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Mauro Augugliaro - Paradigm (Original Mix)

Astronauta de la música, viajero del sonido.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Anjunadeep - Sudbeat - Or Two Strangers

Mauro Augugliaro is a DJ and Producer based in Cordoba, Argentina.
Mauro's musical journey was influenced by many genres and always led him in search of sounds loaded with deep and hypnotic melodies.

His music has been published on labels such as Anjunadeep, Sudbeat Music, Antrim's Or Two Strangers, Fluglab among others and supported by great artists such as Sasha, Hernan Cattaneo, Guy J, Nick Warren, Tony McGuinness & Jono Grant from Above & Beyond, Lee Burridge, Anthony Pappa, Marsh, Gabriel & Dresden, Ezequiel Arias, Eli Nissan , Miss Melera, Mariano Mellino, Antrim and more.

As a DJ he has been able to play alongside Tony McGuinness, Miss Melera, Sebastian Busto, Julian Nates and more.

Booking, Contact & Promos: mauroaugugliaromusic@gmail.com

So It Goes is a Electronic Music Collective established in 2017 by https://soundcloud.com/salvadorm and @mikemartinez15 bringing you the best Deep house and Techno music. We have hosted events in Oakland and San Francisco along with premiering new releases and Free Downloads.   

For Booking of https://soundcloud.com/salvadorm/ https://soundcloud.com/mikemartinez15 along with Free Download/Label Premiere and Guest Mixes requests: soitgoesradio1@gmail.com

**Due to the high volume of 'guest mix' requests, we will follow back up with you if we feel that it fits our style and focus.**

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