time must stop when the roads cross at the end of the next dead end.  

Arturia Polybrute 12 

E.Mystifiti

Gandhara

Ocoeur - Progression

Taken from moogmemory (2016)
https://matthewbourne.bandcamp.com/album/moogmemory

Friday 4 March - BRISTOL Colston Hall
Saturday 5 March - LONDON BFI
Sunday 6 March - SALFORD, Islington Mill
Thursday 17 March - BRIGHTON Komedia
Friday 18 March - SOUTHAMPTON Turner Sims 
Saturday 23 April - GLASGOW Outskirts Festival. Platform


Pre-order moogmemory

Daniziel

In collaboration with film company Lampray & arts platform Norr, we offer Lulin: a 24 minute film and 42 minutes of audio. Pre-orders of the 12" vinyl & film are up now at the @atomnation Bandcamp page. Lulin is out Friday March 18. 

http://soundsofatiredcity.com/premiere-gidge-byn
https://atomnation.bandcamp.com/album/lulin
https://bleep.com/release/71011-gidge-lulin
https://boomkat.com/products/lulin

Pre-order

Gidge - Byn (08:04/12:00)

Dawn Chorus recorded for International Dawn Chorus Day, 1st May 2016, at Wild Park in Brighton, UK.
1 hour (4-5AM), edited down to 10 minutes.

Dawn Chorus Wild Park Brighton 010516 (10min edit)

Played piano on this bonus track from the debut album from Orcas (Benoît Pioulard and Rafael Anton Irisarri)


Burnt Away(Orcas)

@zuurb


Style: Piano, Ambient, Bass
Length: 01:12:55
Quality: 320 k/bits

Tracklist: 
Ólafur Arnalds - Study for Generative Piano (i)
Michael Harris - Solitude
Ed Carlsen - Close (Luke Howard Rework)
Tim Linghaus - Travel Sketches (Lost In A Bus And Architecture)
Tambour - Invisible
Niklas Paschurg - De tweete Gleem
Tom Day - Descending
und1fin3d - Try
Soular Order - An Island
Ed Carlsen - Loom
Slow Meadow - Palemote
Madeleine Cocolas - Stalactite
Rhian Sheehan - Somnus

Alle der diesjährigen Kalendermixe finden sich hier: http://www.kraftfuttermischwerk.de/blogg/category/adventskalender-2016/

Das KFMW Adventskalender 2016

2016 #06: Zuurb - Galatea

Bersarin Quartett - Oktober

I took the drums out of the original track which was released on Traum some time ago, and I think it's actually a lot more true to the style of the piece this way. This ambient version was initially released as part of "Series" on itunes exclusive, but is now on full release on all platforms in the Empirisch EP because people kept asking where they could buy the wav!

Max Cooper - The End Of Reason - Ambient Rework

Track from the never-released Die Nachtstunde album 'You collect me' (2016).

Die Nachtstunde - (you collect me)

Edit of Julia Gjertsen's track for the DRIVE subscription series. https://thesisproject.us/projects/THESIS_DRIVE_SERIES_2

One lengthy composition a month for a year.
60 spots available (only those 60 subscribers will have access to the tracks for a year.)

Physical Drive will be mailed to you.

(if you are a previous subscriber there is a discount. Please contact me at geuclide (at) gmail.com)

Artists include:

M. Grig

Benîot Pioulard

R Beny

Light Sleeper

The Gentlemen Losers

Pepo Galán

Simeon Walker

Elskavon

THESIS DRIVE2 - JANUARY - Julia Gjertsen - Skog (edit)

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk