, audiovisual, and mixed music. He has collaborated with visual artists, dancers, and acoustic and electronic musicians across diverse genres such as experimental, jazz, contemporary, noise and ambient music.

contact @ kaskade@posteo.de

vinyl enthusiast

constantly exploring density of sound and the resulting combination of individual sound objects in different listening experiences. 

all titles are meant literally - imagine the scene/concept through the sounds!
+++ electronic music is a form of art +++

basel x freiburg

www.buenavida.co.uk

Community radio. Broadcasting live from Cafe Buena Vida in Glasgow, Scotland. Come visit us.

24/7.

audio improvisé, expérimenté, oreilles aiguisées … temps immédiat ...
audio improvisations, experimentations with found objects …. ear sharpening… live

New tracks tagged #live electronics