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公園

■歌詞
今日は　いつもより　早起きをして　鏡の前で　行ったり　来たり
昨日あわてて買った　シャツを羽織ってみる「これだ」

待ち合わせは　この場所に　12時半　
公園近くのオープンカフェで待つ　

何だか　この胸が　どきどき　苦しいな
少しだけ　涼しい風が　夏の終わりを告げた時
君が僕に手を振った

君はあまりにも軽やかな笑顔　多分　秋の　妖精　なんだろう
冷めたコーヒーを急いで飲み干して　君の魔法にかかりにゆく

少しだけ顔を　赤くして
何気ない会話も楽しいね

何だか　二人で歩く　公園は別世界
歩く音も　葉っぱの色も　匂いも　鮮やかだね
君の顔を木漏れ日が照らす

何だか　この胸が　わくわく　楽しいな
少しだけ　冷たい風が　僕らの間を通り抜けた時
手と手が触れあって　驚いた君の目
君と僕の　時間が　止まる

■ Lyrics (Google Translate)
Today I get up earlier than usual and come and go in front of the mirror
I tried putting on the shirt I bought in a hurry yesterday "This is it"

The meeting is at this place at 12:30
Wait at the open cafe near the park

Somehow, this chest is throbbing and painful
When a little cool breeze signals the end of summer
You waved at me

You're a too light smile, maybe an autumn fairy
Hurry up and drink the cold coffee and go to your magic

Make your face a little red
Casual conversation is also fun

Somehow, walking with two people, the park is a different world
The sound of walking, the color of the leaves, and the smell are vivid.
Sunbeams illuminate your face

Somehow, this chest is exciting and fun
When a little cold wind passes between us
Your eyes were surprised when your hands touched each other
Your and my time stops

■概要
少し涼しくなってきたので、秋をイメージして曲を作ってみました(^^)(2021/9/5)。

■ Overview
It's getting a little cooler, so I made a song with the image of autumn (^^) (2021/9/5).

Kouen

In A Distance

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitar played: Taylor 714CE tuned DADGAD
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.

Having just completed my third solo album, I thought I would do another acoustic guitar instrumental and it now being the month of May.................

The Month Of May

am very pleased to reveal a wholly new collaboration, with 4mat, https://soundcloud.com/mt-msc

(revised edition!)

Jam Today, Gone Tomrorow

Jam Today, Gone Tomorrow - 4mat | muterial

noxpox - caravan of shadows

Brazilian Love Thing

These songs are influenced by images from the poem Dover Beach by Matthew Arnold. I’m not sure how this poem came to me, I’m not a big reader of poetry, but there is is. I used several images from the poem to name the songs, as well.

The Tide is Full

The Light Gleams And Is Gone

„Gefrorene Herzen“ (27.02.2023 )

Eine Fortsetzung meiner Musikreihe „Musikzyklus“ in loser Folge :
Anthologie „Gefrierende Momente“ „Frost Musik“
Zerberstende, fragile Klangräume.

Gefrorene Herzen oh wo sind all die verlorenen Herzen.
Ich wandle auf Feldern wo einst Schlachten gefochten.
Keinem wurde je ein Siegerkranz geflochten.

All die ungezählten Herzen sind nun kalt und in Wintertagen erfroren. 
Die Vergessenheit hat sie einst hier begraben.

Die Seelen sind zu Raben geworden und rufen nach ihren gefrorenen Herzen die einst auf diesen Feldern begraben.

Die blühenden Felder sind in ein schwarzes Gewand getaucht.
Es sind Raben die ihre verlorenen Herzen klagend betrauern.

Sie werden warten auf den Frühling.

Diese Komposition widme ich den verlorenen Seelen aus zahllosen Kriegen dieser Welt.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music
Weitere Frost Musik : Titel u.a. https://soundcloud.com/cloppenburg-music/frozen-piano


Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:     Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
Orchestra Tools Arkhis
Genises Choir
Westwood Instruments Violin Untamed
Soniccouture Gesonic II
Have Instruments Nordisk Kontrabass
___________________________________________________________________________

"Frozen Hearts" (02/27/2023)

A continuation of my music series "Music Cycle" in loose order:
Anthology "Freezing Moments" "Frost Music"
Bursting, fragile sound spaces.

Frozen hearts oh where are all the lost hearts
I walk in fields where battles were once fought.
No one ever had a laurel wreath braided.

All the countless hearts are now cold and frozen in winter days.
Oblivion once buried them here.

The souls have become ravens, crying out for their frozen hearts that were once buried in these fields.

The once blooming fields are bathed in a black robe.
It is ravens who lament their lost hearts.

They will wait for spring.

I dedicate this composition to the lost souls from countless wars in this world.

Thank you for your valued attention.
SOUND CLOUD: https://soundcloud.com/cloppenburg-music
More Frost music: https://soundcloud.com/cloppenburg-music/frozen-piano


Music : Björn Cloppenburg All rights reserved
Photo:  Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
Orchestra Tools Arkhis
Genises Choir
Westwood Instruments Violin Untamed
Sonic Couture Gesonic II
Have Instruments Nordisk doublebass

Frozen Hearts

Urtheigle [part 6]

A medium-up jazz tune based on Eddie Durham's "Topsy" and Ellington's "Five O'Clock Whistle. With Henning Wolter (piano), Wolfgang Kohlert (bass) and Christoph Behm (drums). Recorded by Reinhard Kobialka.

Swing Ticket

Pipe O'clopsy

Swamp Forest Song

Le Rêve Du Manchot

English speakers, please see below

Voici la bande-son de la sixième vidéo réalisée dans le cadre d'un projet musical et d'art sonore qui sera diffusé en public à Nancy très prochainement. Il s'intègre dans une série de teasers. Le dernier arrivera fin septembre.
Il sera sans doute plus intéressant de regarder la vidéo pour laquelle cette bande-son a été construite :
https://vimeo.com/360784812
https://youtu.be/zkgT3gZ9auE

Écoutez les extraits de l'œuvre achevée :
https://soundcloud.com/user-298758714/empreinte-jardin-ephemere-2019-on-place-stanislas-excerpts-extras-1
https://soundcloud.com/user-298758714/empreinte-jardin-ephemere-2019-on-place-stanislas-excerpts-extras-2

This is the soundtrack of the sixth video made for a commissioned work. The final project will be released in late september, Nancy, France. More to come until september 26th.
Please, take a look at the video here :
https://vimeo.com/360784812
https://youtu.be/zkgT3gZ9auE
Finished work :
https://soundcloud.com/user-298758714/empreinte-jardin-ephemere-2019-on-place-stanislas-excerpts-extras-1
https://soundcloud.com/user-298758714/empreinte-jardin-ephemere-2019-on-place-stanislas-excerpts-extras-2

Épisode 6 (please take a look at the video, link in description)

Vincent Eoppolo "Transmogrification" Maurizio Barbetti, viola

movie

https://soundcloud.com/dariusz-jackowski-1

Dariusz Jackowski / Nathaniel Ehrnman - For The Birds (Jan. 2020)

LABEL: http://stopcran.ru
RADIO: http://mitota.club

Meticulous Midgets Magazine 2022: https://meticulousmidgets.bandcamp.com/album/meticulous-midgets-2022

MAURIZIO BARBETTI won the  International Darmstadt Prize and the "Iannis Xenakis International Prize of Interpretation" in Paris. He played  as contemporary music soloist in the most important concert halls of the world: Teatro alla Scala in Milan; Berlin Philharmonic; Berlin Radio (playing “Mixtur” by Karlheinz Stockhausen at the presence of the composer); Salzburg Mozarteum; Opéra de Nice; Venezia Biennale; Gulbenkian Foundation; Hamburg (Staatsoper); Cochrane Theatre London; Darmstadt; Köln (Wdr); Witten, Frankfurt; Hannover; Heilbronn; Rottenburg (Südwestfunk); Wurzburg; Bonn; Bremen (Radio Bremen); Dresden; Leipzig; München (Konzerthaus) (Bayerisher Rundfunk); Freiburg; Baden Baden; Belfast (Bbc); Paris (Radio France); Strasbourg (European Parliament); Lyon (Grame); Orléans (Semaines Musicales Internationales); Lille; Siena (Accademia Chigiana); Milan (Triennale of Contemporary Art); Rome (Teatro Nazionale); Venice ( Sonopolis Teatro La Fenice); Turin; Madrid (Centro Bellas Artes); Conservatory of Milan; Oporto; Mexico (Festival Internacional Cervantino); Rottherdam (Igic); Tel Aviv; Jerusalem; Bucharest (Ateneum); Innsbruck (Konservatorium); Finland (Time of Music); Vienna; Sapporo; Tokyo and many others He played as soloist with prestigious ensembles like Ensemble Köln (where he was principal soloist viola from 1992 to 1996); Ensemble Recherche Freiburg; Concorde Ensemble Dublin; Icarus Ensemble; Roma Sinfonietta and with important orchestras like Orchestre de l'Opéra de Nice, Rte Dublin Concert Orchestra; Orchestra Internazionale d'Italia; Euroasian Philharmonic Orchestra of Seul. He performed the first Irish performance of Chemins II by Berio for viola and orchestra with the Radiotelevision Concert Orchestra of Dublin conducted by Friedrich Goldmann. (The conductor of Luigi Nono’s “Prometeo”). The concert was broadcasted live by BBC Radio3. Composers from all over the world dedicated to him many works among them Luis De Pablo, Horatiu Radulescu, Paul Mefano and Ennio Morricone of whom he performed and recorded in world premiere the  concert for viola. He collaborates with the “Living Theater” of New York. Maurizio Barbetti has given master classes in important institutions: Irino Foundation Prize of Tokyo; Kunitachi College of Music (Tokyo); Tokyo Gakugei University; Toho Gakuen College of Drama and Music (Tokyo); Vitasaari Summer Academy (Finland); Centro Nacional de Bellas Artes of Mexico City; Accademia Internazionale della Musica of Milano; Lucero Master Class in Paris. He recorded for the German, French, Swisse; English, Irish, Italian, Mexican, Rumanian, Austrian and Israeli radio and television broadcasting. He teached in many Conservatories: Mantova, La spezia, Matera and Reggio Emilia. He records cd for Col Legno (Vienna), Neos (Germany), Stradivarius (Milano) and Mode (New York). His latest CD dedicated to Kurtag has been reviewed with 5 stars by "The Irish Time" and "The Independent" London.

Vincent Eoppolo "Transmogrification" Maurizio Barbetti, viola

Maurizio Barbetti viola player

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