Nath Dig Payi Ft. Surjit Bindrakhia [Full Version]

Produced, Mixed & Mastered by SXCK 🪐

Hit ♥ if you love Astro Vibes !!

UTOPIA

Kuldeep Manak - Jeona Morh (Phonk Remix)

produced 20yrs ago by DJ Sunshine, many copies made since then but this is still the best!

Surjit Bindrakhia - Geetan Da Guldasta (original medley mix by DJ Sunshine and still the best!)

Taara - Veet Baljit Dj Hans mix

Kuldeep Manak (Sucha Soorma - Path Of The Righteous Man)

More remixes to be released on a regular basis!

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Sucha Remix - Kuldeep Manak & Jazzy B

The Kartar Groove (Ft. Kartar Ramla x Parmjit Sandhu)

This mix features Kuldeep Manak style vocals by Sardool Sikander in the album 'Roadways Di Laari'. To all club going punjabi and hip hop music fans from the 90's. Track mixed up by 90's Djs Maximum NRG UK. Other tracks used in the mix are:
1: DAS EFX - Gimme Dat Micraphone
2: DAS EFX - They want EFX remix
3: Lords of the Underground - Funky child
4: Lords of the Underground - Lord Jazz hit me one time.

Roadways di Laari 2K15 scratch mix ('the funky child')

Check out my mix of 'Jagge Jatt Wangu' by Manjit Rupowalia & Jelly Manjeetpuri.

Manjit Rupowalia & Jelly Manjeetpuri - Jagge Jatt Wangu (The Folk Soundz Remix)

Sahiban's Letters | Kuldeep Manak | ParasiteDARK

Heartbeat - Nawab - DJ SSS x DJ Hans

Maximum NRG (The Funky Child): Bhangra and Breaks

In the early 1990s, West London, England was the scene of South Asian kids expressing themselves though music. This sub-culture was marked by two main influences, rural sub-continent lyrics underlaid by jeep beats. This new urban sound had amongst it's ingredients Punjab’s folk music Bhangra combined with US influenced hip-hop. This was the setting we found ourselves in, the DJs known as Maximum NRG (terrible name – we know). 

Formed by a few mates from Southall and Hounslow in the early 90s, we had by the end of that decade been lucky enough to be part of a movement that combined the already evolved sound of say Wolverhampton's Sahotas with Brooklyn’s Notorious B.I.G. Friends such as Hustlers Convention, Asian DJ Culture and Ambassadors of Sound were huge critical masses of that scene. 

The finest moments of this identity expression was to be found in the weekly schedules of mainstream music clubs, beginning in London that hosted, now almost beyond imagination, nights like Bombay Jungle at The Wag, and the incomparable Hot 'n' Spicy at Shaftesbury Avenue’s disused church: Limelight. Birmingham and Nottingham also stood out with Church Club and Kitsch Club. Suddenly, Bhangra was no longer suburban.

This is reputation that we hope Maximum NRG is remembered for. To have, along with tenacious promoters, brought weekly bhangra nights into the public arena – we're talking weekly Bhangra in Chinatown! Suddenly the term minority just seems idiotic. Taking music that we were listening to in our cars, homes, weddings and Walkmans and pumping it though the sound rigs at Ministry of Sound, Bagleys and even Britain’s favourite seaside camp site Great Yarmouth, we found that not only was there a market for it but it was based on genuine musical love. Those who we played with, and to, did not wish to make a choice between Jungle, Bhangra, H&G, R 'n' B and Hip-Hop. 

They wanted the diversity - that was and is our British identity. 

Us? We were just lucky to be available and unemployed and had amongst us a pretty good Mixman - The Funky Child. So, this page is for him and for all those who let us entertain them – thank you ji for the memories. We may never see their likes again.

Thank you for allowing us to share some of those mixes that we tried live at clubs with nothing but two decks, a mixer and a mic. One night we even plugged a three band Walkman with low-battery so we could play Bindrakhia’s Dupatta.  We couldn't do any "rewind" requests! 

We hope you enjoy our old-skool Bhangra sound, it has brought us many awards but what we love most is that because of the music we mix, we can dream that Sardool Sikandar’s best mate was DJ Premier.

#bhangralove