Remix for friends @ice_eyes

Originally released in 2018 by Seagrave.

Mastered by Stefan Konstantinidis at Fabrika Music.
Art by George Tourlas.

Ice_Eyes - Culture Of Pain (Bonebrokk's 128 Soundboy Mix)

Current Bias - Stimming

Our 160 Edit of “Astra,” released last year on https://soundcloud.com/fixedabode, is out today on all DSPs.

Free download available via SoundCloud.

Mixing/Mastering by https://soundcloud.com/iamxato

Ice_Eyes & Locre - ASTRA (160 Edit)

(146) ENEMY WITHIN EDIT

Following the release of the single 𝘔𝘢𝘲𝘭𝘢𝘣, the Marseille-based duo Caïn و Muchi presents their debut full-length album 𝘋𝘰𝘶𝘯𝘪𝘢. This takes listeners on a journey through a rich tapestry of industrial gloom woven of dubstep, grime, and contemporary hip-hop. In this album, these 'labels' matter as much as they don't, given the heavy mutations they undergo, in a That’s Hara Kiri fashion (RIP Sd Laika).

At the heart of this record lies a dense yet harmonious sound palette, featuring meticulous vocal processing of lead singer Vanda’s voice, which engages reflection on their shared and individual lives.

As the album progresses, the lyrics reveal layers of stress and trauma linked to colonial experience, intertwined with multiple references to North African ghost stories and legends. The result is a resonant experience, where the wraithlike and glacial instrumentals crafted by the duo encapsulates the introspective act of witnessing the turmoil of our current world.

Releases October 8, 2024

Written, Mixed & Composed - Caïn و Muchi
Sinclair Ringenbach & Vanda Forte
Mastering - Victor Malvoti
Artwork - Akakir Studio
Words - M. Fellah
Photo & Executive Production - Vincent Mare
©2024 Gros:Œuvre Records (GOE009)

GECKO REC (FT. ASSYOUTI)

I forgot to upload these to soundcloud last year

artwork by cormac mcgoldrick (@nerv.mcg)

Rough Ready

New EP from @kioskk—a Warsaw-based DJ, producer, and founder of the 00effort label.

Across three original cuts plus two remixes from fa:act and Le Frit, the EP merges bass, techno, eco-grime, and baile funk into an ever-shifting soundscape—somewhere between ritual futurism and peak-time club euphoria.

Mastering by Le Dom
Artwork by Studio Boulon

Stream/DL

k:i:o:s:k - Ancient Reference (Le Frit Remix)

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

(146) ENEMY WITHIN EDIT

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