Dear friends and listeners, 
Following the release of Future Terrain last month, it is the time of the album in which I have worked over the last year and the first months of 2015. I continued my work in the pursuit of purely atmospheric expression, in an attempt to convey this vital experience that pushes us forward in one direction within the labyrinth of life, the way that I call The Flowing Path. Splendid Labyrinths is a deep reflection on our journey through life, change, growth, discovery, movement and transformation at every step along the way. 
Original cover image rendering, design and layout by Michael Rodríguez Pletz www.domestika.org/es/michaelrpletz. 

Released as CD (factory pressed), as digital download through the usual stores (Bandcamp, Amazon, iTunes, etc), and through streaming services (Spotify, Rdio, etc). 
All the best, 
Max Corbacho

Review by Morpheus Music: 
STYLE 
Vast beatless zones and undulating velvet expanses: Splendid Labyrinths is an album of ambient immensity and immeasurable time. Max Corbacho's latest release features heaving multi-layered drones that seem to drift in and out of focus and intensity like slow-motion sunlight filtering through gracefully moving storm clouds. These opulent sonic textures are of impressive fathomless density, they seem to stretch away into infinity and endless darkness whilst at the same time presenting more imminent audio formations that waft and furl like intangible filaments of smoke or warm currents in water. The ordering of the tracks is interesting: two long-form recordings on either side of the relatively brief Earth Womb and Wave of Reflection, this seems to reflect the cover image where a tight core is surrounded by larger structures. Much of the tonal nature of the music is uplifting, warm chords and heavenly synth voices suggestive of light and gentle ascendance holding the most proximate regions. 


ARTWORK	The front cover of Splendid Labyrinths features a vivid yellow-orange, mandala-like multi-disc bloom comprised of overlapping labyrinth discs. This is very much an image of many depths: the complexity of the layers revealing forms and patterns that arise and fall away according to one's focus. On one level, a simple flower design of twelve regular petals; on another level a three-dimensional bubble of infinite depths encircling a bewildering black hole. 

OVERALL 
Inspired by the landscape and sky of his origins in southwest of Spain, ambient master Max Corbacho composes music that references "the essence of the great and ineffable mystery of our existence." Splendid Labyrinths perhaps manages this with greater effect than ever. Released on the heels of Future Terrain, a track that "emerged in parallel ...during the long building sessions for Splendid Labyrinths", this latest album holds six recordings, four of which all hover somewhere around the fifteen-minute mark. Two shorter pieces lie in the central hub closer to six and eight minutes each Promotional material talks of "an atemporal quality" explored in recent releases following "maybe only the breathing and the pulse of the artist," very apt here. Visit the Max Corbacho website or Max Corbacho Bandcamp page for more information and opportunities to listen to the tracks of Splendid Labyrinths as well as previous releases. 
www.electronicmusicmall.com


The Flowing Path

Max Corbacho is an independent artist born in the southwest of Spain, in the province of Badajoz. This enormous land sprinkled of oaks where he was born and he spent the first years of his life, is perhaps the deeper track than marks his music. Starred nights of summer, the caress of the nocturnal breeze, the sedative song of the crickets, immense horizons,  deeply blue skies and silence.

The extremely dense and hypnotic sonic landscapes of Max Corbacho are a constant reference to these elements, elements which condense and act as catalysts, pointing to the essence of the great and ineffable mystery of our existence. Corbacho's s musical expression has the ability to enter us in this wonderful mystery.

His musical trajectory began, after making guitar studies, in local rock bands and, after some years like a guitar player, slowly become interested in electronic music. First with legendary bands like Tangerine Dream or musicians such as Richard Burmer and Vangelis. Later, his influences include artists such as Brian Eno, Robert Rich, Steve Roach, Vidna Obmana, Alio Die, Michael Stearns.

In 1999, his first work, Vestiges was produced. Soon the prestigious online store Backroads Music chose this album as one of the best of 2000, and Vestiges became one of the more highly praised Space-ambient CDs around that time. Vestiges was considered a sincere, touching, powerful work, full of mystery.

In the year 2000 Max published his second CD, Far Beyond The Immobile Point, followed by The Resonant Memory of Earth, published by the North American label "Space For Music". Further releases include Nocturnal Emanations, Indalo and Moontribe - each one larger and more accomplished than the last.

The album The Talisman is yet another step forward. Here the artist explains "I have tried to create all the songs of this work "inside" my synthesizers exclusively, inside this deeply isolated world, an amniotic-like inner space that develops in the synth and multi-effects circuits, without insert any "external" element except for the voices in the first song. Also, I have experimented more and more with long, spacious reverbs and looping treatments ". Thus, the "oceanic" nature is strengthened, creating an atemporal quality, suspended in time and space, without rare elements disrupting the internal balance and natural flow of harmonic streams. No tempo, no synchronization, maybe only the breathing and the pulse of the artist."

Max Corbacho's last albums follow the progression into deep, silken ambiance set by The Resonant Memory of Earth and The Talisman. Albums like 2009's Ars Lucis and, over the next three years, Deep Time, Lost Links, and the double album The Ocean Inside, continued a commitment to ethereal atmospheres even less concerned with traditional forms and melody. The year 2015 brought both Future Terrain and Splendid Labyrinths. With a playing time of over 70 minutes, an expanded version of Future Terrain was released in early 2017 and followed later in the year by Nocturnes, Arte Magnetica and the last Source Of Present.


Discography:
 
SOURCE OF PRESENT (2017)
ARTE MAGNETICA (2017)
NOCTURNES (2017)
SPLENDID LABYRINTHS (2015)
FUTURE TERRAIN (2015)
THE OCEAN INSIDE (2012)
BIOMA (2012)
LOST LINKS (2011)
DEEP TIME  (2010)
ARS LUCIS  (2009)
BREATHSTREAM  (2008)
THE TALISMAN  (2006)
MOONTRIBE  (2004)
INDALO  (2003)
NOCTURNAL EMANATIONS  (2003)
THE RESONANT MEMORY OF EARTH   (2002)
FAR BEYOND THE IMMOBILE POINT  (2000)
VESTIGES  (1998)

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