En Hausse

Inevitability

Again - speed up - lieu

https://open.spotify.com/track/1VumjCAb58ODgnm5wKkoAJ?si=aad61204ac3548a9

lorena 
what happened to us friend 
i never thought that this would end
but like always i’m wrong
that’s why i sing this song
again i messed it up
wont it stop
pack of cigarettes 
if it could fix this mess
or maybe lead to my head
why did you start something you can’t end
why did you leave without saying amends

lorena

grimey w/ ass7 (october)

fall

#GONE4EVERTAKEOVER // PROD RONAZ <3 <3 <3

POSTED WITH POPR - KIERU x #GONE4EVER [[RONAZ]] 🔪☠️

not enough prod favor

IFUWANNA - XILLER X #GONE4EVER + KDEN! [[SAY2CUPS]] 🌐🌀

This project grew out of quiet routines early walks, empty rooms, places passed through without much notice. The music stays simple on purpose. Piano leads most pieces, with light strings or a single woodwind appearing when the space feels right.

These tracks aren’t meant to tell a story or pull attention. They sit in the background and leave room for focus, reading, or reflection. Each piece is tied loosely to a place or moment a park at dawn, a street after rain, a coastline seen from a distance small scenes that don’t ask for interpretation.

Empty Playground at Dusk

Full 10-tack album by Gollden released on August 8th, 2025

From Gollden:

Over the last year, I became completely fascinated with the idea of destiny.

There were many moments where it felt like I had little control over the choices in front of me, or the outcomes that followed. Life kept presenting me with timelines I didn’t expect, shifts I didn’t ask for consciously but perhaps my subconscious was begging for. Still, I knew I was being guided, even when it felt unclear. Over time, I began to realize these shifts were necessary to move me toward the next phase of my life.

This album explores that space: the transition space between where you are and where you're going.

While creating, I began to believe that maybe we’re not destined for just one thing. To me, fate feels predetermined. But destiny feels open, expansive, and limitless. It’s about trust, surrender, and the ability to be open, when we can't see what's behind the door.

Musically, I had the idea of mixing and creating the album in a way as though you are listening on a plane, up in the clouds, suspended, spacious, and at times, turbulent. There’s white noise and air behind every mix. Glitchy pedal sounds, a constant low hum, textures that shift in and out of focus. I used my own field recordings, guitar, synths, pedals, samples, and droning tones from singing bowls. Nothing is meant to take center stage, and everything moves and blends like clouds passing each other.

Each piece is titled in sequence, Destiny #1, Destiny #2, etc, as the reflection of choices, timelines, and possibilities available to us in any given moment. Destiny is my version of a dreamstate album. One to listen to when you need to recenter, invite clarity, or when there is a need to reestablish the trust and connection to oneself.

All tracks written and produced by Collette Andrea
Artwork by Rasa Morrison
Mastered by Chad Skinner at Half Moon Audio

fall

max