fog and uncertainty and not even enough light for a moonshadow. We pick our way carefully and envy the bats...

Mix by FPMORINSTUDIO/Francois Pierre Morin musician composer ,Photo by Jean Nicolas Morin ' Morning on the red river valley Mont-Tremblant Canada.

FPM Mix 2022 06 09

Wasting Time

A Hundred Years From Now 
by Caddigan, Brennan and Story (1914)

Every one today is going crazy,
Everyone today is going mad
Each one is trying to do something decidedly new
Just to put the rest in bad
Everyday they change the style of dancing
Everyday they change the style of dress
Oh, Boys what is it coming to?
That's a problem we will have to guess

I wonder what kind of life they'll lead 
A hundred years from now?
I wonder what's going to be the speed
A hundred years from now?
The girlies are setting a pace today
That's turning the locks of gold to grey
We're living a life of constant alteration

I wonder if they'll have a tango dance
A hundred years from now?
I wonder if men will wear short pants
A hundred years from now?
There's no solution
It's all evolution
I wonder, and wonder, and wonder
How much the girls are going to wear
A hundred years from now?

Picture this town that once was just a pasture
Picture the girls who roam'd it years ago
They were the wonderful kind
You know the kind I've in mind
The sort of girl the world calls slow
Think of a girl today out in a meadow
Raking the hay a la decolletée?
No chance not in a thousand years
The girls today are all for cabaret

I wonder what kind of life they'll lead 
A hundred years from now?
I wonder what's going to be the speed
A hundred years from now?
The girlies are setting a pace today
That's turning the locks of gold to grey
We're living a life of constant alteration

I wonder if they'll have a tango dance
A hundred years from now?
I wonder if men will wear short pants
A hundred years from now?
There's no solution
It's all evolution
I wonder, and wonder, and wonder
How much the girls are going to wear
A hundred years from now?

A Hundred Years From Now (Caddigan/Brennan/Story, 1914) [cover/version]

Danke Noetic Productions - 2023

IPG1 - Let It Sink In (Vocals)
@IPG1

LET IT SINK IN - feat. IPG1

Production Note
https://furicomusicteam.blogspot.com/p/silence-after-you-leave.html

Silence After You Leave

Again

Vincent Eoppolo  LA NOTTE for electronic and electric viola

Zeichnung von claudia basrawi für THE ANIMALS Film von Cmelka/Mentrup, 2016

Our Lifetime should not be fastened onto the military time of capital

The earth visitor  & ɳøìŕoŗĭőn - Autumn Hearts

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

Mira que te lo die

Mira Que Te Lo Die

So happy to work with Dani on this amazing piece of music. She's a brilliant songwriter, singer and musician. Check out her beautiful songs: https://soundcloud.com/dontkillbutterflies

Beats and synths - Alex Jackson https://soundcloud.com/allsmilesuk
Guitar, lyrics and vocals - Don't kill butterflies
Lyrics and vocals - learningtoplay

slow dissolve

Planetary nature -- Don't kill butterflies (~ ltp)

MAURIZIO BARBETTI won the  International Darmstadt Prize and the "Iannis Xenakis International Prize of Interpretation" in Paris. He played  as contemporary music soloist in the most important concert halls of the world: Teatro alla Scala in Milan; Berlin Philharmonic; Berlin Radio (playing “Mixtur” by Karlheinz Stockhausen at the presence of the composer); Salzburg Mozarteum; Opéra de Nice; Venezia Biennale; Gulbenkian Foundation; Hamburg (Staatsoper); Cochrane Theatre London; Darmstadt; Köln (Wdr); Witten, Frankfurt; Hannover; Heilbronn; Rottenburg (Südwestfunk); Wurzburg; Bonn; Bremen (Radio Bremen); Dresden; Leipzig; München (Konzerthaus) (Bayerisher Rundfunk); Freiburg; Baden Baden; Belfast (Bbc); Paris (Radio France); Strasbourg (European Parliament); Lyon (Grame); Orléans (Semaines Musicales Internationales); Lille; Siena (Accademia Chigiana); Milan (Triennale of Contemporary Art); Rome (Teatro Nazionale); Venice ( Sonopolis Teatro La Fenice); Turin; Madrid (Centro Bellas Artes); Conservatory of Milan; Oporto; Mexico (Festival Internacional Cervantino); Rottherdam (Igic); Tel Aviv; Jerusalem; Bucharest (Ateneum); Innsbruck (Konservatorium); Finland (Time of Music); Vienna; Sapporo; Tokyo and many others He played as soloist with prestigious ensembles like Ensemble Köln (where he was principal soloist viola from 1992 to 1996); Ensemble Recherche Freiburg; Concorde Ensemble Dublin; Icarus Ensemble; Roma Sinfonietta and with important orchestras like Orchestre de l'Opéra de Nice, Rte Dublin Concert Orchestra; Orchestra Internazionale d'Italia; Euroasian Philharmonic Orchestra of Seul. He performed the first Irish performance of Chemins II by Berio for viola and orchestra with the Radiotelevision Concert Orchestra of Dublin conducted by Friedrich Goldmann. (The conductor of Luigi Nono’s “Prometeo”). The concert was broadcasted live by BBC Radio3. Composers from all over the world dedicated to him many works among them Luis De Pablo, Horatiu Radulescu, Paul Mefano and Ennio Morricone of whom he performed and recorded in world premiere the  concert for viola. He collaborates with the “Living Theater” of New York. Maurizio Barbetti has given master classes in important institutions: Irino Foundation Prize of Tokyo; Kunitachi College of Music (Tokyo); Tokyo Gakugei University; Toho Gakuen College of Drama and Music (Tokyo); Vitasaari Summer Academy (Finland); Centro Nacional de Bellas Artes of Mexico City; Accademia Internazionale della Musica of Milano; Lucero Master Class in Paris. He recorded for the German, French, Swisse; English, Irish, Italian, Mexican, Rumanian, Austrian and Israeli radio and television broadcasting. He teached in many Conservatories: Mantova, La spezia, Matera and Reggio Emilia. He records cd for Col Legno (Vienna), Neos (Germany), Stradivarius (Milano) and Mode (New York). His latest CD dedicated to Kurtag has been reviewed with 5 stars by "The Irish Time" and "The Independent" London.

Vincent Eoppolo LA NOTTE for electronic and electric viola

Maurizio Barbetti viola player

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