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TECH110: MaxNRG - Now Hear This / Midnight Rider

From grimy trap to main-stage D&B, from delicate melodies to stupidly big basslines, from Ukraine to the UK, MaxNRG's got it covered. Since signing to Technique he's demonstrated a level of versatility that's meant each new release comes with the promise of some new twist in the bass-music tale. Listen to the horror-movie darkness of Danger Zone, the electro-acid road joint Dis Way We Gotta Do It and the proudly Eastern European Arkan, and you wouldn't even know it was the same mind at work. 

So what's the story this time? 

Now Hear This is straight wheel-up-and-come-again material. A percussive first thirty-two establishes a base level of tension, before a textbook breakdown and build combo ramps it even further. Then a monster drop, made of battling percussive riffs and driving basslines supported by iron fist drums, provides the rave exactly what it's been waiting for. Then Max breaks it down to show he's still got more where that came from for the second drop. This is a mighty piece of dancefloor science and a party-hyping essential. 

Then, of course, it's a different vibe for Midnight Rider. Paying homage to his roots, Max weaves balalaika samples into the rough-hewn bass and beats, giving this tune a uniquely haunting quality. This is soulful D&B done Ukrainian style, undeniably led by melody but without ever sacrificing raw dancefloor power. It's a track with a big-room, hands-in-the-air mentality, but delivered with the subtlety that a real instrument brings to the table. 

With this release, MaxNRG has shown he's still got no interest in sticking to a formula. Constantly evolving and rewriting the rule-book as he goes, he's capable of reliably supplying the dancefloor with weighty bass and beats while still pushing genre-boundaries. Stay locked, because this journey has many more miles to go. 


Tracklisting: 

1.	MaxNRG - Now Hear This 
2.	MaxNRG - Midnight Rider 


For interview requests and further information, contact: 

info@techniquerecordings.co.uk

MaxNRG - Now Hear This (Technique Recordings, TECH110) [Friction 1st play on BBC Radio 1]

Bookings: 
Ukraine: maxnrg@gmail.com 
Worldwide: info@techniquerecordings.co.uk

MaxNRG is a drum’n’bass music producer from Lviv, Ukraine, from where he has been instrumental in pushing the D&B and underground dance music movement across Eastern Europe. He began his journey in late 90’s, experimenting with various genres until he fell in love with drum and bass. Since then, he's steadily established his position as the top boy in the scene in his home country.

He released his homeland's first D&B album "Dead Voice" in 2002, as well as becoming the remixer of choice for many top Ukrainian artists. His crew Funk Masters, which includes his collaborators Derrick & Tonika, have since gone on to promote huge events across the region and to form their own label DNBSession Music. 
Among Ukranian junglists, his crew will be forever legendary for the anthem "Ruhaymo Jungle Massive", featuring MC N.E.D., and for their 2008 debut album "Drum and Bass Nation".

Having proven his credentials in Eastern Europe, Max began his campaign on the rest of the world with a well-received remix of Pendulum's "The Island", which came third out of more than eight-hundred entries in their remix competition in 2010. 
In 2012 MaxNRG's global reputation was secured with his signing to Technique Recordings.

From grimy trap to main-stage D&B, from delicate melodies to wicked big basslines, from Ukraine to the UK, MaxNRG's got it covered. Since signing to Technique he's demonstrated a level of versatility that's meant each new release comes with the promise of some new twist in the bass-music tale. Listen to the dancefloor smashers ‘Kill The Snake’, 'Now Hear This' and ’50 000’, horror-movie darkness of '“Danger Zone'”, vocal dnb 'Hide Away My Heart', the electro-acid road joint 'Dis Way We Gotta Do It', uplifting 'Far Frontiers from Space' and the proudly Ukrainian “'Arkan' and you wouldn't even know it was the same mind at work. 

MaxNRG has shown he's still got no interest in sticking to a formula. Constantly evolving and rewriting the rule-book as he goes, he's capable of reliably supplying the dancefloor with weighty bass and beats while still pushing genre-boundaries. This is intelligent rave music that hits hard!




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