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Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

My musical Journey, begin earlier at school, and passed trough an Light Orchest, a tradicional folk band and some other projects. 
All of them have given me the experience in some of the most played instruments in a band (Drums, Bass, Guitar and piano).
With this projects, I also have learn, that even when you love music
above all, sometimes is dificult to keep some projects, there must be
among the members a big affinity.
No one is equal, and that makes all the diference.
In "Submersus" there are no external factors, excuses and wills. The ideas start to flow, getting form, and when finished, they are putted
here, to everybody listen, and share.
It's true that some of them, still sound a little rough, but it is only because I'm starting now to manage my homestudio, and what seems to be easy it's converting to a big headache.
 "Submersus" in similarity with the name, intend to be something submerion,
occult, hidden to be found.
The fantasy world and the Esoterism are the main subjects of the lirycs. 
The gotic, melancolic and sometimes meditative sound, reveal subtly images and  hidden feelings locked in the Soul.
Limited to the one and only musician composer, this project has no structure to
live shows, but that's how intent to be.
I hope you enjoy, like me, but if you don't, friends anyway.
No one is forced to hear something that doesn't like.

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