Enchanted

Mahtab

max richter

Composed written and performed by 
Mahmoud Radaideh
كلمات وألحان وأداء محمود ردايده


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I'm In Love With Wala Bint ام ان لوف ويث ولا بنت

Embers

This song is from the album "3arouset Bkesseen" by Meen, the lebanese rock band.

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Cliche

Part of 'Master of Instrumental' radio collection.

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Tom Tykwer, Johnny Klimek & Reinhold Heil - Cloud Atlas End Title

Full album tracks from Helen Jane Long's "Embers" album, released in April 2010

To Dust

The Golden Compass (Original Motion Picture Soundtrack)

Dust

Lovely waltz sometimes played at the end of a session I frequent.  I recorded this on mando, but it also sounds great on a new acquisition - an old Martin Custom (D28).

Midnight on the Water

The Leftovers: Season 1 (Music from the HBO Series)

The Departure

Only Questions

Dona Nobis Pacem 1

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.