Exotic Contents / Pulse at the Centre of Being

Pulse At The Centre Of Being

PAST PRESENT FUTURE HOUSE
Inhale love : exhale dance
Raver since 1993, I've been in the house community for 30 years like it was yesterday ! Fervent dancer during the 90's scene, I was raving in Britany (France), London and Paris. I played in Clubs in Paris like Chez Moune, Le Batofar, L'international, Le Paris Paris and  other venues.
My inspiration comes from Chicago House, Detroit Techno, Progressive House and Jungle/drum'n bass from London. I mix future RNB, Bass House, House and Deep House with a Hot playful vibe.
Currently in Barcelona, I'm open to mix 
Contact me at helenegiansily@gmail.com for collaboration and booking 
My trippy blog : http://dianevalparaiiso.tumblr.com/
My raver presence in 1994, check it out, it's legendary rave party : https://www.youtube.com/watch?v=ArgqonPdUik&ab_channel=MaudGeffray

La musique fait battre ma vie, m'aide à me concentrer, à m'évader, à divaguer, me calme, m’existe, me rend heureux, me fait voyager, danser, aimer

Taking you on a creative journeys through music. It turns out my specialty is to highlight artists that are not very well known, I curate amazing hidden gems of psy subgenres.

Award-winning composer & performer John Oliver creates electronic sound art music, writes music for classical musicians of the world, and performs chamber music as a guitarist. His compositions have been performed extensively in his native Canada, as well as in Europe, Asia, and the Americas, and heard worldwide on over 30 commercial and indie recordings.

I Love Writing & DJ'ing ❤️🎧  

https://x.com/matrixauthor_eg/status/1806566212882534801?s=46&t=Ld1IH7iM008uDtyYVFctJg

https://www.lavanguardia.com/vida/junior-report/20221011/8563062/twitter-poderosa-herramienta-guerra.amp.html 
https://twitter.com/matrixauthor_eg
So happy writing for Electronic Groove Magazine & Sònar2022 https://electronicgroove.com/sonar-continues-to-break-records-with-its-29th-edition/
What an honor! Ryoichi Kurokawa check my interview:) https://electronicgroove.com/ryoichi-kurokawa-interview/
https://electronicgroove.com/christian-loffler-interview-2021/ my Interview Christian Löffler🌸🌸🌸🌸



So happy:))) John Tejada+++Interview@electronicgroovemagazine
https://twitter.com/matrixauthor_eg/status/1412869324407193601?s=20
https://matrixrewind.blogspot.com.es/
here it is:)) my interview, with 
Max Cooper+++https://twitter.com/matrixauthor_eg
TOKIMONSTA+++https://electronicgroove.com/interview-tokimonsta/
CLARK check my interview EG
https://electronicgroove.com/interview-clark/
Max Cooper 
review>> https://viciousmagazine.com/max-cooper-razzmatazz-2019/
Loops2>Javier BLÁNQUEZ
https://viciousmagazine.com/loops-ii-una-historia-de-la-musica-electronica-en-el-siglo-xxi/
Collaboration@Radio Garden - (GOI) Gallery of Ideas& Studio Web Radio Brasil
https://open.spotify.com/episode/25Yyg1o1yuDdyZiHXAioyF
SAVE THE PLANET suite2 & 3 
https://www.youtube.com/watch?v=W81HEri1Ec4
https://www.youtube.com/watch?v=pXMUyf7QE5Y
Author@EG highlighting novelties in electronicmusic#albums, tracks, artists. Coverage#SÒNAR 2019#SÒNAR+D 2019#OFFWEEK 2019#
@ELECTRONIC GROOVE MAGAZINE#MUTEK2019/2018/2017#SÒNAR 17&18#DGTL#MIRA DIGITAL ARTS FESTIVAL#author@ELECTRONIC GROOVE MAGAZINE#UNCOOL MAGAZINE#URBAN MAGAZINE#articles, reviews, interviews, podcast#record labels, radio&tv
contact by mail marta.sablonier@gmail.com

~~~ SOUL FURY ~~~ 
"This is how the heart sounds,
Do not change the melody,
this now, you and I, here together.
Let this being with each
other be heart-sound." 
~ Rumi & Tabriz COLLAB ~ 

All About :: The Art of Collage & Rhetorical Velocity

I am specifically interested in situations where composers anticipate and strategize future third-party remixing of their compositions as part of a larger and complex rhetorical strategy that plays out across physical and digital spaces. We find this type of thinking—the asking of “how might the text be rewritten?” and “why, where, and for whom might this text be rewritten?”—an increasingly important set of questions in a digital age characterized, for instance, by swift, easy, and deep web searching and by copying and pasting practices. 

COLLAGE ::  Artistic compositions of materials and objects pasted and/or sewn/woven over and through surfaces, often with unifying and/or juxtaposing structures, lines, colors, themes in order to create textured, alive, amplified spaces. 

SYNTHESIS (AKA Mashup): Creating Compelling Texts comprised of borrowed, reconstituted, and original material.

The art of creating such compositions.

An assemblage of diverse elements.

To paste and/or sew/weave (diverse materials) over a surface, thereby creating an artistic product.

To create such an artistic product.

Base Camp for Arctic Windhorse: Eagle River, Alaska

Music Producer - FL Studio
🇩🇪
🍒🌳

Loves X-Perimental Jazz, Soul, Reggae, 
Indigenous Rock & Blues, Classical ,
Space & Phunk on my Shore*
😎 🌞🌊🏝️

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk