LNLNN

Midra

Now Is

World Turns

Irrational Response

S.M.G. (schreibmaschinengewehr)

Othona

Angels

Odyssey / Sonne

Odyssey

Taken from Rone's new album 'Room With A View' to be released on April 24 on @InFiné Music. Pre-order the album in Vinyl, CD & digital - http://bit.ly/Rone_RWAV Stream - https://idol.lnk.to/Ginkgo_Biloba 

The Ginkgo Biloba, also known as the 'tree of a thousand coins', is a tree that can live for more than a thousand years. "This tree has been around for over 270 million years already, even before the dinosaurs, and will probably still be here after mankind may be gone", Rone told us. This sense of permanence echoes the very nature of this new single from 'Room with A View', which carries all of Rone's DNA. The piece is set in a marvellous world where the abundance of sonorities seems to weave around a melody equally familiar as irresistible, before flying away to a choir of heavenly voices. 
"Ginkgo Biloba is one of the first songs I composed for the album in George Sand's house in the Black Valley of Berry. I had a very bad telephone and internet signal, I was disconnected from the world by force of circumstance.” Entirely devoted to defining the contours of his future album "Room with a View", Rone took his breaks in a luxurious garden, lulled by the songs of the birds and animated by the fresh and invigorating breeze. It was during these little walks that a little melody sneaked into his head. “I rushed to my machines to immortalize this ritornello and develop it further.”  
The result is a perfect balance between harmony and anarchy. It is certainly a good frame for reflection to imagine the society of the future while keeping a smile on one's face.

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℗ & © 2020 InFiné
#Rone #InFiné #electronic

Rone - Ginkgo Biloba

Aleph 2

http://www.dominorecordco.com/uk/albums/28-01-13/rounds-reissue

Unspoken (promo version)

Late Night Tales: Ólafur Arnalds

Orgoned

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk