release date: 24th of February 2014
Beatport exclusive: http://bit.ly/EelkeEP

Early support from The Aston Shuffle, Hernan Cattaneo, Jacques Renault, Kidnap Kid, Nick Warren, Damian Lazarus, Rub N Tug, diskJokke, Bottin, Coyote, Mixmag and more.  

With most DJ’s barely getting their teeth in to 2014 yet, Rotterdam based composer and producer Eelke Kleijn is already back teasing more huge tracks. Set for release on Feb. 24 on Eskimo Recordings are two brand new originals. ‘Lovely Sweet Divine’ is a slice of space disco heaven. This otherworldly tune is drenched in expansive reverb, disco rhythms and infectious arpeggiated basslines.

Typically brooding with an uplifting inflection, 'A Tale Of Two Lovers' is Eelke at the top of his game – only what we have come to expect from recent months. Combining fluid violins, hang drums and his typical bass rumble it’s a track from someone so adept at production they have the confidence and freedom to play around with styles in the 7-minute runtime.

TRACKLIST
1. Eelke Kleijn - Lovely Sweet Divine
2. Eelke Kleijn - A Tale Of Two Lovers
3. Eelke Kleijn - A Tale Of Two Lovers (Dub Mix)

'A Tale Of Two Lovers' will also feature on ‘The Blue Collection’, the second installment in a new compilation series on Eskimo based around colours. It’s the follow-up to last year’s lauded 'The Pink Collection’.

https://www.facebook.com/eelkekleijn
www.eelkekleijn.nl/‎
www.facebook.com/eskimorecordings
www.eskimorecordings.be
www.newsrecords.be/
www.facebook.com/NEWSrecords

Artwork by Verbals Picks.

Lovely Sweet Divine / A Tale Of Two Lovers

Eelke Kleijn - A Tale Of Two Lovers

Forgotten

“Siren Shadows” drifts through a dark, hypnotic blend of deep house rhythm and tech house precision. Echoing siren-like leads weave through shadowy basslines, creating a tension that pulses beneath every beat. The track balances atmospheric mystery with a tight, club-driven groove, inviting listeners into a space where subtle melodies call from the depths and the rhythm pulls you closer. “Siren Shadows” is both haunting and energising—perfect for late-night sets and immersive dance-floor moments.

Follow DJ GKØRE: [instagram.com/djgkore] [tiktok.com/@hardtechno2025] [mixcloud.com/DJGKØRE] [link.deezer.com/s/31tU3DGynZrbXcmXWWwrr] [mixcloud.com/DJGKØRE/subscribe] [open.spotify.com/artist/5uDSznqyJ…XgSrm_4O7mgZcNng]

Bitcrush

Summer is back and we present you number 3 of our "Bella Mar" collection. Sunny and drifting tracks, next to dancefloor hits are on it. Enjoy a great mixture, compiled by Einmusik.

"Bellar Mar 03" will be out July 29th 2016.

Various Artists - Bella Mar 03

Budakid - No Human Is Illegal

Out Now: https://www.beatport.com/release/soul-search/2448951

"Following up on a well received debut release... XYZ returns with their second release, courtesy of rising Swedish producer, Hosini..."

Read more: http://whenwedip.com/2018/11/hosini-to-release-soul-search-ep-on-xyz/

Release date: 07.12.18

Follow: @hosini
SPOT: https://open.spotify.com/artist/3DQ7WGIfJ4z4aQzNE1bNFF
INSTA: https://www.instagram.com/hosinimusic/?hl=en
FB: https://www.facebook.com/hosinimusic/

XYZ: https://www.instagram.com/wwd.xyz/

Buy on Beatport

Hosini - Syd [Snippet]

Vinyl Running Order: 						

A1: Rowee - Believing Again			
A2: Fulltone - Whole Lotta Winters
A3: Yuichiro Kotani, Hiroyuki Kajino - Playground #1
B1: Essáy - Archangel 
B2: Hauy - The Sage
C1: Hermanez - Ensina 
C2: Roy Rosenfeld - 16Yo 
D1: Modd - Evening Fog
D2: Newman - Menina Que Passa

Digital Running Order:

Yuichiro Kotani, Hiroyuki Kajino - Playground #1
Makebo – Sunland
Amonita – Magic Journey
Facundo Mohrr – After You
Roy Rosenfeld - 16Yo 
Fulltone - Whole Lotta Winters
Fulltone - Whole Lotta Winters
Hermanez - Ensina 
Rowee - Believing Again
Hauy - The Sage
Simon Vuarambon – Alcyon
Newman - Menina Que Passa
Essáy - Archangel 
Modd - Evening Fog

Essáy - Archangel

Beatport

Monkey Safari - Sturm (Extended Mix)

'Following their melodic rework of Ryan Davis’ ‘Dimmed’, Russian duo and All Day I Dream regulars Gorje Hewek & Izhevski return to Anjunadeep with an alluring remix of Blanche’s ‘City Lights’...'

Read More: https://whenwedip.com/2019/07/premiere-gorje-izhevski-anjunadeep/

Follow: @gorjehewek // @izhevski // @blancheofficialmusic // @anjunadeep

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Blanche - City Lights (Gorje Hewek & Izhevski Remix) [Anjunadeep]

Beatport: https://www.beatport.com/release/the-end/2690872
iTunes: https://music.apple.com/album/the-end-single/1481942205
Spotify: https://open.spotify.com/album/14SPwjeJXH0UJUdsttrzUk

Dutch prodigy Budakid returns to Exploited for his third mesmerising EP on the label, with two fresh new opuses for your delectation. 

The End is one of his typically cinematic tracks, reminiscent of 90s melodic breakbeat types Hybrid. Hovering, Reese-toned bass looms subtly over intricate, light broken beats and gently enveloping string progressions. Crisp and spacious, the arrangement is honed to perfection. Muted, gated stabs echo the ghost of 90s trance in the breakdown, fusing beautifully with the breaks when the beat drops back in. Soft cymbal rides splash across the surface as the elements fuse back together for a restrained crescendo. Perfect for the afterhours or a spot of deep meditation.

Linguistic sees Budakid in more of a deep house / melodic techno mood. Subtle synth licks waft across the stereo field as live percussion forms a groove and wildlife sounds create a heady atmosphere deep in the distance. A plodding groovy bassline drives its way into the foreground, while minimialist layers of electronics build the mood. The brain-twisting breakdown makes more great use of noise gating as a dizzying lead soars and pulses. Its a great piece of work that centres more on mood and texture than melody, and in doing so recalls classic progressive house sounds.

The End

Budakid - The End | Exploited

I went pretty minimal on this one, no hi-hats, and pretty much no drums actually, just a kick and much later into the track a snare comes in.....There was something about the simple repetitive 2 note melody hits and chords I landed on that just seemed to work without needing anything much else, well hopefully it works for other people too and not just me. It's been going down really well in the clubs at least, it seems to make people clap for some reason, maybe because it's so simple and kick focused rhythmically, it's got a bit of a marching stomp feel.

I stripped out most of the parts from the original, and focused on the great pads and vocal sweeps, which seemed to lead to the melodic idea somehow. It was one of those remixes which flowed nice and easily, not too much conscious thought required, I just let it flow out.

I made an edit of an old video to fit the track too, full details about that on the youtube link:

http://youtu.be/pXdoDtQlvDE

Nick Warren - Devil's Elbow - Max Cooper Remix (out now)

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk