TSoQ - Crowne Plaza

Neue Musik

Four Seasons by Max Richter

September 17th

Trsitano Amore

1+++

classique

my electronic edit of Max Richter - Vivaldi Recomposed - Spring One

Max Richter - Spring 1 - Davodintei Edit

Video - http://www.youtube.com/watch?v=MYSVMgRr6pw

https://www.facebook.com/Hozier

https://twitter.com/Hozier

Take Me to Church EP

Take Me to Church

UK & North America Tour on sale: http://dukedumont.com/live/
Blasé Boys Club, Pt. 1 Pre-order: http://po.st/BBCPT1
Ocean Drive Out Now: http://smarturl.it/BBCPT1

Out now! Download at iTunes: http://po.st/IGotU
Watch the official video - http://po.st/IGOTUVIDEO
Tag this with Shazam to get a free download of the Tensnake remix.

www.facebook.com/dukedumont
www.facebook.com/onmyjaxjones

I Got U

I Got U (feat. Jax Jones)

http://shop.rachelflowersmusic.com/releases

This was recorded using a combination of the Nord Electro 4D and Yamaha M06 sounds, plus voice for the "air" sounds.

Atmospheres - György Ligeti

Sarajevo

November

Movie Night – The Greatest Film Themes

Richter: On the Nature of Daylight

Kwabs - Walk (Sasha Remix)

Here is an exclusive mashup that we have created for our live sets. We hope everyone enjoy this free download.

Please like, comment, repost and share with your friends. Also be sure to follow us on our social media below!

Judah

@judahofficial
info@judahmusic.co
www.instagram.com/judahofficial
www.facebook.com/judahmusicofficial
www.twitter.com/judahofficial
www.youtube.com/judahofficial

Ellie Goulding vs. Nora En Pure & Sons Of Maria - Lights In Uruguay (Judah Mashup) [Free Download]

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

WALTZ WITH BASHIR / Ari Folman - Andante   Reflection (End Title)

~composed 1963-1965 for soprano + mezzo-soprano // mixed chorus + orchestra.
2nd Movement...

Gyorgy Ligeti - Requiem:  II Kyrie

Moon Safari

Sexy Boy

Am I Wrong - Anderson .Paak feat. ScHoolboy Q  prod. by POMO

“Divine Disaster” (feat. @JamesChatburn) / “Night Time Solace” OUT NOW.

Official video for "Divine Disaster": http://tinyurl.com/ddofficialvideo 
Stream via Spotify: http://tinyurl.com/DDNTSspotify

As premiered by Julie Adenuga on Beats 1.
Online premiere by Noisey: http://noisey.vice.com/en_uk/blog/xo-divine-disaster-feat-james-chatburn?utm_source=noiseytwitteruk

XO:
Facebook: http://www.tinyurl.com/xofacebook 
SoundCloud: http://tinyurl.com/xosoundcloud
Twitter: http://tinyurl.com/xotwitter
Instagram: http://tinyurl.com/xoinstagram
Spotify: http://tinyurl.com/xospotify
iTunes: http://tinyurl.com/xoitunes
Vevo: http://tinyurl.com/xovevo 

He Loves You Not Recordings:
http://tinyurl.com/HLYNsoundcloud 
http://tinyurl.com/HLYNtwitter 
http://tinyurl.com/HLYNfacebook 

Artwork by Davy Evans
http://www.davyevans.co.uk


Buy on iTunes

XO - Divine Disaster (feat. James Chatburn)

Produced by Frank Dukes & River Tiber

River Tiber - Vocals, Synth
Frank Dukes - Synth
Daniel Caesar - Vocals

Mixed by Howie Beck, Mark Murray & River Tiber

West (feat. Daniel Caesar) - Single

West (feat. Daniel Caesar)

The Orb - History Of The Future

Little Fluffy Clouds (7" Edit)

The efforts of Hayze on Noir Music have been very fruitful so far. Mesmerizing hits like “Around” and “Angel”, were both brought into this world in collaboration with the label’s head honcho Noir. Being no stranger to the label, time has come for a debut solo release by Hayze.

Everyone, sooner or later, experiences a life-changing moment. Some of these moments have a modest impact; other moments change your whole perspective on things. These are the points in life that make a difference. Overthrowing and surviving a life-threatening disease made Haze change his name to Hayze, by advice from his father. Same guy, same heart, same talent, but a different identity ready for the next chapter. Making “Brighter Days” not only his first solo project after his turning point, but an important and meaningful release for many more reasons.

Hayze about “Brighter Days”:
“Brighter Days” comes from a true place in my heart as with all my records. It’s about finding light in the dark times; about hope, having faith in music and realizing the power of dance…
“Sometimes you gotta be singing, singing, singing the blues away. Sometimes you gotta be dancing, dancing, dance in the rainy days” – Hayze

The original mix is deep with a lush synth riff as its main hook, laced over a phat rolling bass line underneath a bed of beats that have little nuances of effects and subtle percussion that come in and out without it feeling repetitive. The vocals are classic Hayze, deep, meaningful and melodic with hints of melancholy.

UK star Huxley shines on remix duties for this one. Taking elements from the original synth riff, he manages to capture a whole different vibe with the record, with strings and pianos complementing an uplifting dramatic breakdown coming straight into a garage style bass line that is vibrant and fresh overall with head nodding beats. It’s one to watch out for.

Rain or shine, music never stops.
Brighter Days.

Brighter Days

Out Now

Hayze - Brighter Days (Original + Huxley Remix) - Out Now

Ce matin-là

All I Need (feat. Beth Hirsch)

Esperanza

I Know You Know

Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 2 (2012)

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 1 (2012)

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 3 (2012)

Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (Remix By Max Richter)

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Summer 1 (2012)

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 4 (2012)

Eleven into Fifteen: A 130701 Compilation

Bach Study

It’s not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three — the godfathers of Detroit techno — and yet, anyone who’s followed the Luxembourg artist will know that expectation is not a currency he deals in. 

Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his “most techno and synth-based project yet,” the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. “I had to lure him into my studio,” Tristano says of May with a smile, “he was like Alice in Wonderland when he saw the synthesizers.”

Originally developed as a way create new material for Tristano’s p:anorig project — a unique live set-up debuted at Barcelona’s Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience — Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. “I can hook up all these synthesizers that I’ve picked up over the years,” he continues, “it’s the fulfillment of that.” With an instrumentarium of analogue, digital, classic and modern gear — ranging from Prophets to Moogs, to Rolands and Yamahas — at his and May’s disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren’t just using these synths, they’re paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.

The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of ‘Esoteric Thing’, drifting along to the sound of birdsong, to more beat-centric pieces such as ‘The Mentor’ and the quirky ‘Xokolade’ , the equipment, and the love it’s been treated with, shines through. Both Tristano and May’s individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. ‘Pacific FM’ is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of ‘In Da Minor’ is undercut by eerie, unpredictable glass synth-work; ‘Rocco's Bounce’ is free-form jazz tugged into line by structured four-to-the-floor; there’s even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto’s classic ‘Merry Christmas, Mr. Lawrence’.

Those hoping for a Francesco Tristano piano album: be duly warned. “The piano is there, but it’s more like the shadow of the piano. We don’t have the mass of that sound, it’s more like the reminiscence of that sound,” says Tristano. But it’s this which gives Surface Tension the aforementioned significance. Tristano hasn’t abandoned his roots — they’re deep, but there, for those who wish to find them — yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.

Francesco Tristano Feat. Derrick May - The Mentor(Snippet)

No Geography

Friendly Fires - Paris (Aeroplane Remix ft. Au Revoir Simone)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Spring 1 (Remix By Max Richter)

max richter