from 'Acoustic' [CD|LP|DIGITAL]
Denovali Records · den202
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the Solo-Project of French musician Marc Euvrie. Euvrie’s musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He used to play in several bands before he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time. A self titled debut record, released in Spring 2012, evolved firstly.

For his debut Marc Euvrie’s critical writing exposed a dark look on the present, past and future: Linked to machines and samples, revealing an unnatural direction of the human being’s existence. His upcoming release ACOUSTIC is a consequent change of focus. Looking for the motor, the personal needs to survive, he found himself experimenting with only Cello and Piano. Apparently these classical instruments turned out to be a relevant strong signal to go back to the roots with something more natural and simple to start from. Though both records seem to go in opposite directions in terms of sound and concept, a strong underlying layer stays inevitable: The Eye of Time’s compositions imply a call to fight for the things we love.

ACOUSTIC might be understood as a counterbalance to The Eye of Time’s debut. Where the previous record disclosed the coldness of our time, destructing everything that is meant to be our deep nature and presenting the despair of our situation, Acoustic embarks on a little glimpse of hope: Finding some strength to keep fighting for the nature of things and their vital qualities. Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place. A very personal travel through time and space, between the beauty of nature (Cisjordania, Norway) and the need of hope, which allows humans to dream (Spain, Poland). Marc Euvries own feelings and thoughts about his life evoke mostly in the last two tracks, where he found a form to intensify what keeps him alive.

Acoustic

Preorder / Buy

The Eye of Time - Treblinka, Poland, 2 August 1943

mária kmeťková - harp
pavol bereza - guitar
sisa michalidesová - composer

klaun

Avi Avital- Vivaldi Four Seasons- Concerto in G minor "Summer"

The Beach Huts

A tranquil instrumental piece featuring the soulful sound of the Japanese bamboo flute, layered with a slow, steady drum beat to anchor meditation practice. Designed as a seamless loop, this track evokes the stillness of a zen garden, helping the mind settle into presence and peace.
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Meditate in Solitude

Sleeping in Church

The Hours Suite - Philip Glass

Armand Amar - Cum Dederit

#TheBiberProject is a live performance in which the interpretation and recreation of the Baroque repertoire merge with sonic experimentation and interaction. The musical studio is a broad-spectrum cognitive pathway that through interpretations, new readings, audio manipulations, original and recomposed tracks, investigates the expressive canons of the seventeenth century.
This recomposed is the final act of the performance.

Handel' Sarabande - Recomposed

Cum Dederit

Michel Godard - serpent, bass, composer
Steve Swallow - bass, composer
Guillemette Laurens - voice
Gavino Murgia - saxophone, voice
Fanny Paccoud - violin
Bruno Helstroffer - theorbo


Michel Godard - A Trace of Grace

max narziss demian