Slowly evolving piano improvisation that uses a couple of contrasting themes - recorded in one take on Wednesday 29th June 2022

Dinging Rainfalls

Christopher Mayo - It Could Be You Or You Or You
For solo harp
Performed by Zsuzsanna Szilágyi

For more details and score: https://www.ram.ac.uk/multimedia/it-could-be-you-or-you-or-you

About 200 PIECES:

As part of its Bicentenary celebrations, the Royal Academy of Music embarked on an ambitious project, inviting 200 composers to write 200 new works for solo instrument or voice. The recordings and scores for these works, written for every principal study instrument taught at the Academy, are now available, creating a new library of varied contemporary works by many of the world’s leading composers.
ram.ac.uk/200-pieces

It Could Be You Or You Or You

Mayo - It Could Be You Or You Or You

Côr Crymych A'r Cylch - Max Charles Davies - Y Gors Fawr

Premiered and commissioned by the Dallas Chamber Symphony, Maestro Richard McKay conducting on March 23rd, 2019 at Moody Performance Hall. Premiered with chamber orchestra and displayed text.

A full perusal score is available in The Library at kimberlyosberg.com

Rocky Summer (Spring 2019)

Digital Orchestral Music: a personal response to the global pandemic and lockdown. It's not 'finished', rather a thing in progress...

Clausura

Listed by the Guinness Book of Records as the world's shortest opera, The Sands of Time was composed by Peter Reynolds to a libretto by Simon Rees in 1993 and first performed in the centre of Cardiff, UK, by soprano Rhian Owen and baritone Dominic Burns with members of the (then) Welsh College of Music and Drama. This is a recording of that performance which set a world record of 4.09'. A subsequent performance by the BBC set a new record of 3.34'.

The Sand of Time: an opera in four minutes

Max is a composer, arranger, teacher, and freelance musician based in Cardiff, and a senior lecturer at the University of the West of England, Bristol.