BREWING BEATS FOR YOU ALL
YOUR FAVORITE BOYBAND
BOOKINGS: INFO@YUSU.COFFEE

Booking:
scott@newmail.dk
5COTT stands out as one of the most versatile DJs in the industry, renowned for seamlessly blending music across an array of genres—a skill honed over many years immersed in the world of music.

His Groove-Yard mixtapes traverse the spectrum of house music, from the depths of underground beats to the vibrant energy of funky rhythms. Meanwhile, the 5cottland-Hard mixtapes showcase his mastery of progressive house. And then, there's the eclectic mix of everything in between.

His journey into the realm of DJing began with a fascination for turntablism, scratching, and the technical craftsmanship behind the art. Initially drawn to Hip Hop, his musical exploration soon led him into the realms of Funk, Disco, and ultimately House music. The culmination of these experiences is a remarkable blend of skill, musicality, taste, and boundless creativity.

5COTT's career has taken him to cities far and wide, collaborating with esteemed DJs and leaving an indelible mark on the industry. With a discography dating back to 1996, his production and remix work have graced numerous labels. His accolades include Dj Awards and other prestigious honors.

Moreover, he's a key member of the A5 collaboration, known for the viral success of "Adagio For Strings (Extreme intro mix)," which garnered over 100,000 plays on a new profile without any promotional efforts. You can find it here: @a5-promo.

Yet, perhaps the most compelling testament to 5COTT's prowess is his music itself. Explore his extensive catalog of tracks and mixes, and you'll quickly discover that 5COTT's musicality and creativity speak volumes on their own—asserting him as a force to be reckoned with in the industry.

Enjoy!

ᐅ Exclusive Soundcloud Underground Stream
ᐅ Deep Tech, Minimal & House
ᐅ Premiere / Re-Post
ᐅ Contact via Soundcloud only!

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Max Sabandar is following