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Out Now! >> http://www.beatport.com/release/inhuman-one/1280972

Lusine has been one of my favourite producers for a long time. I'm just going back over some of his first releases on Ghostly International from the early 00's, and it's amazing how ahead of the game he's always been. His combination of delicate productions and beautiful warm analogue melodies, intricacies and amazing shuffling grooves have been a big inspiration for me over the years, with his "A certain distance" album from 2009 being one of my all-time most listened too albums.

So Lusine was one of my ideal remixers for the album, and thanks to Sean at Decibel festival, the hookup was made and he was into the idea. He's turned out a beautiful remix of Woven Ancestry, which if you've seen me play recently, you probably heard in my set. The mix has special balance of being a great piece of music to listen to at home, but then when it's unleashed in a club it's groove takes on a whole new life which I hadn't seen coming until I tried it out - Thanks Jeff!

Max

Woven Ancestry - Lusine Remix

Di-Rect - You & I (Fran Seven Edit)

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The Paper Kites - Bloom (Alex Cruz & No One 32 Private Edit)

Download: http://www.xlr8r.com/mp3/2014/09/part-ii

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Memotone & Soosh - Part II

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Due to the copyright on the lyrics, we loaded the instrumental version.
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Vijay & Sofia feat. Ben Howard - Hideaway

note from dream beach: "Missing Peace is a song I originally composed as a gift for someone special to me. It's supposed to emulate the feeling I get when she calls me in the morning. Content."

note from ryan: "i love the twists and turns this song takes. at times it's shimmering and ambient, others almost acid. honestly, if i had a car, and drove to beaches, and wasn't trying to listen to All-American Rejects, this would be on repeat. such a sweet, simple hook, and artists like Dream Beach and Ricky Eat Acid are doing amazing things for electronic music. they're real electronic singer-songwriters, i love it. 

@dream-beach
http://www.facebook.com/dreambeachmusic
twitter: andyjamesoliver

shh011: Dream Beach - Missing Peace

Vinyl: http://www.kompakt.fm/releases/easier_ep
Social: https://www.facebook.com/wevalmusic
Buy: iTunes http://bit.ly/11q4Ifj
Bookings: bruno@kompakt.fm

WEVAL - Easier

Time and Moment

Stockholm based indie wonder-label Seaweed records is back with their second compilation of the summer. Dedicated to the summer's daytime parties and Open Airs it's called Daytime Sampler 2. 

It kicks off with a signature track by the Danish underground duo Greenwille massive. It starts off like a lazy Sunday party with a one minute long smooth keyboard chord intro, then the deep kick and percussions kick in. 

Daytime Sampler 2 is out tomorrow! 

Premiere: Greenville Massive - Sthlm Bells

Buy Emergence: http://maxcooper.lnk.to/Emergence

I started this track with a simple Prophet patch running through a Moog ring mod with loads of overdrive. It wasn't so much overdrive that it became aggressive, but enough so that it had a simple tonal quality overlaid with plenty of honest low-fi grittyness. Sometimes all it takes is getting that first timbral feature right for the rest of the track to flow from there, and this was a good example for me. 

I also knew I wanted the track to fit later on in the Emergence story, where it should be rhythmically straight enough to fit into a club show where needed, but also for the part of the show where we explore visually, the range of complex living forms and evolutionary change - it needed to capture some of that beauty of life's morphogenetic creativity.

I found the chord sequence fairly quickly, and built the drums and smooth dynamics within a few days, but I got stuck on how to complete the track. I tried hundreds of different ideas, and thought I might need to bin the project, but then luckily stumbled across some old synth jam recordings that had some moments that sounded ok. So I jumped on those and went to work on an editing job. 

It turned out that a lot of the problem I had been having was that I was trying to add too much, when for me, the chords were the hook, and what was needed was a sparse melodic addition to support the chords rather than any sort of traditional tuneful hook. In recent years I've been more and more drawn to just chord sequences as the main features of tracks musically, with the rest stripped away. When Ryan Rival Consoles was considering a remix he commented the album seemed to be all about the chords (or something to that extent), so I guess that idea is in there. Chords just seem to carry the most emotion for me for some reason (as opposed to melodies or lyrics for example).

So there it is, I hope you like the track!

Emergence

12"/Download/LP Stream

Organa [Mesh001]

From 'One Hundred Billion Sparks Remixed'

Buy/stream here: https://maxcooper.lnk.to/ohbsremixed

Max Cooper - Hope (Parra For Cuva Remix)

Christian Löffler - A Forest (Original Mix)

This piece of music is called Goldene Acht or Pale Clouded Yellow, a bright yellow butterfly with a figure-eight shaped pattern on its lower outer wings. As a migratory butterfly, an individual animal travels often several hundreds of kilometers. Over the year, the species produces three or even four generations. The last generation overwinters as a caterpillar. With this track I wanted to tell you about this never-ending journey from south to north and back again in several generation steps. Therefore new theme-generations appear in the track constantly, while having all the same migratory direction. At the same time it was also my endeavour to picture the elfin nature of this marvellous creature in a musical way. Every year I can observe it in my garden and enjoy its elegant flight from blossom to blossom for hours with childish astonishment.

Dieses Musikstück heißt Goldene Acht, ein leuchtend gelber Schmetterling der ein Muster in Form einer Acht auf den unteren Außenflügeln trägt. Als Wanderfalter legt ein Individuum oft mehrere hundert Kilometer zurück. Über das Jahr bringt die Art drei oder sogar vier Generationen hervor, bei denen die letzte Generation als Raupe überwintert. Diese permanente Wanderschaft von Süden nach Norden und wieder zurück in mehreren Generations-Etappen, möchte ich in diesem Track erzählen. Daher tauchen immer wieder neue Abschnitte von Klangmotiven auf, die aber alle stets die selbe Zugrichtung haben. Gleichzeitig war es aber auch mein Bestreben das elfenhafte Wesen dieses wunderschönen Geschöpfes musikalisch zu skizzieren. Jedes Jahr kann ich den Falter ausgiebig auf der Wiese vor meinem Haus beobachten und könnte seinem eleganten Flug von Blüte zu Blüte stundenlang mit kindlicher Begeisterung zuschauen.

Mannigfaltig

Goldene Acht

Buy, Stream

BRAIDS are one of my favourite bands, so when I had the chance to work with them I jumped on it. The vocals were the starting point, which I layered and used to generate a general feeling also in fitting with the lyrics, which then defined how I built the rest of the tracks around them. The first one from the EP is "Pleasures", for which I wanted to make something positive and warming, with nice straightforward drums and nothing too harsh in terms of builds and drops, just a delicate flow to give a pleasurable listening experience, hopefully!

Max Cooper Feat. BRAIDS - Pleasures

Taken from the album Salon des Amateurs (Remixes) out now on FatCat Records (FATCD88). 

FatCat Store

Radar (Michael Mayer remix)

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Woven Ancestry - Lusine Remix

Max Cooper

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