A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

DIE FREMDE / Feo Aladag - Umay travelling

Spotify Official Playlist TBA

@ analog_mannequin

Анна <3 Эмбиент! синтезатор подземелий!
Брайан Ино <3

https://ru.wikipedia.org/wiki/%D0%AD%D0%BC%D0%B1%D0%B8%D0%B5%D0%BD%D1%82
https://ru.wikipedia.org/wiki/Дарк-эмбиент

# Russia Ambient Group
# Russia Ambient
# Dark Ambient
# TikTok Ambient
# ASMR
# 432Hz
# Old / Dungeon Synth
# Nightcore

TuneCore
CD Baby
Distrokid
AWAL
LANDR
ReverbNation
The Orchard Enterprises
Bandcamp
IIP-DDS
Copyright Control

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

There is no just one color that music gives us. same type of music  is not beneficial for you. It stops you and keeps you in the dark. Catch and feel that difference that makes you realize your feelings for you. Music is unlimited!

Fan von Bruderherz ( Kraftamt , Pixeltruppen )

DIE FREMDE / Feo Aladag - Umay travelling

max richter