As suggested by Plato, the father of philosophy, time is "a moving image of eternity." In Horizon Matrix, Max Corbacho skillfully creates a revealing and expansive atmospheric flow, in which the deep nature of temporality is the guiding thread. Such a sound landscape—slow and dreamlike—paints a graceful image where listener breathes and in a way is able to escape out of time, entering a kind of sonic wormhole. Max prints his signature stamp on all tracks, creating with his synthesizers and hardware processors expansive and luminous soundscapes, imbued with a full and warm sound, full of nuances and details. The silky chords, intertwined and fused in rich harmonies, create a space of sound in which time seems to dissolve, foreshadowing eternity. As we go deeper into the album, the multi-layered harmonic patterns push toward the climax located in the fourth track, "Into the Ocean of Time." The first track, "Quantum Cathedrals," elicits the same majesty as the 2009 album Ars Lucis. Max reflects on the connections with this album: 

"During the creation of 'Quantum Cathedrals,' I realized that I was entering the same space that I had visited years ago during the recording of Ars Lucis. It was like going back to a place far away in the time that had produced in me a special feeling. On the imminent tenth anniversary of Ars Lucis, I am pleased to open the album with this piece, born from the same filtered light." 

Passed through the electronic sieve of twenty-first-century instruments, this music possesses a deep, mythical temperament that paints a breathtaking panorama of the vastness. 

Composed, performed and produced by Max Corbacho during 2017 – 2018, Barcelona, Spain. 
Max Corbacho: Sequencing, synthesizers, and atmospheres. 

Original cover image by Pobytov 
Digital image treatment by Max Corbacho. Layout by Michael Rodríguez Pletz. 

© 2018 Max Corbacho www.maxcorbacho.com  
credits
released November 30, 2018 license
all rights reserved

Horizon Matrix

Into The Ocean Of Time

Max Corbacho is an independent artist born in the southwest of Spain, in the province of Badajoz. This enormous land sprinkled of oaks where he was born and he spent the first years of his life, is perhaps the deeper track than marks his music. Starred nights of summer, the caress of the nocturnal breeze, the sedative song of the crickets, immense horizons,  deeply blue skies and silence.

The extremely dense and hypnotic sonic landscapes of Max Corbacho are a constant reference to these elements, elements which condense and act as catalysts, pointing to the essence of the great and ineffable mystery of our existence. Corbacho's s musical expression has the ability to enter us in this wonderful mystery.

His musical trajectory began, after making guitar studies, in local rock bands and, after some years like a guitar player, slowly become interested in electronic music. First with legendary bands like Tangerine Dream or musicians such as Richard Burmer and Vangelis. Later, his influences include artists such as Brian Eno, Robert Rich, Steve Roach, Vidna Obmana, Alio Die, Michael Stearns.

In 1999, his first work, Vestiges was produced. Soon the prestigious online store Backroads Music chose this album as one of the best of 2000, and Vestiges became one of the more highly praised Space-ambient CDs around that time. Vestiges was considered a sincere, touching, powerful work, full of mystery.

In the year 2000 Max published his second CD, Far Beyond The Immobile Point, followed by The Resonant Memory of Earth, published by the North American label "Space For Music". Further releases include Nocturnal Emanations, Indalo and Moontribe - each one larger and more accomplished than the last.

The album The Talisman is yet another step forward. Here the artist explains "I have tried to create all the songs of this work "inside" my synthesizers exclusively, inside this deeply isolated world, an amniotic-like inner space that develops in the synth and multi-effects circuits, without insert any "external" element except for the voices in the first song. Also, I have experimented more and more with long, spacious reverbs and looping treatments ". Thus, the "oceanic" nature is strengthened, creating an atemporal quality, suspended in time and space, without rare elements disrupting the internal balance and natural flow of harmonic streams. No tempo, no synchronization, maybe only the breathing and the pulse of the artist."

Max Corbacho's last albums follow the progression into deep, silken ambiance set by The Resonant Memory of Earth and The Talisman. Albums like 2009's Ars Lucis and, over the next three years, Deep Time, Lost Links, and the double album The Ocean Inside, continued a commitment to ethereal atmospheres even less concerned with traditional forms and melody. The year 2015 brought both Future Terrain and Splendid Labyrinths. With a playing time of over 70 minutes, an expanded version of Future Terrain was released in early 2017 and followed later in the year by Nocturnes, Arte Magnetica and the last Source Of Present.


Discography:
 
SOURCE OF PRESENT (2017)
ARTE MAGNETICA (2017)
NOCTURNES (2017)
SPLENDID LABYRINTHS (2015)
FUTURE TERRAIN (2015)
THE OCEAN INSIDE (2012)
BIOMA (2012)
LOST LINKS (2011)
DEEP TIME  (2010)
ARS LUCIS  (2009)
BREATHSTREAM  (2008)
THE TALISMAN  (2006)
MOONTRIBE  (2004)
INDALO  (2003)
NOCTURNAL EMANATIONS  (2003)
THE RESONANT MEMORY OF EARTH   (2002)
FAR BEYOND THE IMMOBILE POINT  (2000)
VESTIGES  (1998)

Just your friendly American who listens to more Liquid DnB than anything else, as well as some dubstep, melodic dubstep, house, and a touch of color bass.
   You'll find me listening to Hospital Records, Monstercat, and a hint of Liquicity and UKF.
   In my free time I'll be doing graphic design, dancing, snowboarding when the season comes around, and probably gaming.
Huge fans of Keeno, Etherwood, Justin Hawkes (f.k.a. Flite), Pola & Bryson, Polaris, Heymac, Fred V & Grafix, Au5, C418, and many others
   At the moment I really only mix. Maybe I'll post some of my mixes someday, but file size is a problem.

I am an artist and writer of science fiction mainly. Much of my artwork is astronomical scenes sometimes done for observatories. I sometimes work in collaboration with Rich Davis Piano and Dominic Matthews who you can find on Soundcloud. We create videos whereby they create the music and I do the artwork. I have also worked with Mark Price of Shadow Lab as I have a novel out there called War On Titan under the pen name of Marcus Vorment.  Shadow Lab have done an album also called War On Titan based on my novel.

stuck in the experimental phase. I mix for headphones because that's how I listen to  my tracks so may take some eq for speakers.