Name: Barnyard Funk by Max McWhirter
Duration: 2 min 24 s
Description: Here's a real old one that I'll never get around to finishing, probably the most serious thing i've ever made

That's well done. That rooster solo is the shit.

would be awesome without all the animal sounds haha

These animal samples are like Comparative Anatomy done right.

MAGIC CHORD for OLIVER. A six note chord (5:9:12:15:18:22) spelled out by my dog's name. This is a recording made in my living room with the windows open. I have purposefully not edited it or cleaned it up so that it preserves life happening around it, whether that is the sound of my other dog investigating the microphone or the sound of my footsteps creaking around my flat. I was thinking about that conversation between Cage and Feldman (excellently framed in David Fennessy's Piano Trio (2019)): 'Let's imagine... that the concert is in a room, and that one door from that room is open, and in the room upon which it opens, radio music is audible. Now, must that door be closed or may it be left open?' (Cage and Feldman 2015, p.18).
I've also been listening to Catherine Lamb again recently, particularly to her LP shade/gradient (2017), and reading about her use of different fundamentals. This nudged me into overlapping three versions of the MAGIC CHORD for OLIVER in the space with fundamentals tuned at the ratio 190:191. Band pass filters pursuing a slow process of sweeping across the frequency range add further layers of exposure and concealment, like clouds passing in front of the sun.

Cage, J. and Feldman, F. 2015. Radio Happenings: Conversations 1966-1967. MusikTexte.
Fennessy, D. 2019. Piano Trio (Music for the pauses in a conversation between John Cage and Morton Feldman). Psappha. Panopticon. [CD]. NMC Recordings.
Lamb, C. 2017. shade/gradient. Black Pollen Press.

MAGIC CHORD for OLIVER

Here's a real old one that I'll never get around to finishing, probably the most serious thing i've ever made

Barnyard Funk

Original piece by Amber Leith / Daniel Igoe
https://soundcloud.com/amber-leith/hopeless

Hopeless ft. Amber Leith

-- Initial takes from forthcoming CD --

Richard Craig - Solo Alto Flute

Recorded in Brunel University, London on the 25/04/18
Recorded by John Croft, CHIARO AUDIO (chiaro-audio.uk)

Kristian Ireland - luminous (extract 2) 2012 - 2014

The Mother Julian EP

As Told By A Nightingale (demo)

Tetrachordal Schematism

Phone recording's a bit iffy, but I had a moment of inspiration warming up today and I rather like it. If you like this, you'll like Mother Julian :)

Earth; she sang

Another experiment in granular synthesis.

Granular Drone

This is a rework of our track 'Ride The Waves' from our recent EP 'Chemicals'. Music, Arrangement by Chris Bainbridge (Man of Moon). Production and Mixing by Andy Bush

Barnyard Funk

Max McWhirter

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