Bookings - International/Rest of the World 
roman.trystram@caa.com

for Bookings:
sil@phuturewest.com
Support the source! https://moustacherecords1.bandcamp.com/

David Vunk is the true beast of the harbour city and the main man behind the ever-playful Moustache Records. On this fine imprint he drops his own ace tracks and collabs besides a wicked list of West-Coast honchos and synth freaks.

Known for his wide collection and graceful skills he’s been rocking records since the early 90’s all over Europe. and he might end up on your gig as well.

Wanna know whatsup? Check his weekly radio show ‘Life is Live’ on Intergalactic FM, each Wednesday night.

Head agancy (Worldwide)
Dusted Decks
office@flicflacmusic.com

North-Amrica (CA,US,ME)
Jake Truen
Jake@Jarjourco.com

Switzerland (CH)
Houseartists
daniel@houseartists.ch

+++FlicFlac+++
Pop-like Deep House beats mixed with a tropical touch – that’s FlicFlac!
Like no other DJs, Max and Kevin, two lads from Vienna, mix together catchy themes with danceable rhythms.
Milky Chance, Vance Joy, Bedouin Soundclash - FlicFlac have been invited to give these and uncountable other pieces more their own unique style. With over 160,000 followers, FlicFlac made a name for themselves as producers. Moreover, they landed 1st of the Soundcloud Deep House Charts. And, their DJ sets are very popular, indeed, too. Alongside current hits, they celebrate their very own special tunes together with that electrified audience that love their pieces. Not only have they scored high at the big festivals such
Ever After CA, SonneMondSterne, Germany, Touch The Air, Switzerland,
Amsterdam Live On Stage, Netherlands, or Reperkusound, France. They also have enthused the critical crowds at the club scene worldwide.
On their DJ tour, these two young Austrians performed at a large number of renowned clubs in Germany, Brazil, Thailand, Canada, France, Malta and others. After taking a short break from studio work they will be back in summer 2016 with new stuff. So, don’t miss their new tracks performed in their proven style.

Royston Charmaine, musical artist under many names, and host of FutureDrive Radio.

www.kolombo.be

Having mastered the art of modern production, Belgium’s Olivier Grégoire hasbecome one of the world’s most renowned dance music artists, with a bevy of high-profile releases under his various pseudonyms. You may know him as Kolombo, thehouse player with a discography that charts esteemed imprints like Kompakt, Turbo,Diynamic, Noir Music, Suara, Snatch!, Sweat and most recently Dirtybird, with thesummer 2018 single “It’s Gettin’ Hot.” Though he’s also made waves as the LouLouPlayers with his partner Jerome. Together they’ve toured the world, and launched theLouLou Records imprint, a house label with several releases from Kolombo and thePlayers.With shows at Belgium’s Tomorrowland, all across America, in Russia, Australia,and in the hip party capital of Berlin, the past few years have seen Kolombo’s starcontinue to rise as a DJ almost everywhere. But especially in South America, wherehe regularly plays major festivals and clubs. Grégoire’s relationship with the famedBrazilian open-air venue Warung has quickly grown, and 2019 will see the release ofsomething very special on the Warung Recordings label, along with another outing onDirtybird.Last but certainly not least, Grégoire is also part of the highly touted Mugwumpoutfit, a leftfield house duo launched with Belgian dance music pioneer GeoffroyMugwump in 2008. Together, their recordings have landed on electronic music’smost discerning labels, including DJ Hell’s Gigolo, as well as Kompakt, R&S,Cocoon, !K7, Throne Of Blood, Misericord, International Feel, Permanent Vacationand Endless Flight.It’s apparent that Kolomobo’s work ethic, consistency, and spirit of open-mindedcreativity have been the key ingredients for his success so far, and they all butguarantee his future will burn brightly for many years to come.

The podcast about people who make cool music! BEYOND SYNTH is the best synth music chat show there is. Featuring artists and producers who make synthwave/new-retro/electronic music and much more!!

We talk Music, games, movies, the 80s, and lots more while I play samples of the guests music.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Max Musterberg is following