MAXIMAL

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susan

techno +minimal+ classics

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Klangkarussell - Sonnentanz (Pears & Tills Remix)

We only use hardware for our sound quality,
because that brings really good energy.

Thank you for listening.

-Tools-
KORG ELECTRIBE MX/SX.
Elektron monomachine.
Roland SP-404.
AKAI MINIAK.
Jomox MBase01.
and more.

the buddhas/Live Tr-Fried frequency.

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LEIDER KEIN DOWNLOAD MEHR MÖGLICH !!! (als free member nur 100 DL´s) 
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https://www.facebook.com/sylenz68163
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VIELEN DANK NOCHMALS AN ALLE !!! :D

DARKTechnoWAR

130 Bass Music
Semi Mastered and mixed down by myself, share and comments appreciated :)

Tribe

Francois S - Psytech.mp3

I set Beat :D 
Thank You King Thing  ;)
mp3 320kbps
The original mix - https://soundcloud.com/kingthing/no-set-beat

King Thing - No Set Beat (I set Beat Maximize Remix)

- Administrator Sonderspur @ www.facebook.com/sonderspur 

- Resident Dj - Bar99 (Ex-Vinylbar), Sonderspur & Tanztrieb 


Booking & Kontakt

- www.facebook.com/vinylmanny

- vinylmanny@gmx.de

- www.facebook.com/pages/Vinyl-Manny/141386616060470


!!! LET the Geballer Entertain you !!!

Vinyl Manny - Back Trip 11.12.2013...100% Vinyl

My remixes of Sterac's classic Thera, typical "classic" detroit techno feel.
Due to be released on 100% Pure summer 2012

Sterac - Thera (2000 and One Classic RMX)

TWIN TURBO - HARVARD BASS - CREAM

Twin Turbo creams all over the dancefloor with the latest release from Harvard Bass. Featuring a remix by Ambivalent.

For his second release on Twin Turbo, San Diego's Harvard Bass whips the cream right out of dancers' jeans, which seems like something that should appeal to pretty much everyone, including the big-name DJs (Tiga, Brodinski, Zombie Nation) who privately chart his every move.

First, the title track walks right in and kicks you repeatedly in the toms, bringing the bass and party bleepin' that's become as cherished a part of our cultural fabric as the acoustic guitar or the air horn. With its infectious, sped-up hip-hop vocal, "Cream" could become the biggest track in the world, or something you play for friends for the first time for the next 20 years. It's not  for us to dictate the life of our artist's work, only to shove it into the waiting arms of any weirdo with five euros and a GMail account. Meanwhile, the narcotized vocal sample on "Pimps" promises listeners "everything they want in life," and delivers with the kind of clap workout they've been dreaming of since the moment of conception.

For the remix, we looked to someone to whom it seemed wise to look. With releases on M-nus and Plus 8, multiple collaborations with Alexi Delano, and remixes for the likes of Plastikman, Berlin-based American Ambivalent was, we felt, an inspired and courageous choice to take on as balls-all-over a track as "Cream." And what he delivers is perhaps the greatest marriage of German tech precision and Florida bass energy since Volume Four of the Orlando-Munich Connection comp series.

Twin Turbo - big-room anthems in the name of Truth, Brotherhood, and Inclusionality since late-mid-2011.

Twin Turbo 017 - Cream

Havard Bass - Cream (Ambivalent Remix)

Turbo CD 028 Jori Hulkkonen MAN FROM EARTH
The world we live in, on a very fundamental level, is flawed.  On the eve of my tenth album release I'm still writing my own bio and wondering if I should refer to myself in third person, analyze the past 15 years and justify bad career moves as artistic integrity, and promote myself as the unsung hero of techno and house; a mere victim of poorly timed strokes of genius (numerous!) and being born in the wrong part of the world.  Well, sarcasm never really did become me, and irony works only if unnoticed. Double fail.  It's easy enough to google up some old Jori Hulkkonen bio with real biographical info, or check out my discography from my website so I'll spare you the boring details of my "career".  Ever since the late 80's when my obsession with all things music started to manifest itself with an increasingly verstaile record collection and eventually some synths and experiments in songwriting, it has been quite clear to me that I'm destined to create my life's work within the business. The problem is that as an idealist cynic with tight grip on realism I'm well aware that 'the biz' is a sinking ship more or less, and I'm already dancerously close to the waterline. But the good news is that I stopped caring.
Here's why:
Having released my first proper artist album in 1996 for the French label F communications (defunct now since 2008, with my album "Errare Machinale Est" as their final release -coincidence?), I've managed to do something I never thought would be possible, something that I'm the most proud of all things in my career: never becoming popular.  After nine albums, dozens of pseudonym releases on superhot labels (like Rekids and Get Physical just to mention a couple from the past few years), close to a hundred remixes, my own radioshow on national radio for more than a decade (in Finland though, so it may not count), thousands of DJ gigs all over the world under my belt (OK I never actually counted but a quick calculation tells me it must be close to 2000 now), producing and writing songs for the likes of Tiga (whom I created in the first place), and having a reputation as a producer who can make an 808 kickdrum sound like a jazzy flute, you'd expect that there was a time when I was The Shit. But I never was!  Sure enough there's a lot people who never were "big", but are they still working? Releasing albums, singles, getting remix requests and DJing all over after 15 years? No. But I am. And this I see as my greatest achievement and there's a lesson to be learned everyone: If you never become trendy it's impossible for you to become untrendy.  Will all this change now though with my hotter than hot new album on Turbo, or the buzz around my Acid Symphony Orchestra (a piece I wrote for ten tb-303's and a 707, conducted by me)? Or the rumoured collaboration with Chris Lowe of the Pet Shop Boys?
It remains to be seen but I'm dedicated to give my best shot to not let it happen.
Man From Earth, my tenth studio album, is the first "Jori Hulkkonen" album not released on the now defunct F communications.
How will this change of label affect my sound? Is this the end of ballads, jazz and ambient? Of course not -not even for me - but the album is a deliberate (as in not forced) departure from the bedroom vibes with focus on jams for the dance crowds.
Recorded at my alppIVhouz studios, most of the tracks were intended for 12" singles so they are not album tracks as such, therefore the album is maybe not as coherent and subtle as some of my previous efforts. But what it may lack in atmospheric synthpads, "scandinavian mooddesign" and social commentary it makes up in catchy basslines, sizzling hihats and semi-danceable tracks.


King Thing - No Set Beat (I set Beat Maximize Remix)

Iliyan