Name: The Dark Abysmal by Mausoleum
Duration: 3 min 52 s
Description: .:NYCTOPHILIA:. , four new tracks showcasing their strongest material to date... rancid, sickening ZombieCult Death Metal that is not for the faint of heart. Anatomia arise from their crypt, with three new tracks of dark, decaying Doomy Death Metal that is more vicious and putrid than ever before.

.:NYCTOPHILIA:. , four new tracks showcasing their strongest material to date... rancid, sickening ZombieCult Death Metal that is not for the faint of heart. Anatomia arise from their crypt, with three new tracks of dark, decaying Doomy Death Metal that is more vicious and putrid than ever before.

NYCTOPHILIA

The Dark Abysmal

Order the Decibel issue containing this IMMOLATION flexi disc here: store.decibelmagazine.com/collections/…ber-2016-146

Immolation "Immolation" (2016 version) (dB072)

The time has come and therefore has the end to be.

Scheduled to be released on the 18th of May 2018, the final
Necros Christos album entitled Domedon Doxomedon will surely
cut a swath of destruction through the world of today’s Heavy
Metal scene.
Operating totally against the modern zeitgeist of music with
all its fake easy listening productions, this record will become
a fist in the face of those looking for light entertainment.
A triple CD and LP album with an overall playing time of 112
minutes, the record builds a monumental cathedral on its own.
While the groups’ second and monolithic output Doom of
the Occult appeared like a classical oratorio with its lengthy
proportions, this magnum opus will be of biblical dimensions,
a funeral mass of unseen yet unheard reverberations.
Alongside the numerous musical interludes named temples
and gates, for which the band is known for, the actual nine
Metal songs defy any exegesis.
Epic yet utmost angry, brutal yet extravagantly dark, if your
soul survives a complete listening of mindblowing tracks
such as Seven Altars Burn in Sin or The Heart of King Solomon in
Sorcery without being dragged into the abysmal regions of hell,
your senses will be left in disbelief.
From the unusually demanding opener I Am Christ until the
final musical ennead In Meditation on the Death of Christ, the
album serves as a gateway to truly divine spheres. Gaining
inspirations from such untouchable sources as Morbid Angel,
Candlemass or even Metallica (just hence the wonderful
middle part of Seven Altars Burn in Sin with its incredible harmonics)
intertwined with Necros Christos’ very own kind of
atmosphere and way of composing songs, Domedon Doxomedon
shall be their grandiose testament: the legacy of a band that
never bowed to any trends, never compromised in their music
nor did they ever walk the easy way.
Dom. Doxom. has to be heard to be believed, and the earth
will tremble.

Endtyme Death Metal shall unfold.
Forevermore.
Amen.

NECROS CHRISTOS - Tombstone Chapel

BORN OUT OF THE WORSHIP OF THE PRIMORDIAL GODS OF DEATH METAL...
﻿ Those savage and stripped-down death cults like DEATH, NECROPHAGIA, ENTOMBED, OBITUARY, and, of corpse, AUTOPSY, and raised upon a steady, and steadily unwholesome, diet of Horror in any and all of its appalling incarnations, from novels and comics to films, in particular, gut-munching zombie chunkblowers, MAUSOLEUM exists simply to vomit forth hideous death-reeking sickness into the very face of the stale and sterile “technical death metal” drivel of today. The macabre death-rattling morbidity that is scraped off their mortician’s slab, with its loathsome gore-shrieking vocals, its doomful cacophony of down-tuned guitars, and its barbarous drum bludgeoning, is a disdainful anachronism: a throwback to those fiendish days of yore when death metal was new and noisome and nasty

The Dark Abysmal

Mausoleum

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