A varied selection of ambient tracks, with different atmospheres from the brightest to the darkest

AMBIENT_part2

Not so Green Fields

Gairo Vecchio 38°C

Gdanian presents us his third album on Cryo Chamber. Mechanical Gods is a deep subterranean journey ripe with robotic basslines and tech-ritualism within an atmospheric framework

…When we entered The Below World, we found the human inhabitants divided into subnormal primal groupings of savage and superstitious tribes who collectively worshipped the machines that oppressed them. Sacrificial offerings of living martyrs were made to the Mechanica in order to appease them of their remorseless and emotionless rancour.

The humans had resorted to primeval idolatry behaviours that put them in awe of the undiminishing energy source of the Plasner System—a great churning ball of heat and light that pulsated over them in the upper echelons of the principal chamber. It became clear to us, meanwhile, that they had lost all awareness of the overground world and that, for them, the limits of the universe were confined to the depths of their subterranean enclosure.

Recommended for fans of Sabled Sun, Tineidae and Deep Growling Sub Frequencies

CD and Digital Download comes with an 8 page booklet with text by Alistair Rennie

Mechanical Gods

Bandcamp

Tunnel Builder

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▼ Release Tracklist:
01 Data Rebel - Plink
02 Data Rebel - Broken Note
03 Data Rebel - Karman Line

Silk Sofa is proud to present the "Life Lines" EP by UK artist Data Rebel. We recently witnessed Data Rebel's first contribution to our imprint with his remarkable remix of Jani R's "A Thousand Flares" single. "Life Lines" is a collection of three unique and memorable downtempo cuts.

"Plink" takes off with a truly haunting breakbeat and tranquil synth stabs. Subtle piano stems slowly emerge, while stunning sound effects add further texture to the soundscape. Breathtaking guitar elements are introduced later, which brilliantly accompany the soothing piano notes. In "Broken Note" an array of delicate rhodes stabs emerges, while a mesmerizing breakbeat is slowly introduced. A light theme lead appears later, and the well-structured sound effects continuously maintain the memorable atmosphere, delicately accompanied by lush piano melodies on top. Finally, "Karman Line" starts off with a slow breakbeat and deep bassline notes. It does not take long for the song to evolve into a stunning piece with tremendous sound effects and gorgeous soundscapes. Data Rebel's signature sound is in full effect in this song, including hypnotizing melodies and outer worldly textures.

Data Rebel - Broken Note [Silk Sofa]

Dear friends and listeners, 
Following the release of Future Terrain last month, it is the time of the album in which I have worked over the last year and the first months of 2015. I continued my work in the pursuit of purely atmospheric expression, in an attempt to convey this vital experience that pushes us forward in one direction within the labyrinth of life, the way that I call The Flowing Path. Splendid Labyrinths is a deep reflection on our journey through life, change, growth, discovery, movement and transformation at every step along the way. 
Original cover image rendering, design and layout by Michael Rodríguez Pletz www.domestika.org/es/michaelrpletz. 

Released as CD (factory pressed), as digital download through the usual stores (Bandcamp, Amazon, iTunes, etc), and through streaming services (Spotify, Rdio, etc). 
All the best, 
Max Corbacho

Review by Morpheus Music: 
STYLE 
Vast beatless zones and undulating velvet expanses: Splendid Labyrinths is an album of ambient immensity and immeasurable time. Max Corbacho's latest release features heaving multi-layered drones that seem to drift in and out of focus and intensity like slow-motion sunlight filtering through gracefully moving storm clouds. These opulent sonic textures are of impressive fathomless density, they seem to stretch away into infinity and endless darkness whilst at the same time presenting more imminent audio formations that waft and furl like intangible filaments of smoke or warm currents in water. The ordering of the tracks is interesting: two long-form recordings on either side of the relatively brief Earth Womb and Wave of Reflection, this seems to reflect the cover image where a tight core is surrounded by larger structures. Much of the tonal nature of the music is uplifting, warm chords and heavenly synth voices suggestive of light and gentle ascendance holding the most proximate regions. 


ARTWORK	The front cover of Splendid Labyrinths features a vivid yellow-orange, mandala-like multi-disc bloom comprised of overlapping labyrinth discs. This is very much an image of many depths: the complexity of the layers revealing forms and patterns that arise and fall away according to one's focus. On one level, a simple flower design of twelve regular petals; on another level a three-dimensional bubble of infinite depths encircling a bewildering black hole. 

OVERALL 
Inspired by the landscape and sky of his origins in southwest of Spain, ambient master Max Corbacho composes music that references "the essence of the great and ineffable mystery of our existence." Splendid Labyrinths perhaps manages this with greater effect than ever. Released on the heels of Future Terrain, a track that "emerged in parallel ...during the long building sessions for Splendid Labyrinths", this latest album holds six recordings, four of which all hover somewhere around the fifteen-minute mark. Two shorter pieces lie in the central hub closer to six and eight minutes each Promotional material talks of "an atemporal quality" explored in recent releases following "maybe only the breathing and the pulse of the artist," very apt here. Visit the Max Corbacho website or Max Corbacho Bandcamp page for more information and opportunities to listen to the tracks of Splendid Labyrinths as well as previous releases. 
www.electronicmusicmall.com


The Flowing Path

Catacombs

a three sided record telling the story of a man driven to madness as he navigates a temporal loop of cosmic proportions

B6. By stars benign.

ORCHID is an experimental soundscape that traces the subtle, gradual transformation of a particular flower through its cycle of blooming.

Through subtle shifts and unfolding layers, the piece reflects the delicate balance between emergence and fading—a story of fleeting beauty, fragility, and the quiet strength found in nature’s cycles.

ORCHID

From the album "In-between Spaces" by Porya Hatami & Darren McClure.  To be released on txt recordings in October.  Pre-orders are available now.

http://www.txtrecordings.co.uk/
https://darrenmcclure.bandcamp.com/album/in-between-spaces

Meridian

Marsen Jules - Fanes D'Automne

Oakdrops

download

I Wandered Lonely As a Cloud

Taken from his debut album 'Gravity' re-issued by Erased Tapes on June 10.

Order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP084
iTunes: http://snip.ftpromo.net/gravity
Spotify: http://snip.ftpromo.net/onlyinthedark
Bandcamp: http://snip.ftpromo.net/gravitybc
or any other good record store worldwide

In celebration of their latest signing, Erased Tapes are set to re-issue Ben Lukas Boysen’s compelling debut album ‘Gravity’, alongside new album ‘Spells’ on 10th June 2016.

‘Gravity’ was the first album Ben recorded under his own name, merging programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation.

From ‘Only In The Dark’ to the two movements of ‘Nocturne’, it’s a serious, solemn listen. And yet, with pieces like ‘To The Hills’ and ‘Eos’, ‘Gravity’ is an exploration of heights, cliffs and vertigoes. With piano lines and choir-like drones, this record suits its title in all its meanings, as the magnetic force takes us deeper towards the core. Marking a new beginning, this debut reveals a touching, and more melodic side to Ben’s body of work, which he previously only hinted at as HECQ.

Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered the album. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim
Färber, additional synthesisers played by Nils, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Gravity’ as well as its successor ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums.

As HECQ Ben has released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and
Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Gravity strips away the cloaked mysteries of electronic music production to expose the tender side of this musician’s mind." — Headphone Commute

TRACKLIST:

01. Only In The Dark
02. Nocturne 1
03. To The Hills
04. You'll Miss Us One Day
05. Gravity
06. Eos
07. Nocturne 2
08. The Behenian Gospel

Gravity

Only In The Dark

Buy LP/CD/DL

Ben Lukas Boysen - Only In The Dark

The Crossing

For the Fallen

This track is quoted from the album 'turn into blue'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/turn-into-blue

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Sea Anemone

something chilled for the weekend  ....... or the occasional trip to M-87

deepspace donut

Follow on:

▪ http://www.dreamstatelogic.com
▪ http://www.youtube.com/dreamstatelogic
▪ http://www.instagram.com/dreamstatelogic
▪ http://www.facebook.com/dreamstatelogic

 [ #spacemusic / #spaceambient / #electronicmusic ]

Unreleased

Gravitational Waves

i make tons of playlists around different themes or musical genres, often confidential in their exposure.  Contact me if you need anything!

Max Corbacho is an independent artist born in the southwest of Spain, in the province of Badajoz. This enormous land sprinkled of oaks where he was born and he spent the first years of his life, is perhaps the deeper track than marks his music. Starred nights of summer, the caress of the nocturnal breeze, the sedative song of the crickets, immense horizons,  deeply blue skies and silence.

The extremely dense and hypnotic sonic landscapes of Max Corbacho are a constant reference to these elements, elements which condense and act as catalysts, pointing to the essence of the great and ineffable mystery of our existence. Corbacho's s musical expression has the ability to enter us in this wonderful mystery.

His musical trajectory began, after making guitar studies, in local rock bands and, after some years like a guitar player, slowly become interested in electronic music. First with legendary bands like Tangerine Dream or musicians such as Richard Burmer and Vangelis. Later, his influences include artists such as Brian Eno, Robert Rich, Steve Roach, Vidna Obmana, Alio Die, Michael Stearns.

In 1999, his first work, Vestiges was produced. Soon the prestigious online store Backroads Music chose this album as one of the best of 2000, and Vestiges became one of the more highly praised Space-ambient CDs around that time. Vestiges was considered a sincere, touching, powerful work, full of mystery.

In the year 2000 Max published his second CD, Far Beyond The Immobile Point, followed by The Resonant Memory of Earth, published by the North American label "Space For Music". Further releases include Nocturnal Emanations, Indalo and Moontribe - each one larger and more accomplished than the last.

The album The Talisman is yet another step forward. Here the artist explains "I have tried to create all the songs of this work "inside" my synthesizers exclusively, inside this deeply isolated world, an amniotic-like inner space that develops in the synth and multi-effects circuits, without insert any "external" element except for the voices in the first song. Also, I have experimented more and more with long, spacious reverbs and looping treatments ". Thus, the "oceanic" nature is strengthened, creating an atemporal quality, suspended in time and space, without rare elements disrupting the internal balance and natural flow of harmonic streams. No tempo, no synchronization, maybe only the breathing and the pulse of the artist."

Max Corbacho's last albums follow the progression into deep, silken ambiance set by The Resonant Memory of Earth and The Talisman. Albums like 2009's Ars Lucis and, over the next three years, Deep Time, Lost Links, and the double album The Ocean Inside, continued a commitment to ethereal atmospheres even less concerned with traditional forms and melody. The year 2015 brought both Future Terrain and Splendid Labyrinths. With a playing time of over 70 minutes, an expanded version of Future Terrain was released in early 2017 and followed later in the year by Nocturnes, Arte Magnetica and the last Source Of Present.


Discography:
 
SOURCE OF PRESENT (2017)
ARTE MAGNETICA (2017)
NOCTURNES (2017)
SPLENDID LABYRINTHS (2015)
FUTURE TERRAIN (2015)
THE OCEAN INSIDE (2012)
BIOMA (2012)
LOST LINKS (2011)
DEEP TIME  (2010)
ARS LUCIS  (2009)
BREATHSTREAM  (2008)
THE TALISMAN  (2006)
MOONTRIBE  (2004)
INDALO  (2003)
NOCTURNAL EMANATIONS  (2003)
THE RESONANT MEMORY OF EARTH   (2002)
FAR BEYOND THE IMMOBILE POINT  (2000)
VESTIGES  (1998)

The Flowing Path

Max Corbacho

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